All stories by Heather Neill on BroadwayStars

Tuesday, July 30, 2019

The Girl on the Train, Duke of York's Theatre review - boozy psycho-thriller rolls clunkily into town by Heather Neill

Samantha Womack lurches valiantly through this scarcely credible crime drama It may help if you love the book. It was a runaway bestseller, so fans must be legion, but a suspenseful story wh…

SOURCE: theartsdesk.com at 10:18PM
Saturday, July 13, 2019

theartsdesk Q&A: Lia Williams on the challenges of theatre by Heather Neill

As The Night of the Iguana opens, the actor renowned for playing dual roles talks Tennessee Williams, Pinter - and Wallis Simpson Lia Williams is not an actor who looks for easy options. Twi…

SOURCE: theartsdesk.com at 07:24PM
Thursday, May 16, 2019

Henry IV Parts 1 & 2/Henry V, Shakespeare's Globe review - helter-skelter ensemble history trilogy by Heather Neill and David Nice

Doubling, humour and an outstanding female Henry V Henry IV Part One (***)

SOURCE: theartsdesk.com at 05:48AM
Thursday, May 9, 2019

Death of a Salesman, Young Vic review - new-minted revival of a masterpiece by Heather Neill

Arthur Miller's tragedy from an African-American viewpoint The Young Vic, a welcoming theatre with a culturally diverse audience, has been home to memorable Miller revivals before, notably I…

SOURCE: theartsdesk.com at 11:42PM
Friday, April 26, 2019

theartsdesk Q&A: William Nicholson by Heather Neill

The Shadowlands playwright talks about C S Lewis, love, pain and being a writer It is 30 years since Shadowlands, William Nicholson's much-loved play about C S Lewis's unexpected love affair…

SOURCE: theartsdesk.com at 07:59PM
Monday, March 25, 2019

Mary's Babies, Jermyn Street Theatre review - rollercoaster investigation of the results of early fertility treatment by Heather Neill

Two-hander provides multifarious acting opportunities but insufficient focus Obstetrician Dr Mary Barton had the best of intentions. As a missionary in India she had observed the poor treatm…

SOURCE: theartsdesk.com at 08:45PM
Thursday, February 21, 2019

Tartuffe, National Theatre review - morality-heavy version of the comedy classic by Heather Neill

★★ TARTUFFE, NATIONAL THEATRE Morality-heavy version of the comedy classic Brexit provides an unwelcome motor for John Donnelly's Molière-with-a-twist Here's a recipe for a successful N…

SOURCE: theartsdesk.com at 09:41PM
Sunday, February 17, 2019

Agnes Colander: An Attempt at Life, Jermyn Street Theatre review - Naomi Frederick shines in 'new' Granville Barker by Heather Neill

A rediscovered early work by one of the giants of Twentieth Century theatre focuses on a woman's struggle for independenceRemembering meeting Harley Granville Barker when casting him as…

SOURCE: theartsdesk.com at 07:42PM
Wednesday, November 28, 2018

Ralegh: the Treason Trial, Sam Wanamaker Playhouse review - gripping verbatim court case by Heather Neill

Jacobean and contemporary justice collide in audience-involving dramaForget the cloak in the puddle. Never mind potatoes and tobacco. The children's book cliché of Sir Walter Raleigh (or Ra…

SOURCE: theartsdesk.com at 09:36PM
Monday, November 12, 2018

Robert Hastie: 'a seam of love runs through the play' - interview by Heather Neill

The director talks about Macbeth in the candle-lit Sam Wanamaker Playhouse, cross-gender casting and the director's roleRobert Hastie is a little late for our meeting. Directing Shakesp…

SOURCE: theartsdesk.com at 03:24AM
Thursday, November 8, 2018

Don Quixote, Garrick Theatre review - riotous revival of Cervantes' much-loved chivalric tale by Heather Neill

RSC transfer presents a crowd-pleasing mix of metatheatrical comedy and music with, ultimately, a touch of melancholy Don Quixote and his paunchy sidekick long ago escaped the pages of Migue…

SOURCE: theartsdesk.com at 09:36PM
Tuesday, October 23, 2018

Macbeth, RSC, Barbican review - tense but flawed take on Shakespeare's blood-boltered tragedy by Heather Neill

Horror flick echoes fail to meet all the play's challengesIt has been said before: Macbeth's reputation for bad luck has more to do with the difficulty of bringing off a successful prod…

SOURCE: theartsdesk.com at 09:06PM
Friday, September 28, 2018

Pinter at the Pinter, Harold Pinter Theatre review - harrowing and comic short pieces from the master by Heather Neill

An ambitious celebratory series kicks off in fine fashionTen years after Pinter's death, Jamie Lloyd has set about honouring the Twentieth Century's outstanding British playwright in an ambi…

SOURCE: theartsdesk.com at 12:04AM
Friday, September 7, 2018

Square Rounds, Finborough Theatre review - the science behind warfare, told in verse by Heather Neill

Didactic theatre piece stronger on facts than dramaThe title of Tony Harrison's teacherly entertainment - it can't be called a play - refers to the square bullets invented by James Puckle to…

SOURCE: theartsdesk.com at 06:06PM
Friday, August 3, 2018

The Importance of Being Earnest, Vaudeville Theatre, review - Sophie Thompson triumphantly tackles the handbag challenge by Heather Neill

Oscar Wilde's best-loved comedy with extra homo-erotic innuendoAny actor playing Lady Bracknell must dread the moment when she (or, indeed, he) has to deliver that unforgettable line ab…

SOURCE: theartsdesk.com at 12:32AM
Thursday, July 26, 2018

King Lear, Duke of York's Theatre, review - fast-paced, modern-dress production by Heather Neill

Ian McKellen gives a towering performance as Shakespeare's capricious monarch Jonathan Munby's production, first seen last year in Chichester, reflects our everyday anxieties, emphasisi…

SOURCE: theartsdesk.com at 11:36PM
Thursday, July 12, 2018

As You Like It, Regent's Park Open Air Theatre review - love among the bucolic hippies by Heather Neill

Earnest environmental messages underpin a celebratory, musically gleeful revival of Shakespeare's cross-dressing favouriteIt's been raining in Regent's Park. On a balmy summer evening d…

SOURCE: theartsdesk.com at 06:42PM
Friday, May 25, 2018

Peter Pan, Regent's Park Open Air Theatre review - ensemble playing at its best by Heather Neill

The boy who never grows up flies into the First World War This exuberant production both clarifies and further complicates the conundrum of Peter Pan. In any production true to Barrie there …

SOURCE: theartsdesk.com at 10:32PM
Wednesday, April 4, 2018

The Country Wife, Southwark Playhouse review – knowing Restoration update by Heather Neill

Wycherley’s sexy comedy transplanted to the Roaring TwentiesEven in its successful early days Wycherley’s 1675 comedy was notorious, but it was considered too lewd to be staged at all be…

SOURCE: theartsdesk.com at 02:30PM
Sunday, March 11, 2018

Brief Encounter, Empire Cinema review – poignant, hilarious revival by Heather Neill

Emma Rice's lauded stage version of the film returns with charm and inventiveness intactIt would be so easy to make fun of the 1945 Noel Coward/ David Lean film in which, famously, noth…

SOURCE: theartsdesk.com at 08:50PM

Brief Encounter, Empire Cinema review – poignant, hilarious revival by Heather Neill

Emma Rice's lauded version of the film returns with charm and inventiveness intactIt would be so easy to make fun of the 1945 Noel Coward/ David Lean film in which, famously, nothing ha…

SOURCE: The Arts Desk at 10:42AM
Monday, February 12, 2018

Somewhere a Gunner Fires review at King’s Head Theatre, London – ‘wordy constraints’ by Heather Neill

Tom Stuchfield tells fascinating stories. They are jam-packed with detail: heroic, messy, bloody, romantic, humorous. Unfortunately, this rich material about a group

SOURCE: The Stage Registration at 09:57AM
Tuesday, January 9, 2018

Imaginationship review at Finborough Theatre, London – ‘neatly structured’ by Heather Neill

Sue Healy’s Imaginationship, previously staged as a reading at the Finborough, is expertly patterned. Events and characters, each embodying some aspect of

SOURCE: The Stage Registration at 07:09AM
Wednesday, December 13, 2017

Dick Whittington review at Yvonne Arnaud Theatre, Guildford – ‘rollicking traditional panto’ by Heather Neill

Here’s a clever invention: a ratnav. This gilded box both susses out vermin and bursts into song at the least hint: say

SOURCE: The Stage Registration at 05:31AM
Monday, December 4, 2017

Dear Brutus, Southwark Playhouse review – a judicious mix of comedy and sadness by Heather Neill

Barrie’s grown-up fantasy gets a welcome centenary revivalConfused people, some of whom may have made the wrong choices in life and love, find themselves in an enchanted wood at Midsummer.…

SOURCE: The Arts Desk at 10:18PM
Wednesday, October 11, 2017

Saint George and the Dragon, National Theatre review – a modern folk tale in the Olivier by Heather Neill

England’s patron saint travels through time to demonstrate changing views of heroismBold and fearless are adjectives that might describe playwright Rory Mullarkey as accurately as any chiv…

SOURCE: The Arts Desk at 10:48PM
Tuesday, October 10, 2017

Nikki Amuka-Bird interview: 'There’s huge enthusiasm among actors of colour' by Heather Neill

Ibsen hits the Caribbean in The Lady from the Sea at the Donmar. Its star explainsNikki Amuka-Bird spent the summer in Antigua, swimming and scuba diving and could have claimed to be working…

SOURCE: The Arts Desk at 04:33AM
Monday, September 11, 2017

The Night Pirates review at Rose Theatre, Kingston –’high production values’ by Heather Neill

You can’t go wrong with pirates. All that swash and buckle, big hats and treasure trove provide excellent ingredients for a show

SOURCE: The Stage Registration at 12:54PM
Friday, September 8, 2017

Waiting for Godot review at the Arts Theatre, London – ‘a well-oiled machine’ by Heather Neill

When the 24-year-old Peter Hall unleashed the first English language version of Waiting for Godot at this very theatre 62 years ago,

SOURCE: The Stage Registration at 08:34AM
Thursday, August 31, 2017

A Fox on the Fairway review at Queen’s Theatre, Hornchurch – ‘laughs are thin on the ground’ by Heather Neill

The costumes in Colin Falconer’s design are paint-box bright – scarlet, lime green and bilious yellow. There should be no room for

SOURCE: The Stage Registration at 11:56AM
Tuesday, August 29, 2017

Windows review at Finborough Theatre, London – ‘period charm’ by Heather Neill

There are French windows in Alex Marker’s splendid set, but they are not the kind through which someone is likely to burst

SOURCE: The Stage Registration at 11:07AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic