If the reader will permit me to pierce the critical veil, for one brief instance, I’d like to relate a conversation that took place between myself and a friend at a bar in Chelsea, while w…
SOURCE: Culture Bot at 12:00PMCulturebot contributor Hani Omar Khalil
SOURCE: Culture Bot at 09:30AMHani Omar Khalil discusses Ibrahim El- Husseiny's "Comedy of Sorrows" playing this weekend @HERE Arts Center
SOURCE: Culture Bot at 03:10PMCulturebot contributor Hani Omar Khalil responds to Mohammed Fairouz’s Symphony No. 4, "In The Shadow of No Towers" which premiered on March 26, 2013 at Carnegie Hall.
SOURCE: Culture Bot at 11:07PMMonday was the second anniversary of the revolution in Egypt. Culturebot Contributor Hani Omar Khalil sat down with Egyptian Playwright Ibrahim El-Husseiny in Cairo to discuss his evoluti…
SOURCE: Culturebot at 05:43PMOn the second anniversary of the Egyptian revolution, Hani Omar Khalil talks with playwright Ibrahim El-Husseiny about his evolution as a political artist and the role of theater in the shap…
SOURCE: Culture Bot at 05:43PMHani Omar Khalil writes about Mohamed Fairouz's chamber opera "Sumeida's Song", that premiered last week at HERE Arts Center, in the context of post-revolution Egypt.
SOURCE: Culturebot at 05:54AMGuest contributor Hani Omar Khalil sent us this essay on Ibrahim El-Husseini's "Comedy of Sorrows" ("Commedia Al-Ahzaan") which is one of the first theatrical responses to Egypt's 2011 revol…
SOURCE: Culturebot at 08:14PM
