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Hope, comedy, violence and suffering: Rotimi Babatunde's stage adaptation of Lola Shoneyin's novel is a sweet show that leaves a sour taste.
The post Review: The Secret Lives of Baba Segi…
The Strong Female Character and unicorns: Hailey Bachrach reviews an adaptation of Charlotte Perkins Gilman's iconic novel.
The post Review: The Yellow Wallpaper at the Omnibus Theatre appea…
Playing for England: Sabrina Mahfouz and Hollie McNish's story of women and the beautiful game is touring football clubs and theatres nationwide.
The post Review: Offside appeared first on E…
It's not rape if... Hailey Bachrach writes on Nina Raine's clever, troubling exploration of assault and the justice system.
The post Review: Consent at the Harold Pinter Theatre appeared fir…
'The tried-and-true dynamic of steely mother and slightly hapless son': Hailey Bachrach reviews a revival of D H Lawrence's play set during the 1912 miners strike.
The post Review: The Daugh…
Different hymn sheets: writer Rajiv Joseph and director Lisa Spirling don't see eye to eye in this spiralling history of Russia.
The post Review: Describe the Night at the Hampstead Theatre …
The mysteries of love: Hailey Bachrach reviews Matthew Lyons' puzzling, Shakespeare-inspired verse romance.
The post Review: Broken at Old Red Lion Theatre appeared first on Exeunt Magazine.
In Shakespeare's birthday week, Hailey Bachrach argues that there's nothing dull about recent reinventions of his work.
The post Have we actually broken Shakespeare? appeared first on Exeunt…
An uneasy mix: Simon Dormandy's production combines squirmy sexual politics with knockabout comedy.
The post Review: Much Ado About Nothing at Rose Theatre Kingston appeared first on Exeunt …
A poem about a poet: Luke Wright's second verse play dives into the political turmoil of Thatcher's Britain.
The post Review: Frankie Vah at Soho Theatre appeared first on Exeunt Magazine.
A queasy confection: Hailey Bachrach on the uneasy laughs of a Wodehouse-inspired comedy.
The post Review: Cream Tea and Incest at Hope Theatre appeared first on Exeunt Magazine.
The Pippin Problem: this fresh revival of Stephen Schwartz's musical is too tentative.
The post Review: Pippin at Southwark Playhouse appeared first on Exeunt Magazine.
Reset and start again: Hailey Bachrach reviews the premiere of Stephanie Jacob's family comedy
The post Review: Again at Trafalgar Studios appeared first on Exeunt Magazine.
A case study in miscalculation: Henry Darke's new play forgets to check its privilege.
The post Review: Booby’s Bay at the Finborough Theatre appeared first on Exeunt Magazine.
A reminder that we’re all just people: Hailey Bachrach reviews the West End transfer of David Eldridge's will-they-won't-they drama.
The post Review: Beginning at the Ambassadors Theatre …
"It’s a show you can’t take notes about, don’t really want to be a critic about, don’t really want to be an adult about."
The post Review: Wild Life FM appeared first on Exeunt Magaz…
Unexpectedly dark and messy: Hailey Bachrach reviews Sam Potter's new play about motherhood.
The post Review: Hanna at the Arcola Theatre appeared first on Exeunt Magazine.
What should one expect of a play subtitled ‘a queer epic’? Hailey Bachrach reviews Hal Coase's interweaving of four historical love stories.
The post Review: Callisto: a queer epic at th…
That damned love triangle: Hailey Bachrach reviews the premiere of a revised version of Andrew Lloyd Webber's The Woman in White.
The post Review: The Woman in White at Charing Cross Theatre…
Slyly lefty and warmly inclusive: Exeunt's American writer Hailey Bachrach gets to grips with her first pantomime.
The post Review: Jack and the Beanstalk at the Lyric Hammersmith appeared …
Hailey Bachrach reviews Lot Vekemans' naturalistic story of a couple hollowed out by grief.
The post Review: Poison at Orange Tree Theatre appeared first on Exeunt Magazine.
The miracle of unburdening yourself: Hailey Bachrach reviews Angela Clerkin's "gothic fairytale".
The post Review: The Secret Keeper at Ovalhouse appeared first on Exeunt Magazine.
"Nailed it": Hayley Bachrach overcomes her fear of the form at Pop-Up Opera's accessible production of Englebert Humperdinck's Hansel and Gretel.
The post Review: Hansel and Gretel at the Vi…