Friday, January 15, 2021
Why is it so hard to show the dance world as it is? This Netflix series about students at a ballet school is yet another cartoonish depiction.
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Discipline and abandon gave the dancer an ingrained elegance, an internal organization of the body that you sense even when it’s not pronounced.
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Heather Lang and Ebony Williams of “Jagged Little Pill,” talk about their work on Broadway and dealing with life on pause.
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Anne Teresa De Keersmaeker’s dances for the Broadway revival swarm and sweep, but Robbins’s choreography was something more central: the libretto.
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Alexandria Wailes deftly weaves choreography and American Sign Language in Ntozake Shange’s “For Colored Girls.”
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Ephrat Asherie collaborates with her jazz pianist brother to place Ernesto Nazareth’s music in a world of breaking, house, hip-hop and vogue.
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In Elizabeth Streb and Anne Bogart’s “Falling & Loving,” dancers and actors share the stage with the Guck Machine, which emits a waterfall of food andother objects.
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Tuesday, June 11, 2019
Raja Feather Kelly, who has left his mark on several Off Broadway shows, specializes in what he calls “virtuosic behavior.”
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Standard or (worse yet) slight fare gets nominated for best choreography while quality work — “Oklahoma!,”“The Prom” — goes unrecognized. An exception: Camille A. Brown’s dance…
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The choreographer and performance artist Ann Liv Young is using her Bushwick apartment — and her daughters and animals — in her version of “Antigone.”
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The choreographer John Heginbotham and the director Daniel Fish want the dance to “change the way we experience the show.”
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The wife-and-husband team of Sara Mearns and Joshua Bergasse talk about working together on “I Married an Angel” for Encores! Reader, she Lindy Hops.
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Gaspar Noé’s “Climax” is the latest movie to push the ecstatic, frightening qualities of dance into horror. A body holds plenty of space for terror.
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The choreographer Camille A. Brown deftly uses the tradition of step to add “a heartbeat to the story” of Tarell Alvin McCraney’s musical play, now on Broadway.
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A talk with the director and choreographer Casey Nicholaw: “The world has gotten so serious. It’s time to be on a dance floor together.”
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Amar Ramasar, Brittany Pollack and Craig Salstein get a chance to stretch on Broadway. With Justin Peck, they talk about the challenges and rewards.
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Using intricate choreography and cues, the Angel Shadows — dancers and puppeteers — propel the Angel into the air and operate her heavy wings.
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They tried early spring, late spring and Harvey Weinstein. But the Rockettes have yet to create a warm-weather franchise to rival their Christmas show.
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The choreographer Mandy Moore worked on Damien Chazelle’s movie musical. Among her jobs: teaching Emma Stone and Ryan Gosling how to dance.
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Ms. Pazcoguin, a soloist with the New York City Ballet, plays the elegant Victoria in the current revival of “Cats” on Broadway.
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Christopher Wheeldon’s adaptation of this Shakespearean romance, performed by the National Ballet of Canada, is part of the Lincoln Center Festival.
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The choreographer Christopher Gattelli’s “No Dames!” number in the film offered Mr. Tatum a showcase and took him out of his comfort zone.
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Pamela Tatge, the director of the Center for the Arts at Wesleyan University, is to take over beginning April 18.
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“The Seditious Conspiracy Theater Presents: A Monument to the Puerto Rican Political Prisoner Oscar López Rivera” casts the imprisoned man as a victim.
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Ms. Walley-Beckett, a “Breaking Bad” writer, applies a similar sensibility to the dance world in a new series for Starz.
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Ms. Copeland, of American Ballet Theater, is briefly playing the role of Ivy, a.k.a. Miss Turnstiles, in the hit Jerome Robbins revival at the Lyric Theater.
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The museum will showcase the work of Anne Iobst and Lucy Sexton, who brought an intense, highly choreographed whirlwind of unison dancing and brutal slapstick to the East Village.
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In “Matthew Bourne’s Swan Lake” at City Center, Mr. Bourne’s reinterpretation of a classic raises the ballet’s inherent sexiness and gives Tchaikovsky’s m…
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The film, an “American Masters” episode directed by Ric Burns, features interviews with critics, dancers and directors.
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This dance-theater work from Mark Dendy at Joe’s Pub includes a cast of historical and contemporary characters from Astor Place and the surrounding area.
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