Friday, January 14, 2022
The Northern Irish choreographer Oona Doherty looks at despair through an ethereal lens at the Irish Arts Center.
SOURCE: The New York Times Subscription at 02:36PMWednesday, January 12, 2022
The choreographer continues his research into African American worship and the Black Shakers in “Power” at the Brooklyn Academy of Music
SOURCE: The New York Times Subscription at 11:51AMFriday, December 24, 2021
Justin Peck takes over choreographic duties in the Steven Spielberg adaptation of the 1957 musical in which words, not bodies, rule the screen.
SOURCE: The New York Times Subscription at 09:00AMThursday, December 16, 2021
Darla Hoover is to be chair of faculty and Aesha Ash will fill the newly created position of associate chair at the New York City Ballet-affiliated academy.
SOURCE: The New York Times Subscription at 12:45PMTuesday, December 14, 2021
Peter Anastos returns to the comedic troupe he helped found for “Nightcrawlers,” a Jerome Robbins sendup at the Joyce Theater.
SOURCE: The New York Times Subscription at 10:01AMFriday, December 10, 2021
His days as a ballet prince are in the past. Now this regal member of Alvin Ailey American Dance Theater brings his own drama to the stage.
SOURCE: The New York Times Subscription at 11:56AMSunday, December 5, 2021
Alvin Ailey American Dance Theater returns to New York City Center with stage premieres by Robert Battle and Jamar Roberts and a stunning “Lazarus.”
SOURCE: The New York Times Subscription at 03:03PMWednesday, December 1, 2021
A year of uncertainty was capped by a happy ending: a rush of performances this fall, including standouts by masters (Twyla Tharp) and breakout stars (LaTasha Barnes).
SOURCE: The New York Times Subscription at 09:02AMTuesday, November 30, 2021
In the postponed premiere of “Wednesday” at New York Live Arts, Raja Feather Kelly asks: “Who has the right to tell anyone’s story?”
SOURCE: The New York Times Subscription at 12:35PMWednesday, November 24, 2021
The return of New York City Ballet’s holiday classic will look a little different this season, with children 12 and above and new costumes for the party scene.
SOURCE: The New York Times Subscription at 10:17AMFriday, November 19, 2021
The choreographer returns to the East Village — and La MaMa — with “Petronio Punk Picks and Other Delights,” landing in a place of nostalgia.
SOURCE: The New York Times Subscription at 11:53AMMonday, November 15, 2021
In “Twyla Now,” a program of works featuring ballet stars and a youthful ensemble at New York City Center, Tharp merges the past with the present.
SOURCE: The New York Times Subscription at 11:00AMFriday, November 12, 2021
Luciana Achugar presents the premiere of “Puro Teatro: A Spell for Utopia” at the new, improved Chocolate Factory, but its pleasures feel one-sided.
SOURCE: The New York Times Subscription at 02:12PMWednesday, November 3, 2021
Gina Gibney unveils an expanded company in three premieres by Sonya Tayeh, Alan Lucien Oyen and Rena Butler at the Joyce Theater.
SOURCE: The New York Times Subscription at 02:23PMFriday, October 29, 2021
In “Review,” the choreographer Madeline Hollander reimagines months of unseen dance performances at the Hamilton Fish Pool in Manhattan.
SOURCE: The New York Times Subscription at 02:34PMWednesday, October 27, 2021
American Ballet Theater’s fall gala featured “ZigZag,” an energetic yet dated premiere by Jessica Lang to songs sung by Tony Bennett.
SOURCE: The New York Times Subscription at 01:39PMSunday, October 24, 2021
The New York City Center festival presented exceptional works by Alexei Ratmansky and Ayodele Casel, including a captivating premiere.
SOURCE: The New York Times Subscription at 03:30PMFriday, October 22, 2021
American Ballet Theater returns to Lincoln Center with its full-length production — and with it, a breakthrough performance by Skylar Brandt.
SOURCE: The New York Times Subscription at 04:54PMTuesday, October 19, 2021
Monday, October 18, 2021
To Camille A. Brown, the choreographer and co-director of “Fire Shut Up in My Bones” at the Metropolitan Opera, this production is about legacy.
SOURCE: The New York Times Subscription at 02:40PMFriday, October 15, 2021
Maria Kowroski, the reigning principal of New York City Ballet and the last company member to have worked with Jerome Robbins, takes her final bow.
SOURCE: The New York Times Subscription at 07:32AMThursday, October 7, 2021
We talked to three New York City Ballet dancers — Megan Fairchild, Jovani Furlan and India Bradley — in the months leading up to their return to the stage.
SOURCE: The New York Times Subscription at 05:00AMWednesday, October 6, 2021
In “Sw!ng Out,” Teicher and a creative team bring vernacular dance to the Joyce. Tacked onto the end? A jam for all.
SOURCE: The New York Times Subscription at 12:58PMFriday, October 1, 2021
The Fall Fashion Gala returned with new works by Sidra Bell and Andrea Miller that felt like fast fashion: flimsy.
SOURCE: The New York Times Subscription at 02:11PMWednesday, September 22, 2021
New York City Ballet opened its fall season on Tuesday with its first full-scale performance since the pandemic began. It felt like a rainbow.
SOURCE: The New York Times Subscription at 12:58PMHe used to say he would be remembered more for his teaching than his ballets. The film “In Balanchine’s Classroom” provides a glimpse of that.
SOURCE: The New York Times Subscription at 10:00AMTuesday, September 14, 2021
Ayodele Casel and Torya Beard have organized a festival that celebrates percussive dance and artists of all ages.
SOURCE: The New York Times Subscription at 10:00AMGwen Verdon gets her due at the Fall for Dance Festival with “Sweet Gwen Suite,” a reimagining of three works made for TV in the late 1960s.
SOURCE: The New York Times Subscription at 05:00AMFriday, September 10, 2021
Madeline Hollander’s “Review” at Performa, in which performers will mark dances that have been canceled or postponed, seems an apt response to our moment.
SOURCE: The New York Times Subscription at 05:02AMWednesday, September 8, 2021
In Pablo Larraín’s unsettling film, Mariana Di Girolamo stars as a dancer who finds freedom through reggaeton dance.
SOURCE: The New York Times Subscription at 10:00AMWednesday, September 1, 2021
For the dancer, choreographer and director Francesca Harper, an “Ailey baby,” this new role is also a homecoming.
SOURCE: The New York Times Subscription at 11:00AM 
