The Fallen Idol is one of the best achieved examples in cinema of seeing the world through the eyes of a child.
SOURCE: The Arts Fuse at 09:14AMIn no way does Sweetbitter succeed in doing what you are led to expect of it: to frame the post-9/11 zeitgeist.
SOURCE: The Arts Fuse at 01:14PMThe documentary Dark Horse is all cliché and yet it’s OK.
SOURCE: The Arts Fuse at 08:13AMWhat fun to have meat carved off the revolving spit!
SOURCE: The Arts Fuse at 08:55AMI appreciate the effort to bring back this rarely seen early Godard. But there are reasons this movie hasn’t been previously revived.
SOURCE: The Arts Fuse at 09:35AMIf Owen Gleiberman has any complaint against today’s world of criticism it’s that everyone seems to be speaking in one voice.
SOURCE: The Arts Fuse at 10:00AMI was finally won over in the last act, when Everybody Wants Some! turns a little emotional, a little “girly.”
SOURCE: The Arts Fuse at 11:45PMThe really unforgivable thing about City of Gold: the dull, flat way in which the food is shown.
SOURCE: The Arts Fuse at 10:02AMThe Obamas coming to speak was a rowdy “FU” from the progressive-minded Fest to the rest of Ted Cruz Texas.
SOURCE: The Arts Fuse at 08:33AMIt’s easy to understand the lure of this historic walled city on the Caribbean.
SOURCE: The Arts Fuse at 11:45AMIt’s Twilight Zone eerie, as we embark on an anthology film of connected horror stories all happening on the Lost Highway.
SOURCE: The Arts Fuse at 09:37AMThe Coen brothers, Joel and Ethan, provide an on-target parody in Hail, Caesar!, their funny period comedy set in '50s Hollywood.
SOURCE: The Arts Fuse at 01:08AMThe best discussions are of Vertigo, with David Fincher, the most effective directorial voice of all those interviewed, leading the way.
SOURCE: The Arts Fuse at 09:32AMLaurie Anderson’s abstract drawings, 8mm documentary, found footage, and scratched-on celluloid are combined in a frequently mesmerizing way.
SOURCE: The Arts Fuse at 09:09AMWhat keeps the film churning? Not much. A bit of withheld information.
SOURCE: The Arts Fuse at 02:34PMJafar Panahi’s Taxi is a winning, happy, unhappy, humane little road movie.
SOURCE: The Arts Fuse at 05:56PMThrough the affectionate, articulate memories of those who worked there, Drunk Stoned Brilliant Dead is mostly a straight-ahead telling of the vivid life of The National Lampoon.
SOURCE: The Arts Fuse at 09:45AMDoes Meet the Patels ever go deeper than an amusing family comedy? It does for a time...
SOURCE: The Arts Fuse at 08:43AMThis film, written and directed by Lucie Borleteau, is not exactly feminist, nor need it be.
SOURCE: The Arts Fuse at 09:27AMIt’s always been fun, the best festival in North America to educate oneself with movies from foreign lands.
SOURCE: The Arts Fuse at 09:16AMBob Dylan had been soundly booed for playing a set plugged. What ninnies dictate the rules in the backwater world of American folk music!
SOURCE: The Arts Fuse at 01:19PMFor those of us who value a formal education done right, this volume is a glorious celebration.
SOURCE: The Arts Fuse at 04:39PMThis Rhode Island-shot Woody Allen film has its pleasures: interesting actors, philosophical chitchat, an appealing academic setting.
SOURCE: The Arts Fuse at 08:46AMAn artist who readily quoted Kierkegard? Actually, Robert Motherwell always resisted his media image, the ex-Ivy League graduate student who is a philosopher-intellectual before he is an art…
SOURCE: The Arts Fuse at 01:55PMA round-up of films seen and people talked to at this year's Provincetown International Film Festival -- a moveable feast.
SOURCE: The Arts Fuse at 09:02AMThis documentary explores the lives of 6 movie-crazed, teenage brothers who grew up locked away in a NYC housing project.
SOURCE: The Arts Fuse at 09:36AMWhat makes Twelve-Cent Archie such a congenial read is that Bart Beaty is a free thinker about comic books, going wherever, and with whatever improvised opinion, through his 100 brisk, chatt…
SOURCE: The Arts Fuse at 12:28PMMany of the films being made in Massachusetts are by independent Massachusetts filmmakers, most of them documentarians. Why is nobody talking about how to subsidize them via the tax credit?
SOURCE: The Arts Fuse at 10:07AMIn his Boston Globe review, Ty Burr complained Félix and Meira was needlessly slow in the telling. I felt that the movie is needlessly discreet.
SOURCE: The Arts Fuse at 12:57PMWhy did this version of Far from the Madding Crowd have to be so straight-laced and traditional, so bland and dull?
SOURCE: The Arts Fuse at 10:43AMI’ve served on several dozen film juries about the globe in the last three decades. I can’t recall ever having a choice of so many splendid films from which to award a grand prize.
SOURCE: The Arts Fuse at 08:11AM