All stories by George Hall on BroadwayStars

Saturday, January 14, 2017

Written on Skin review at Royal Opera House, London – ‘a modern masterpiece’ by George Hall

George Benjamin’s second opera, Written on Skin was premiered at the Aix-en-Provence Festival in 2012 and made a strong impression when it

SOURCE: The Stage Registration at 06:14AM
Monday, December 19, 2016

Der Rosenkavalier at the Royal Opera House review – ‘not as romantic as usual’ by George Hall

For many opera fans an orgy of nostalgia for a mythical old Vienna, Richard Strauss’ romantic comedy returns to Covent Garden in

SOURCE: The Stage Registration at 05:42AM
Tuesday, November 29, 2016

Alice’s Adventures Under Ground review at the Barbican Hall, London – ‘genius’ by George Hall

In 2011, Irish composer Gerald Barry secured a major hit with his setting of The Importance of Being Earnest, which started life

SOURCE: The Stage Registration at 06:13AM
Monday, November 14, 2016

Oreste review at Wilton’s Music Hall – ‘talented young cast’ by George Hall

For the first time, the Royal Opera takes up residence at Wilton’s for this show by young professionals from the Jette Parker

SOURCE: The Stage Registration at 06:43AM

Simplicius Simplicissimus review at Lilian Baylis Studio, London – ‘timely, if awkwardly shaped’ by George Hall

Operas about the horrors of war are always timely, even if variable in quality. Karl Amadeus Hartmann lived through the Nazi period

SOURCE: The Stage Registration at 06:27AM
Thursday, November 10, 2016

William Kentridge’s Lulu review at the London Coliseum – ‘ENO on superb form’ by George Hall

From every point of view a major undertaking for the company, Alban Berg’s Lulu, his unfinished opera about the ultimate femme fatale,

SOURCE: The Stage Registration at 03:31AM
Tuesday, November 8, 2016

Les Contes d’Hoffmann review at Royal Opera House – ‘lacks clarity’ by George Hall

The oldest production in the Royal Opera’s repertory, John Schlesinger’s staging of The Tales of Hoffmann has reached the ripe old age

SOURCE: The Stage Registration at 05:53AM
Friday, September 23, 2016

Wexford Festival Opera ‘Now we have a theatre, we must play with the big boys’ by George Hall

To many people back in 1951, it must have seemed a crazy idea. With the encouragement of the writer Compton Mackenzie, a

SOURCE: The Stage Registration at 09:00AM
Thursday, September 1, 2016

Daniel Kramer: ‘Opera is so important, so stop coming for our building. Back off’ by George Hall

Over the last few years, English National Opera has at times appeared to be falling apart in the most public way possible.

SOURCE: The Stage Registration at 05:00AM
Wednesday, December 30, 2015

2015 year in review: Opera by George Hall

The Royal Opera offered the year’s biggest – and noisiest – turkey, with a William Tell that made the headlines for all

SOURCE: The Stage Registration at 05:00AM
Friday, July 17, 2015

A Midsummer Night's Dream – orchestral manoeuvres in the park by George Hall

Garsington Opera at Wormsley, StokenchurchThis production of Shakespeare’s play, complete with a live backing of Mendelssohn’s score, is as brilliant as it is rare In the 19th century, w…

SOURCE: The Guardian at 08:09AM
Thursday, July 2, 2015

George Hall: Why do opera audiences boo? by George Hall

As many readers will know, there was an unprecedented incident of booing at the Royal Opera House the other night, during the

SOURCE: The Stage Registration at 03:00AM
Monday, May 25, 2015

Anna Nicole - Review by George Hall

Ultimately, and disappointingly, it’s an evening that rarely rises above the cheap-laugh potential of its subject.

SOURCE: The Stage Registration at 05:58PM
Monday, February 9, 2015

The Mastersingers of Nuremberg , London Coliseum by George Hall

London Coliseum: English National Opera is going through a troubled period, though that's nothing new, as anyone who has followed the company's fortunes over the decades will know.…

SOURCE: The Stage Registration at 05:24AM
Friday, February 6, 2015

Der Fliegende Hollander , Royal Opera House, London by George Hall

Royal Opera House, London: Tim Albery's 2009 staging of Wagner's The Flying Dutchman returns for its second revival. The opera is played in the continuous version Wagner conceived …

SOURCE: The Stage Registration at 05:28AM
Monday, February 2, 2015

The Marriage of Figaro , Grand Theatre, Leeds by George Hall

Grand Theatre, Leeds: Mozart's popular comedy takes to the Opera North stage in a new production by Jo Davies, who has already given the company major hits with Ruddigore and Carousel. …

SOURCE: The Stage Registration at 05:37AM

La Traviata , Leeds Grand Theatre by George Hall

Leeds Grand Theatre: Every opera company hopes to gain for its repertoire a successful Traviata - a valuable asset, as the piece seems to be endlessly popular with audiences, including newco…

SOURCE: The Stage Registration at 05:25AM
Wednesday, January 21, 2015

Andrea Chenier , Royal Opera House, London by George Hall

Royal Opera House, London: Jonas Kaufmann, the world's most widely admired operatic tenor, returns to the Covent Garden stage in what is the Royal Opera's first production of Giord…

SOURCE: The Stage Registration at 06:10AM
Wednesday, January 14, 2015

Orfeo wk4 George Hall Last modified: Wednesday, 14 January 2015 Orfeo , Roundhouse, London by George Hall

Roundhouse, London: This production marked some important firsts - the first collaboration between the Royal Opera and the Roundhouse, the first opera staging by Michael Boyd, and the Royal …

SOURCE: The Stage Registration at 12:57PM
Tuesday, December 30, 2014

Opinion: 2014 in review: opera by George Hall

From Terry Gilliam’s masterpiece Benvenuto Cellini to Glyndebourne’s intriguing Der Rosenkavalier, there were plenty of worthwhile operas this year, writes George Hall The Royal Opera of…

SOURCE: The Stage Registration at 07:00AM
Friday, December 19, 2014

Un Ballo in Maschera , Royal Opera House, London by George Hall

Royal Opera House, London: German director Katharina Thoma's first UK production was Ariadne auf Naxos for Glyndebourne, which received a mixed reception. Her second, and her first work…

SOURCE: The Stage Registration at 10:23AM
Monday, November 24, 2014

The Gospel According to the Other Mary , London Coliseum by George Hall

London Coliseum: To a libretto by Peter Sellars based on the Old Testament, the New Testament, the medieval abbess Hildegard of Bingen and the writings of half a dozen politically active and…

SOURCE: The Stage Registration at 05:29AM
Tuesday, November 4, 2014

Idomeneo , Royal Opera House, London by George Hall

Royal Opera House, London: Austrian director Martin Kusej, a leading member of the German Regietheater movement, makes his Royal Opera debut with Mozart's early masterpiece, set after t…

SOURCE: The Stage Registration at 05:07AM
Monday, October 6, 2014

Moses in Egypt , Wales Millennium Centre, Cardiff by George Hall

Wales Millennium Centre, Cardiff: Stirringly entitled 'Liberty or Death!', Welsh National Opera's autumn season makes a feature of two relatively unfamiliar works by Rossini -…

SOURCE: The Stage Registration at 05:51AM
Friday, October 3, 2014

The Girl of the Golden West , Coliseum, London by George Hall

Coliseum, London: In 1904 Puccini turned a play by David Belasco - Madam Butterfly - into one of his most successful operas, and it was doubtless with the hope of repeating the trick that he…

SOURCE: The Stage Registration at 06:21AM
Monday, September 22, 2014

William Tell , Wales Millennium Centre, Cardiff by George Hall

Wales Millennium Centre, Cardiff: Productions of Rossini's last and most ambitious opera are a bit like buses - you wait 20 years and then two come along at once: the Royal Opera presen…

SOURCE: The Stage Registration at 06:32AM
Wednesday, August 13, 2014

La Traviata , Soho Theatre, London by George Hall

Soho Theatre, London: OperaUpClose's slimmed-down staging of Verdi's opera manages to make do with just five singers (no separate chorus) and a three-piece band - on the first nigh…

SOURCE: The Stage Registration at 07:22AM
Friday, July 25, 2014

Adriana Lecouvreur , Holland Park, London by George Hall

Holland Park, London: Holland Park returns to its verismo period specialism with this 1902 romantic tragedy by Cilea, presented here in a new staging by Martin Lloyd-Evans. It seems obligato…

SOURCE: The Stage Registration at 05:57AM
Wednesday, July 23, 2014

Aida , Coade, Bryanston by George Hall

Coade, Bryanston: In its 40th anniversary year, Dorset Festival Opera demonstrates impressive standards in this full-scale production of one of Verdi's grandest works. Aida is one of tw…

SOURCE: The Stage Registration at 07:00AM
Monday, July 21, 2014

Gloria: A Pigtale , Linbury Studio, London by George Hall

Linbury Studio, London: Created by Frederic Wake-Walker, who directs its initial production, Mahogany Opera Group was formed earlier this year when Wake-Walker combined The Opera Group (form…

SOURCE: The Stage Registration at 05:34AM
Friday, July 18, 2014

La Traviata , Glyndebourne, Lewes by George Hall

Glyndebourne, Lewes: The third new production of Glyndebourne's 2014 season is Verdi's popular classic, and Tom Cairns' staging, designed by Hildegard Bechtler, brings the act…

SOURCE: The Stage Registration at 07:30AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 15, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
TBA: Titanic