All stories by Gary Naylor on BroadwayStars

Thursday, March 28, 2019

BWW Review: BERENICE, Linbury Theatre, Royal Opera House by Gary Naylor

Berenice is something of a forgotten delight, its tortuous plotting more than offset by its splendid arias and delightful characters, with plenty of contemporary resonance on hand if you nee…

SOURCE: BroadwayWorld at 04:17PM
Tuesday, March 26, 2019

BWW Review: THE WHITE CROW by Gary Naylor

The White Crow focuses on Rudolf Nureyev's life from birth until his sensational defection at the age of 23.

SOURCE: BroadwayWorld at 08:36PM

BWW Review: WOLFIE, Theatre503 by Gary Naylor

Wolfie glows with the energy and hope of youth, even as it paints a grim picture of a world stacked against it by the alienating forces of a society retreating from its obligations to its ch…

SOURCE: BroadwayWorld at 08:03AM
Sunday, March 24, 2019

BWW Interview: John Godber Talks SCARY BIKERS at Trafalgar Studios by Gary Naylor

John Godber talks about his life in theatre and about his Brexit flavoured play, Scary Bikers, running at Trafalgar Studios in April.

SOURCE: BroadwayWorld at 08:32PM
Friday, March 22, 2019

BWW Review: I IS A STRANGE LOOP, Barbican Pit by Gary Naylor

I Is A Strange Loop pits X against Y as the world described mathematically butts up against the world described theatrically - and they discover that each needs the other to be whole.

SOURCE: BroadwayWorld at 08:21AM
Thursday, March 21, 2019

BWW Review: OTHELLO, Union Theatre by Gary Naylor

Othello remains as relevant today as ever it were, Phil Willmott's adaptation setting it in the Raj of 1919, but it's as much in the White House and Palace of Westminster of 2019.

SOURCE: BroadwayWorld at 09:26AM
Wednesday, March 20, 2019

BWW Review: THE TAMING OF THE SHREW, The Royal Shakespeare Theatre by Gary Naylor

A bold and often beautifully staged production that makes women men and men women to throw light on the often brutal text. What emerges is plenty of new insight, but the nagging doubt persis…

SOURCE: BroadwayWorld at 11:02AM
Friday, March 15, 2019

BWW Review: THE CROWN DUAL, King's Head Theatre by Gary Naylor

The Crown Dual piles laughs upon laughs in a madcap parody of the Netflix show that you don't even need to have seen in order to enjoy this hilarious two-hander.

SOURCE: BroadwayWorld at 10:17AM
Thursday, March 14, 2019

BWW Review: THE TALENTED MR RIPLEY, The Vaults by Gary Naylor

The Faction's adaptation of Patricia Highsmith's dazzling novel, The Talented Mr Ripley, goes back its roots to find a man as complicated, seductive and relevant as ever.

SOURCE: BroadwayWorld at 07:06AM
Wednesday, March 13, 2019

BWW Review: STRIKE UP THE BAND, Upstairs at the Gatehouse by Gary Naylor

The Gershwins' sublime music and lyrics rescue a show hamstrung by a confused and clumsy book and some very familiar characters.

SOURCE: BroadwayWorld at 07:04PM
Tuesday, March 12, 2019

BWW Interview: Philip Bretherton Talks TONY'S LAST TAPE at the Omnibus Theatre by Gary Naylor

Philip Bretherton talks about his role as Tony Benn in TONY'S LAST TAPE, revived at the Clapham Omnibus Theatre in April.

SOURCE: BroadwayWorld at 10:11AM
Friday, March 8, 2019

BWW Review: THE PROJECT, White Bear Theatre by Gary Naylor

The Project is set in an in-between space in history, not freedom, but not yet the death camps, but its fails to explore the possibilities that environment suggests, lost in too many words a…

SOURCE: BroadwayWorld at 06:43AM
Thursday, March 7, 2019

BWW Review: A LESSON FROM ALOES, Finborough Theatre by Gary Naylor

Seen for the first time in 35 years, Athol Fugard's play loses none of its relevance as two men and one woman fall apart under the strain of living under the Apartheid regime.

SOURCE: BroadwayWorld at 06:16AM
Wednesday, March 6, 2019

Let's Dance International Frontiers 2019 Launches by Gary Naylor

Let's Dance International Frontiers - LDIF19 - launches on April 29th - International Dance Day - and focuses on diversity in dance by showcasing new work from emerging local talent and inte…

SOURCE: BroadwayWorld at 05:05AM
Friday, March 1, 2019

BWW Review: TESSERACT, Barbican Theatre by Gary Naylor

An often beautiful, sometimes confusing, work that uses dance and technology to move from the rigid certainties of three dimensions into the threats and opportunities of the fourth.

SOURCE: BroadwayWorld at 05:44AM
Thursday, February 28, 2019

BWW Review: JESUS HOPPED THE 'A' TRAIN, Young Vic by Gary Naylor

Stephen Adly Guirgis's play is as relevant today as ever, its coruscating examination of the nature of American justice and religious redemption losing none of its power a generation on from…

SOURCE: BroadwayWorld at 08:02AM
Wednesday, February 27, 2019

BWW Review: CHEATING DEATH, Cockpit Theatre by Gary Naylor

Cheating Death fails to solve the considerable problems of writing and staging farce in an ambitious show that falls well short of expectations.

SOURCE: BroadwayWorld at 06:25AM
Tuesday, February 19, 2019

BWW Review: THE PAPER MAN, Soho Theatre by Gary Naylor

The Paper Man starts off with the story of Austria's 1930s football hero Matthias Sindelar but swiftly dummies the Nazis and nutmegs for a narrative about the construction of narratives - an…

SOURCE: BroadwayWorld at 07:14AM
Friday, February 15, 2019

BWW Review: CAN-CAN!, Union Theatre by Gary Naylor

Phil Willmott tries to rescue two shows with the plot of a third, but his show also never quite coheres, for all the energy expended by the hard-working cast.

SOURCE: BroadwayWorld at 08:05AM
Thursday, February 14, 2019

BWW Review: CARMEN, King's Head Theatre by Gary Naylor

The King's Head pulls off another re-imagining of a classic opera that packs plenty of punch and is a joy for newbies and old hands alike.

SOURCE: BroadwayWorld at 06:41AM
Wednesday, February 13, 2019

BWW Review: RIP IT UP THE 60s, Garrick Theatre by Gary Naylor

Rip It Up The 60s is unabashed entertainment full of great songs, plenty of dancing and a handful of stars from Strictly.

SOURCE: BroadwayWorld at 06:51AM
Monday, February 11, 2019

BWW Review: THE WINTER'S TALE, National Theatre by Gary Naylor

A wonderful version of The Winter's Tale that is made for young people but has plenty to say to those of us as old as Leontes and Polixenes.

SOURCE: BroadwayWorld at 08:50AM
Wednesday, February 6, 2019

BWW Review: THE CHERRY ORCHARD, Barbican Theatre by Gary Naylor

The Moscow Pushkin Drama Theatre brings its modern, surreal take on Chekhov's classic play to The Barbican, with a barb or two directed towards some familiar faces.

SOURCE: BroadwayWorld at 04:56AM

BWW Interview: Ruth Mary Johnson Talks THE WINTER'S TALE at the National Theatre by Gary Naylor

BWW talks to Ruth Mary Johnson about her version of The Winter's Tale at the National Theatre and about her philosophy in making theatre works for young people.

SOURCE: BroadwayWorld at 03:01AM
Friday, February 1, 2019

BWW Review: THE ORCHESTRA, Omnibus Theatre by Gary Naylor

The Orchestra digs into the hearts of the six women and one man stuck playing light classics in a hollowed out French spa town and finds bleak, Chekhovian humour in their plights.

SOURCE: BroadwayWorld at 04:23AM

The LES MISERABLES Experience At The Queen's Theatre by Gary Naylor

Les Mis has been in London almost as long as I have - here's how we have grown old together.

SOURCE: BroadwayWorld at 02:53AM
Thursday, January 31, 2019

BWW Interview: Pippa Evans Talks SHOWSTOPPER! by Gary Naylor

Pippa Evans talks about the long-running Showstopper back in the West End and about her life in theatre.

SOURCE: BroadwayWorld at 03:00AM
Friday, January 25, 2019

BWW Review: DANIELLE WALKER: BUSH RAT, Soho Theatre by Gary Naylor

Danielle Walker Bush Rat takes on the tricky task of examining a largely happy family for comic material and, aside from a few references to the strange ways of Outback Australia, inevitably…

SOURCE: BroadwayWorld at 07:10AM
Wednesday, January 23, 2019

BWW Review: KIERAN HODGSON: '75, Soho Theatre by Gary Naylor

Kieran Hodgson dissects the history of the UK's relationship with Europe in this funny, poignant and wonderfully well-informed show.

SOURCE: BroadwayWorld at 03:40AM
Tuesday, January 22, 2019

BWW Review: VIOLET, Charing Cross Theatre by Gary Naylor

What a strange thing is Violet - indeed, what a strange thing is Violet, our eponymous heroine. But more of that later.

SOURCE: BroadwayWorld at 07:04AM
Friday, January 18, 2019

BWW Review: A MODEST LITTLE MAN, Bread and Roses Theatre by Gary Naylor

A Modest Little Man tells us something of the man and his achievements, Clement Attlee surrounded by egos and rivals talented though in this gem of a political comedy.

SOURCE: BroadwayWorld at 07:07AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic