Screws are prison officers, whose function is to operate doors. You’re only good as a screw if you have respect, which Nicole
SOURCE: The Stage Registration at 11:33AMThough it begins with a quotation of Hamlet’s “To be or not to be” soliloquy, this production of The Importance of Being
SOURCE: The Stage Registration at 12:45PMArtistic director Douglas Rintoul’s first panto for Queen’s Theatre is a traditional, energetic production. Phil Adèle’s Robin Hood and Barbara Hockaday’s Maid
SOURCE: The Stage Registration at 05:30AMIn Imy Wyatt Corner’s production of the 1938 Patrick Hamilton play that gave rise to the now much-used term ‘gaslighting’, she delivers
SOURCE: The Stage Registration at 12:33PMSarah Rutherford’s exploration of the aftermath of a teenage suicide boasts impressively nimble dialogue. The death of 15-year-old Sam leaves doubt and
SOURCE: The Stage Registration at 08:36AMTwo years after Oxford Dictionaries chose “youthquake” as its word of the year, Zest Theatre presents a manifesto for the term in
SOURCE: The Stage Registration at 11:42AMA Latino immigration enforcement officer escorts Gracie, a young, undocumented Chicana girl towards detainment and deportation, and away from Kentucky – away
SOURCE: The Stage Registration at 11:54AMWorking with the Lyric Hammersmith’s director of young people Nicholai La Barrie and the Lyric’s artistic associates, this is the second production
SOURCE: The Stage Registration at 05:56AMIt runs in the family. Sarah’s estranged father recently killed himself. Her son is also beginning to struggle with his mental health.
SOURCE: The Stage Registration at 07:22AMIncredibly close: Frey Kwa Hawking writes on Anthony Simpson-Pike and Nina Segal's 'irreverent and feral' adaptation of Wolfram Lotz's radio play about colonialism. The post Review: The Rid…
SOURCE: exeuntmagazine.com at 08:17AM'Rich people acting out their little dramas': Frey Kwa Hawking writes on Sleepwalk Collective's final show in their Kardashian trilogy, a deconstructed, live-art opera. The post Review: Kou…
SOURCE: exeuntmagazine.com at 06:48AM"A long, slow slide into horror after horror" – Frey Kwa Hawking writes on Nicôle Lecky's narrative of a young woman suffocated by anxieties. The post Review: Superhoe at Royal Court app…
SOURCE: exeuntmagazine.com at 05:11AMWhat do we share with each other? Even those who are as radically different from us as we can imagine? In this
SOURCE: The Stage Registration at 06:04AM'Theatre that refuses to form an orderly queue': Frey Kwa Hawking reviews Borderline's playful satire of the UK's labyrinthine immigration system. The post Review: Welcome to the UK at The …
SOURCE: exeuntmagazine.com at 05:09AM'Moments of compassion and trust": Frey Kwa Hawking writes on Gabriel Gbadamosi's wide-ranging, but opaque new play. The post Review: Stop and Search at Arcola Theatre appeared first on Exeu…
SOURCE: exeuntmagazine.com at 02:18AMFun on the side: Frey Kwa Hawking writes on Kevin Elyot's debut play about nonmonogamy, as it transfers to Trafalgar Studios. The post Review: Coming Clean at Trafalgar Studios appeared firs…
SOURCE: exeuntmagazine.com at 04:54AMWilly Hudson's solo show explores 'the arbitrariness of what we expect young gay people to have instantly figured out, before they even come out', writes Frey Kwa Hawking The post Review: Bo…
SOURCE: exeuntmagazine.com at 09:04AMMiranda’s world is dark. Beyond early hints at an abusive dad, and a nan who endured hardship as an immigrant and is
SOURCE: The Stage Registration at 12:43PMA magical immersion in the history of Battersea: Frey Kwa Hawking writes on Sarah Golding's 'gentle and very different Christmas show' The post Review: Return to Elm House at Battersea Arts …
SOURCE: exeuntmagazine.com at 06:26PMAs Brexit looms, a series of live art parties are creating space to explore multicultural LGBT+ experiences. The post Queer Migrant Takeover appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 04:24AMA bewildering tribute: Frey Kwa Hawking writes on Gary Barlow's Take That! musical. The post Review: The Band at Theatre Royal Haymarket appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 01:01PMPenned by Andrew Pollard, Martin Berry’s panto for Queen’s Theatre Hornchurch is a rather by-the-numbers affair. Though the fairground setting allows for
SOURCE: The Stage Registration at 05:15AM'Quiet and considered': Frey Kwa Hawking reviews Jack McNamara's production of Don DeLillo's play about a man in a vegetative state The post Review: Love-Lies-Bleeding at Print Room appeared…
SOURCE: exeuntmagazine.com at 05:15AMLisa Carroll’s play Cuckoo is a witty study of the mess and complexity of adolescent friendship. When word gets out that a
SOURCE: The Stage Registration at 06:48AM'a bit like being occasionally struck by lightning': Frey Kwa Hawking writes on Made in China's fast-talking new show. The post Review: Super Duper Close Up at The Yard appeared first on Exe…
SOURCE: exeuntmagazine.com at 03:35AMFederico García Lorca’s Rural Trilogy at the Cervantes Theatre ends with a considered and confident production of his “tragic poem” Yerma, performed
SOURCE: The Stage Registration at 11:33AM'an offering to just a few of those history missed over': Frey Kwa Hawking reviews Daniel York Loh's new play about the Chinese Labour Corps The post Forgotten 遗忘 at Arcola Theatre appea…
SOURCE: exeuntmagazine.com at 05:56AMTwo years ago, trans activist and performance artist Travis Alabanza had a burger thrown at them along with a transphobic slur. No
SOURCE: The Stage Registration at 05:01AMAs Matthew Lopez's gay epic transfers from the Young Vic to the West End, Frey Kwa Kawking writes on its sprawling, compassionate glory. The post Review: The Inheritance at Noël Coward Thea…
SOURCE: exeuntmagazine.com at 04:32AMFrey Kwa Hawking reviews Forward Arena's transporting adaptation of Virginia Woolf's 'slim, dense, irrepressible novel' The post Review: Mrs Dalloway at Arcola Theatre appeared first on Exeu…
SOURCE: exeuntmagazine.com at 03:07AMFirst performed in 1951 – and in permanent repertory at the Theatre de la Huchette in Paris ever since – Eugene Ionesco’s
SOURCE: The Stage Registration at 11:28AM
