All stories by Erik Haagensen on BroadwayStars

Tuesday, August 14, 2012

NY Review: 'Gay Camp' by Erik Haagensen

The Fringe's "Gay Camp" is an entertaining if erratic romp that's distinguished by the comic agility of its three-person cast juggling multiple roles.

SOURCE: Backstage at 02:42AM

NY Review: 'The Women of Spoon River: Their Voices From the Hill' by Erik Haagensen

Actor-adapter Lee Meriwether's "The Women of Spoon River," a Fringe entry, focuses on the distaff population of Edgar Lee Masters' epitaphs to vivid effect.

SOURCE: Backstage at 02:03AM
Monday, August 13, 2012

NY Review: 'After the Circuit' by Erik Haagensen

Josh Billig's "After the Circuit," a Fringe Festival show, is overloaded with backstory as it depicts a vaudevillian's struggles during the Depression.

SOURCE: Backstage at 03:03AM
Sunday, August 12, 2012

NY Review: 'Have I Got a Girl for You' by Erik Haagensen

Gay actor-author Josh Mesnik's autobiographical Fringe comedy "Have I Got a Girl for You" details his adventures working for a Florida prostitution ring.

SOURCE: Backstage at 04:40AM

NY Review: 'Danny Visconti Is Hill-bent: My Night With Hillary Clinton' by Erik Haagensen

"Danny Visconti Is Hill-bent: My Night With Hillary Clinton," a musical standup act in the Fringe Festival, is too self-consciously outrageous to succeed.

SOURCE: Backstage at 04:35AM

NY Review: 'Tail! Spin!' by Erik Haagensen

Mario Correa's Fringe concoction "Tail! Spin!" arranges the comments of Larry Craig, Mark Foley, Mark Sanford, and Anthony Weiner for big if cynical laughs.

SOURCE: Backstage at 04:28AM

NY Review: 'We Crazy, Right?' by Erik Haagensen

Jeff Seabaugh's inspiring one-man play "We Crazy, Right?," a Fringe Festival entry, tells how he and his husband created a family through adoption.

SOURCE: Backstage at 04:21AM
Thursday, August 9, 2012

NY Review: 'Into the Woods' by Erik Haagensen

Brit helmers Timothy Sheader and Liam Steel have enthrallingly re-imagined Stephen Sondheim and James Lapine's "Into the Woods" for Shakespeare in the Park.

SOURCE: Backstage at 09:00AM
Wednesday, August 8, 2012

NY Review: 'Bullet for Adolf' by Erik Haagensen

"Bullet for Adolf," a two-and-a-half-hour stoner-slacker-dude screwball comedy from first-time playwrights Woody Harrelson and Frankie Hyman, is painful.

SOURCE: Backstage at 08:00AM
Sunday, August 5, 2012

NY Review: 'Gore Vidal's The Best Man' by Erik Haagensen

Elizabeth Ashley, Cybill Shepherd, John Stamos, and Kristin Davis join the cast of Michael Wilson's riveting production of "Gore Vidal's The Best Man."

SOURCE: Backstage at 06:00AM
Wednesday, August 1, 2012

NY Review: 'Bring It On: The Musical' by Erik Haagensen

"Bring It On: The Musical," "inspired" by the Universal Pictures' franchise about cheerleaders, is generic but vigorous and aimed squarely at teenage girls.

SOURCE: Backstage at 08:00AM
Thursday, July 26, 2012

NY Review: 'A Letter to Harvey Milk' by Erik Haagensen

"A Letter to Harvey Milk," at NYMF, mixes the Holocaust, political assassination, cute Yiddish humor, and earnest Hallmark sentimentality to queasy effect.

SOURCE: Backstage at 05:57AM
Wednesday, July 25, 2012

NY Review: 'Living With Henry' by Erik Haagensen

"Living With Henry," which comes to NYMF from Canada, is Christopher Wilson's heartfelt attempt to examine his experiences of living with an HIV infection.

SOURCE: Backstage at 06:24AM
Tuesday, July 24, 2012

NY Review: 'Swing State' by Erik Haagensen

"Swing State," a NYMF show about the unlikely friendship that arises in Ohio between a gay chiropractor and a born-again kindergarten teacher, is specious.

SOURCE: Backstage at 07:48AM
Saturday, July 21, 2012

NY Review: 'Monty Clift, the Rarest of Birds' by Erik Haagensen

"Monty Clift, the Rarest of Birds," a one-man show in the Fresh Fruit Festival starring its co-writer Omar Prince, has potential but needs more work.

SOURCE: Backstage at 09:26AM
Friday, July 20, 2012

NY Review: 'Miss Mary Dugan' by Erik Haagensen

Manuel Igrejas' "Miss Mary Dugan," in the Fresh Fruit Festival, is a slight but charming metatheatrical diversion featuring two winning performances.

SOURCE: Backstage at 05:31AM
Wednesday, July 18, 2012

NY Review: 'Baby Case' by Erik Haagensen

Michael Ogborn's frantic "Baby Case," a New York Musical Theatre Festival entry about the infamous 1932 Lindbergh kidnapping case, trivializes tragedy.

SOURCE: Backstage at 05:19AM
Tuesday, July 17, 2012

NY Review: 'Tiny Bubbles' by Erik Haagensen

"Tiny Bubbles," Richard Willett's new alcoholic comedy from New Directions Theater, raises some interesting questions but seems afraid to explore them.

SOURCE: Backstage at 06:59AM
Monday, July 16, 2012

NY Review: 'Dogfight' by Erik Haagensen

Gratifyingly intelligent, richly observant, and immensely enjoyable, the new musical "Dogfight," at Second Stage, directed by Joe Mantello, is a stunner.

SOURCE: Backstage at 08:00AM
Friday, July 13, 2012

NY Review: 'Nymph Errant' by Erik Haagensen

Prospect Theater Company's production of Rob Urbinati's adaptation of Cole Porter's "lost" musical, "Nymph Errant," directed by Will Pomerantz, doesn't fly.

SOURCE: Backstage at 08:00AM
Monday, July 9, 2012

NY Review: 'Macbeth' by Erik Haagensen

Alan Cumming's almost one-man "Macbeth," in the Lincoln Center Festival, is undone by its undercooked conceit of being delivered by a psychiatric patient.

SOURCE: Backstage at 07:17AM
Thursday, July 5, 2012

NY Review: 'The Sensational Josephine Baker' by Erik Haagensen

When author-actor Cheryl Howard's "The Sensational Josephine Baker" debuted Off-Off-Broadway in 2010, it had promise, but the right work hasn't been done.

SOURCE: Backstage at 06:23AM
Sunday, June 24, 2012

NY Review: '7th Monarch' by Erik Haagensen

Jim Henry's "7th Monarch," on Theatre Row, is a mightily stale mystery-thriller with big credibility issues, despite a fine cast including Michael Rupert.

SOURCE: Backstage at 06:33AM
Monday, June 18, 2012

NY Review: 'Love Goes to Press' by Erik Haagensen

"Love Goes to Press," the sole play by noted war correspondents Martha Gellhorn and Virginia Cowles, at Mint Theater Company, is an uncertain affair.

SOURCE: Backstage at 07:01AM

NY Review: 'Slowgirl' by Erik Haagensen

Greg Pierce’s uneven two-hander "Slowgirl" inaugurates Lincoln Center's inviting Claire Tow Theater with a voice that's clearly worth cultivating.

SOURCE: Backstage at 07:01AM
Thursday, June 14, 2012

NY Review: 'Harvey' by Erik Haagensen

Director Scott Ellis' production of Mary Chase's classic comedy "Harvey," at Roundabout Theatre Company, starring Jim Parsons, is a hell of a lot of fun.

SOURCE: Backstage at 08:00AM
Wednesday, June 13, 2012

Cabaret Review: 'Patti LuPone: Far Away Places' by Erik Haagensen

Patti LuPone christens the snazzy new nightclub 54 Below with an evening of songs structured loosely on the idea of travel, and the result is magic.

SOURCE: Backstage at 10:00AM
Tuesday, June 12, 2012

NY Review: 'Rapture, Blister, Burn' by Erik Haagensen

Playwrights Horizons has another winner with Gina Gionfriddo's "Rapture, Blister, Burn," a caustic and moving examination of the state of feminism today.

SOURCE: Backstage at 08:00AM
Thursday, June 7, 2012

NY Review: 'Medieval Play' by Erik Haagensen

Kenneth Lonergan’s thudding comedy “Medieval Play,” at Signature Theatre, wastes the talents of Josh Hamilton, Tate Donovan, Halley Feiffer, and more.

SOURCE: Backstage at 07:30AM
Thursday, May 10, 2012

NY Review: 'Gentlemen Prefer Blondes (in Concert)' by Erik Haagensen

Encores! fizzy concert staging of “Gentlemen Prefer Blondes” is enjoyable, with an efficiently professional turn from Megan Hilty as the iconic Lorelei Lee.

SOURCE: Backstage at 04:13AM
Sunday, May 6, 2012

Cabaret Review: 'Mad Dogs & Educated Fleas: Noël & Cole, a Battle of Wits' by Erik Haagensen

This 92nd Street Y Lyrics & Lyricists series look at Noël Coward and Cole Porter is undercooked, faring best when Edward Hibbert and Harriet Harris perform.

SOURCE: Backstage at 04:35AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic