All stories by Elisabeth Vincentelli on BroadwayStars

Wednesday, April 30, 2014

‘Red-Eye’ chronicles Edgar Allan Poe’s final journey by Elisabeth Vincentelli

Edgar Allan Poe is famous for his gothic tales, but his own life was mysterious, too. Or rather his own death: In October 1849 he disappeared while on a trip...

SOURCE: The New York Post at 10:00PM
Tuesday, April 29, 2014

‘Harry Potter’ alum electrifies in ‘Peddling’ by Elisabeth Vincentelli

An electrifying new show’s in town, starring the little dude from the “Harry Potter” movies. No, it’s not “The Cripple of Inishmaan” with Daniel Radcliffe, but “Peddling” wit…

SOURCE: The New York Post at 11:00PM

The surprises & snubs of the Tony nominations by Elisabeth Vincentelli

We know that saying “it’s an honor just to be nominated” is a way to make you feel better when you lose the actual prize. But in a Broadway season...

SOURCE: The New York Post at 12:03PM
Monday, April 28, 2014

‘Substance of Fire’ returns to stage by Elisabeth Vincentelli

“The Substance of Fire” is two plays for the price of one: Each act is almost self-contained. Too bad the first is much better than the second — at least...

SOURCE: The New York Post at 07:21AM
Friday, April 25, 2014

One critic’s dream Tony nominations by Elisabeth Vincentelli

Broadway loves two things: arguing about the Tony nominations and arguing about the awards themselves. Fortunately it’s been an action-packed season since “Forever Tango” — remember …

SOURCE: The New York Post at 05:23PM

Eco-musical falls short of ‘Great’-ness by Elisabeth Vincentelli

The Civilians troupe made its name with documentary, mosaic-like shows based on extensive interviews — “Gone Missing” about losing things, “In the Footprint” about the battle over …

SOURCE: The New York Post at 05:22PM

Cumming makes ‘Cabaret’ revival hottest Broadway show again by Elisabeth Vincentelli

What do you call a revival of a revival? A re-revival? In the case of this “Cabaret,” you just call it fantastic. In 1998, directors Sam Mendes and Rob Marshall...

SOURCE: The New York Post at 05:40AM
Wednesday, April 23, 2014

‘Casa Valentina’ cross-dresses and impresses by Elisabeth Vincentelli

In the early 1960s, a secluded bungalow camp in the Catskills was paradise to a few men. It was where they could be themselves — that is, women. That real-life...

SOURCE: The New York Post at 09:08PM
Tuesday, April 22, 2014

Neil Patrick Harris works his tail off onstage in ‘Hedwig’ by Elisabeth Vincentelli

Sometimes you wonder if there’s anything Neil Patrick Harris can’t do: He switches from “How I Met Your Mother” to singing Sondheim on Broadway, directing a magic show to hosting...

SOURCE: The New York Post at 08:37PM
Monday, April 21, 2014

‘The Velocity of Autumn’ only mildly entertaining by Elisabeth Vincentelli

Alexandra is 79 and angry — growing old is no picnic, plus she’s afraid of being kicked out of her Park Slope brownstone. So she barricades herself in her home,...

SOURCE: The New York Post at 10:52PM

Tony winner Sutton Foster shines in ‘Violet’ by Elisabeth Vincentelli

Give it up for Sutton Foster: She’s using her superpowers for good, not evil. If the two-time Tony winner hadn’t taken the title role in Jeanine Tesori and Brian Crawley’s “Violet,�…

SOURCE: The New York Post at 10:51AM

Radcliffe returns to Broadway in ‘The Cripple of Inishmaan’ by Elisabeth Vincentelli

Daniel Radcliffe is doing his darndest to put Harry Potter way, way behind him. On Broadway alone, he’s played a mentally disturbed young man who strips naked and blinds horses...

SOURCE: The New York Post at 05:12AM
Sunday, April 20, 2014

Fierstein play explores hidden secrets of cross dressing by Elisabeth Vincentelli

You’d think that of all people, Harvey Fierstein would know about men in frocks. From his Tony-winning play “Torch Song Trilogy” in the 1980s through his books for the musicals...

SOURCE: The New York Post at 05:58AM
Friday, April 18, 2014

High camp, some valleys in ‘Irma Vep’ by Elisabeth Vincentelli

Campy humor was a big deal in the ’80s, and few did it better than the Ridiculous Theatrical Company. That troupe even scored an unlikely off-Broadway hit with Charles Ludlam’s...

SOURCE: The New York Post at 06:58AM

Fans of ‘Act One’ will be cruelly let down by stage version by Elisabeth Vincentelli

Throw a rock around Broadway and you’ll hit someone obsessed with Moss Hart’s 1959 memoir, “Act One,” about his escape from a destitute Bronx childhood through a love for theater....

SOURCE: The New York Post at 04:52AM
Thursday, April 17, 2014

The ‘Mice’ is right — mostly by Elisabeth Vincentelli

There may be no more strikingly different debuts than the ones James Franco and Chris O’Dowd are making in “Of Mice and Men.” As George, the wandering ranch hand in...

SOURCE: The New York Post at 06:03AM
Tuesday, April 15, 2014

Violence doesn’t silence Steven Soderbergh’s ‘The Library’ by Elisabeth Vincentelli

“The Library” isn’t a great play, but as staged by Steven Soderbergh, it’s a very good show. The prolific movie director may have little theater experience, but he sure knows...

SOURCE: The New York Post at 10:08PM
Monday, April 14, 2014

‘Lady Day’ sings the blues away by Elisabeth Vincentelli

On the one hand, we have Audra McDonald, poised and elegant — a classically trained soprano and five-time Tony winner. On the other, there’s the raspy-voiced Billie Holiday, who lifted...

SOURCE: The New York Post at 05:40AM
Friday, April 11, 2014

‘Bullets Over Broadway’ is a sterling musical comedy by Elisabeth Vincentelli

Our musical options are deadly serious right now, from bloody barricades to forbidden love and heavy life choices. So thank God for “Bullets Over Broadway,” a giddy feast of silly...

SOURCE: The New York Post at 05:30AM
Thursday, April 10, 2014

David Ives trips with repetitive comedy ‘The Heir Apparent’ by Elisabeth Vincentelli

They say comedy is hard, but if the actors are sweating, maybe it’s just too hard. The new farce “The Heir Apparent” strains so much to be funny, it’s exhausting...

SOURCE: The New York Post at 04:34AM
Wednesday, April 9, 2014

We deserve a sharper satire from ‘The Most Deserving’ by Elisabeth Vincentelli

Culture wars in the heartland are a big neon target, but “The Most Deserving” isn’t sure where to aim, or how. So playwright Catherine Trieschmann covers all the bases: slapstick,...

SOURCE: The New York Post at 05:02AM
Tuesday, April 8, 2014

Greta Gerwig replaces Maggie Gyllenhaal in ‘The Village Bike’ by Elisabeth Vincentelli

Back in February Maggie Gyllenhaal announced she would star in this fall’s Broadway revival of “The Real Thing” opposite Ewan McGregor. Great for Gyllenhaal, not so great for MCC: The.…

SOURCE: The New York Post at 05:38PM

Defanged ‘Threepenny Opera’ loses original satirical bite by Elisabeth Vincentelli

For a show about whores, beggars and thieves, this new revival of “The Threepenny Opera” is amazingly clean-cut. Oh sure, there’s a bit of tasteful nudity and a touch of...

SOURCE: The New York Post at 05:03AM
Sunday, April 6, 2014

Eno packs powerhouse quartet in ‘The Realistic Joneses’ by Elisabeth Vincentelli

What powerhouse playwright could possibly lure Toni Collette, Marisa Tomei, Michael C. Hall and Tracy Letts into a show? Tennessee Williams, maybe, or Arthur Miller. Try Will Eno. Until now,…

SOURCE: The New York Post at 10:49PM
Friday, April 4, 2014

Washington leads spirited cast in ‘A Raisin in the Sun’ revival by Elisabeth Vincentelli

‘A Raisin in the Sun” endures for good reason. Lorraine Hansberry’s 1959 play — the first by a black woman on Broadway — features several meaty roles and enough dramatic...

SOURCE: The New York Post at 05:55AM
Thursday, April 3, 2014

This ‘Happy Fella’ is a charming crowd-pleaser by Elisabeth Vincentelli

Fans of glorious singing should hustle to City Center, where the intoxicating Encores! revival of “The Most Happy Fella” runs through Sunday. After landing a hit with “Guys and Dolls,�…

SOURCE: The New York Post at 04:10PM
Monday, March 31, 2014

‘Heathers’ still cliques in musical re-imagining by Elisabeth Vincentelli

Forget those big-budget, starry adaptations of beloved movies. If you want to relive a cult flick, head over to the ingenious, very funny “Heathers: The Musical,” which pulls off wonders…

SOURCE: The New York Post at 10:21PM
Sunday, March 30, 2014

Idina Menzel carries new Broadway musical ‘If/Then’ by Elisabeth Vincentelli

New Broadway musical “If/Then” would be DOA without Idina Menzel. The star holds this ambitious but unwieldy show together. Actually, she does more than that: She gathers a bunch of mes…

SOURCE: The New York Post at 10:00PM
Thursday, March 27, 2014

Into the breach once more — alas, with a lesser ‘Lear’ by Elisabeth Vincentelli

“King Lear” is the Everest of plays: It’s big, it’s daunting and a lot of people try to climb it. Frank Langella just did it in January, John Lithgow tackles...

SOURCE: The New York Post at 10:14PM
Wednesday, March 26, 2014

Not everything tastes better with ‘Hellman’ by Elisabeth Vincentelli

It sounds nuts, kids, but once upon a time serious writers appeared on talk shows, and their feuds were national news. One of those legendary disputes inspired the new play...

SOURCE: The New York Post at 10:00PM
Monday, March 24, 2014

Terrific performances, speedy pace lift ‘Les Misérables’ by Elisabeth Vincentelli

Critics of “Les Misérables” call it bombastic. So what? Bitching that “Les Miz” is overwrought is like complaining a Dalmatian has too many spots: It’s the nature of the beast....

SOURCE: The New York Post at 05:37AM