All stories by Elisabeth Vincentelli on BroadwayStars

Friday, April 11, 2014

‘Bullets Over Broadway’ is a sterling musical comedy by Elisabeth Vincentelli

Our musical options are deadly serious right now, from bloody barricades to forbidden love and heavy life choices. So thank God for “Bullets Over Broadway,” a giddy feast of silly...

SOURCE: The New York Post at 05:30AM
Thursday, April 10, 2014

David Ives trips with repetitive comedy ‘The Heir Apparent’ by Elisabeth Vincentelli

They say comedy is hard, but if the actors are sweating, maybe it’s just too hard. The new farce “The Heir Apparent” strains so much to be funny, it’s exhausting...

SOURCE: The New York Post at 04:34AM
Wednesday, April 9, 2014

We deserve a sharper satire from ‘The Most Deserving’ by Elisabeth Vincentelli

Culture wars in the heartland are a big neon target, but “The Most Deserving” isn’t sure where to aim, or how. So playwright Catherine Trieschmann covers all the bases: slapstick,...

SOURCE: The New York Post at 05:02AM
Tuesday, April 8, 2014

Greta Gerwig replaces Maggie Gyllenhaal in ‘The Village Bike’ by Elisabeth Vincentelli

Back in February Maggie Gyllenhaal announced she would star in this fall’s Broadway revival of “The Real Thing” opposite Ewan McGregor. Great for Gyllenhaal, not so great for MCC: The.…

SOURCE: The New York Post at 05:38PM

Defanged ‘Threepenny Opera’ loses original satirical bite by Elisabeth Vincentelli

For a show about whores, beggars and thieves, this new revival of “The Threepenny Opera” is amazingly clean-cut. Oh sure, there’s a bit of tasteful nudity and a touch of...

SOURCE: The New York Post at 05:03AM
Sunday, April 6, 2014

Eno packs powerhouse quartet in ‘The Realistic Joneses’ by Elisabeth Vincentelli

What powerhouse playwright could possibly lure Toni Collette, Marisa Tomei, Michael C. Hall and Tracy Letts into a show? Tennessee Williams, maybe, or Arthur Miller. Try Will Eno. Until now,…

SOURCE: The New York Post at 10:49PM
Friday, April 4, 2014

Washington leads spirited cast in ‘A Raisin in the Sun’ revival by Elisabeth Vincentelli

‘A Raisin in the Sun” endures for good reason. Lorraine Hansberry’s 1959 play — the first by a black woman on Broadway — features several meaty roles and enough dramatic...

SOURCE: The New York Post at 05:55AM
Thursday, April 3, 2014

This ‘Happy Fella’ is a charming crowd-pleaser by Elisabeth Vincentelli

Fans of glorious singing should hustle to City Center, where the intoxicating Encores! revival of “The Most Happy Fella” runs through Sunday. After landing a hit with “Guys and Dolls,�…

SOURCE: The New York Post at 04:10PM
Monday, March 31, 2014

‘Heathers’ still cliques in musical re-imagining by Elisabeth Vincentelli

Forget those big-budget, starry adaptations of beloved movies. If you want to relive a cult flick, head over to the ingenious, very funny “Heathers: The Musical,” which pulls off wonders…

SOURCE: The New York Post at 10:21PM
Sunday, March 30, 2014

Idina Menzel carries new Broadway musical ‘If/Then’ by Elisabeth Vincentelli

New Broadway musical “If/Then” would be DOA without Idina Menzel. The star holds this ambitious but unwieldy show together. Actually, she does more than that: She gathers a bunch of mes…

SOURCE: The New York Post at 10:00PM
Thursday, March 27, 2014

Into the breach once more — alas, with a lesser ‘Lear’ by Elisabeth Vincentelli

“King Lear” is the Everest of plays: It’s big, it’s daunting and a lot of people try to climb it. Frank Langella just did it in January, John Lithgow tackles...

SOURCE: The New York Post at 10:14PM
Wednesday, March 26, 2014

Not everything tastes better with ‘Hellman’ by Elisabeth Vincentelli

It sounds nuts, kids, but once upon a time serious writers appeared on talk shows, and their feuds were national news. One of those legendary disputes inspired the new play...

SOURCE: The New York Post at 10:00PM
Monday, March 24, 2014

Terrific performances, speedy pace lift ‘Les Misérables’ by Elisabeth Vincentelli

Critics of “Les Misérables” call it bombastic. So what? Bitching that “Les Miz” is overwrought is like complaining a Dalmatian has too many spots: It’s the nature of the beast....

SOURCE: The New York Post at 05:37AM
Thursday, March 20, 2014

‘Aladdin’ musical doesn’t quite seem like a Disney hit by Elisabeth Vincentelli

Disney’s new “Aladdin” doesn’t quite catch lightning in a bottle — but it lets a pretty nifty genie out of a lamp. That would be James Monroe Iglehart, in the...

SOURCE: The New York Post at 10:09PM
Tuesday, March 18, 2014

Nina Arianda returns to the stage in ‘Tales From Red Vienna’ by Elisabeth Vincentelli

Nina Arianda’s career went from zero to 60 in 10 seconds flat — with a Tony nod for her Broadway debut in 2011’s “Born Yesterday” followed the next year by...

SOURCE: The New York Post at 10:01PM
Monday, March 17, 2014

Old family feuds float up to the surface in ‘Appropriate’ by Elisabeth Vincentelli

Just because a story is familiar doesn’t mean you can’t enjoy it. So while there’s very little that’s fresh in “Appropriate,” the show’s still a fun ride. Hailed as a...

SOURCE: The New York Post at 05:45AM
Thursday, March 13, 2014

‘Rocky’ musical scores an unexpected knockout by Elisabeth Vincentelli

Something electric happens at the end of “Rocky” that gets theatergoers on their feet and writers scuttling for exclamation points: A boxing ring descends from the rafters, then glides i…

SOURCE: The New York Post at 10:00PM
Monday, March 10, 2014

Boyer’s berserk performance is divine in ‘Hand to God’ by Elisabeth Vincentelli

‘Hand to God” boasts the kind of berserk, star-making performance you have to see to believe. Make that two performances — both by the same actor, Steven Boyer. In Robert...

SOURCE: The New York Post at 10:13PM

im Brochu pays tribute to a special breed in ‘Character Man’ by Elisabeth Vincentelli

Jim Brochu made his off-Broadway debut back in 1968 and has worked steadily ever since. Never heard of him? No wonder: He’s what’s known as a “character man” — someone whose qu…

SOURCE: The New York Post at 05:17AM
Friday, March 7, 2014

Bryan Cranston looms large as LBJ in ‘All The Way’ by Elisabeth Vincentelli

Walter White, the drug-dealing anti-hero of “Breaking Bad,” was a fantastic gift to Bryan Cranston — it led to a memorable performance, a Golden Globe and three Emmys. But the...

SOURCE: The New York Post at 12:00AM
Thursday, March 6, 2014

Emma Thompson shows off singing chops in ‘Sweeney Todd’ by Elisabeth Vincentelli

Yes, she can sing. For her New York stage debut, Emma Thompson is aiming high: She’s taking on the amoral Mrs. Lovett in Stephen Sondheim’s “Sweeney Todd: The Demon Barber...

SOURCE: The New York Post at 08:26AM
Wednesday, March 5, 2014

A family feuds in ‘The Open House’ by Elisabeth Vincentelli

Some consider Will Eno the Beckett of American suburbia. Others find him simply maddening. From “Thom Pain (based on nothing)” to “Title and Deed,” the playwright’s deadpan tone, l…

SOURCE: The New York Post at 10:23PM
Tuesday, March 4, 2014

Hudes’ Iraqi vet trilogy ends with ‘Happiest Song’ by Elisabeth Vincentelli

“The Happiest Song Plays Last” is the kind of show in which people who look otherwise reasonable make big head-scratching decisions. And they don’t even seem to have consequences. …

SOURCE: The New York Post at 04:34AM
Monday, March 3, 2014

Sarah Ruhl delivers a brilliant comedy with ‘Stage Kiss’ by Elisabeth Vincentelli

Who are you and what have you done with Sarah Ruhl? Ruhl’s built a sterling reputation — Pulitzer and Tony nominations, a MacArthur “genius grant” — with works invariably described…

SOURCE: The New York Post at 05:46AM
Sunday, March 2, 2014

Jonathan Hadary shines in Paddy Chayefsky’s ‘Middle of the Night’ by Elisabeth Vincentelli

“I’m as mad as hell and I’m not going to take this anymore!” Pulled from Peter Finch’s epic rant in 1974’s “Network,” this may be the single most famous line...

SOURCE: The New York Post at 01:29PM
Thursday, February 27, 2014

Carrie Cracknell’s ‘A Doll’s House’ restores Ibsen’s power by Elisabeth Vincentelli

It takes only minutes for this outstanding production of “A Doll’s House” to grab you — and that’s before a word of Ibsen’s 1879 classic about an increasingly desperate housewife…

SOURCE: The New York Post at 10:27PM
Wednesday, February 26, 2014

1931 office comedy ‘London Wall’ gets deserved NY premiere by Elisabeth Vincentelli

We didn’t wait until the invention of “chick lit” to have romantic workplace comedies. Take the Mint company’s “London Wall,” a chestnut from 1931: Affairs, female friendship, wo…

SOURCE: The New York Post at 02:02PM
Monday, February 24, 2014

Bruce Lee bioplay ‘Kung Fu’ misses mark by Elisabeth Vincentelli

Bruce Lee was famous for his precision — you don’t deliver blows and kicks like that without finely calibrating them. But the new fightsical “Kung Fu” is a hot mess....

SOURCE: The New York Post at 08:47PM

‘My Mother Has Four Noses’ muses its way in one-woman show by Elisabeth Vincentelli

This solo musical about the descent of the author’s mother into dementia . . . hey, where are you going? Don’t be turned off by its subject: Jonatha Brooke’s affectionate, well-cra…

SOURCE: The New York Post at 06:39AM
Friday, February 21, 2014

‘Four Noses’ a beautiful love letter to a dying parent by Elisabeth Vincentelli

This solo musical about the descent of the author’s mother into dementia . . . hey, where are you going? Don’t be turned off by its subject: Jonatha Brooke’s affectionate, well-cra…

SOURCE: The New York Post at 05:21PM
Thursday, February 20, 2014

Kelli O’Hara makes the most of ‘Bridges of Madison County’ by Elisabeth Vincentelli

The prospect of a musical version of “The Bridges of Madison County” was scary — yes, even more so than a singing and dancing “Rocky.” That’s because Broadway tuners can...

SOURCE: The New York Post at 10:06PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 15, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
TBA: Titanic