All stories by ELISABETH VINCENTELLI on BroadwayStars

Monday, May 25, 2015

Middling Woolf in gender-bending clothing by ELISABETH VINCENTELLI

Virginia Woolf's 1928 novel "Orlando" poses daunting challenges to stage adapters. The title character starts off as a boy, then becomes a woman. And not only does Orlando live through the …

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Rollicking journey to doomed love by ELISABETH VINCENTELLI

The brilliant production of "Brief Encounter" that opened on Broadway last night should make all but the sourest puss believe in romance again. It's a spirited charm offensive that's just i…

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Looking our differences in the face by ELISABETH VINCENTELLI

'Freckleface Strawberry" may be based on the kids book by the ac tress Julianne Moore, but it feels more like a version of "Free To Be . . . You and Me." Like that 1972 album and subsequent…

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Doesn't actually work by ELISABETH VINCENTELLI

The last time Cherry Jones teamed with director Doug Hughes on Broadway was for "Doubt," in 2005. The result was Tonys for both, boffo box office, a national tour and a movie (starring Mery…

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Ambitious 'Gatz' great, but it also grates by ELISABETH VINCENTELLI

At times, "Gatz" casts such a strong spell that it feels as if the world outside the Public Theater has ceased to exist.And then there are the deadly boring stretches. Very long ones, consi…

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'House' full of confusion by ELISABETH VINCENTELLI

The last time Belgium's Jan Lauwers and his Needcompany were in town, it was six years ago with the remarkable "Isabella's Room." This visually beautiful, deeply moving evocation of grief an…

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Kinder and gentler -- but not any better by ELISABETH VINCENTELLI

Someone's slipped Sarah Goodwin a chill pill . . . or 10. When we first met the prickly photojournalist heroine of Donald Margulies' "Time Stands Still" -- during the play's first run, in J…

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Hilarious sister act by ELISABETH VINCENTELLI

When characters be come popular on a sitcom, they're sometimes spun off into their own series.That's what should happen to Sherry and Grace, the mismatched sisters in Kim Rosenstock's new o…

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'Life' worth reliving in humorous revival by ELISABETH VINCENTELLI

Hardships, petty humiliations, financial strain, crushed hopes: That's what you can expect as an actor. At least that's how it is in David Mamet's "A Life in the Theatre" -- and it's a come…

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Bloody brighter by ELISABETH VINCENTELLI

While many downtown shows lose their edge when they move to Broadway, the new musical "Bloody Bloody Andrew Jackson" has actually gained both scope and focus in the transfer.At the Public Th…

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Beastly fun, from mad to verse by ELISABETH VINCENTELLI

High- and low-brow collide in "La Bete," an American play about art vs. commerce that's set in 1654 France. It's entirely in rhyming couplets, but it also gets laughs from farting and burpi…

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'Language' doesn't translate by ELISABETH VINCENTELLI

A linguist speaks several languages, including Esperanto -- but he can't communicate with his estranged wife. Oh, the irony! Said wife leaves her marriage and becomes a baker -- after a kin…

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'Driving' force of nature by ELISABETH VINCENTELLI

Over the years, "Driving Miss Daisy" has gained a reputation as an expansive period weepie that shamelessly goes for the tear ducts. Except this applies more to the movie: Alfred Uhry's sem…

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Nice Stiles, little substance by ELISABETH VINCENTELLI

The story of Persephone, ab ducted queen of the under world, is one of the most potent in Greek mythology -- so much so that it's inspired a steady stream of writers and artists over the ce…

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Trouble made plane by ELISABETH VINCENTELLI

'Spirit Control" gets off to a nail- biting start. Air-traffic controller Adam Wyatt (Jeremy Sisto) is helping a passenger land a small plane after the pilot passes out. Problem is, the pan…

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Complex characters help 'Angels' take wing by ELISABETH VINCENTELLI

Nearly two decades after it opened on Broadway -- and seven years after the HBO miniseries with Al Pacino and Meryl Streep -- Tony Kushner's "Angels in America" is considered a modern Ameri…

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Great 'Scott'! A classic by ELISABETH VINCENTELLI

John Kander and Fred Ebb have given American musical theater a pair of un disputable, stone- cold classics, "Cabaret" and "Chicago." Now they've added a third one to the list: "The Scottsbo…

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Bush-era tale tells too much by ELISABETH VINCENTELLI

You can't accuse Lisa Kron's new play at the Public Theater, "In the Wake," of lacking ambition. Set mostly during George W. Bush's first term, it touches on conservative and liberal politi…

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Stuck in the 'Middletown' by ELISABETH VINCENTELLI

In his new play, "Middletown," Will Eno looks at a small Ameri can city whose most distinctive quality is that it has no distinctive qualities."There's a meadow you could walk to," a guide …

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Politics minus passion by ELISABETH VINCENTELLI

Richard Nelson's new play, "That Hopey Changey Thing," couldn't be more topical. It's set from 7 to 9 p.m. on Nov. 2, 2010, and within the first two minutes, we get jokes about Cuomo, Gilli…

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'Women' under ditsy, musical influence by ELISABETH VINCENTELLI

There's a giant pileup at the Belasco Theatre, where "Women on the Verge of a Nervous Breakdown" opened last night. The show is flashy, breathless, busy. It's a mess, but it's a big, fun Te…

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Stand-up won't make history by ELISABETH VINCENTELLI

Of all the "Saturday Night Live" alums, Colin Quinn isn't the one you'd picture doing a solo show on Broadway. Will Ferrell, sure. But Quinn? He anchored "Weekend Update" for a couple of ye…

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Don't join this 'Revolution' by ELISABETH VINCENTELLI

And the avalanche of political plays contin ues. But rather than focusing on the recent elections, or even the Reagan and Bush administrations, Amy Herzog's "After the Revolution" goes furt…

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Kicking & beaming by ELISABETH VINCENTELLI

Since 1932, it's been impossible to think of the holidays in New York without the "Radio City Christmas Spectacular." The show is now a local tradition -- and, Lord knows, there are fewer a…

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He holds his own by ELISABETH VINCENTELLI

Before taking off for fantasyland, you're often told to close your eyes. At "The Pee-wee Herman Show," now on Broadway, you need to open them wide. As soon as you catch your first glance of…

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Heiress glitters, outwits Jew in golden 'Venice' by ELISABETH VINCENTELLI

You come to see Al Pacino, but you stay for Lily Rabe. As the Jewish moneylender Shylock, one of theater's most complex, reviled roles, Pacino has made the Public Theater "Merchant of Venic…

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Onstage, not his old 'Elf' by ELISABETH VINCENTELLI

There's a reason candy canes have a twist of peppermint -- to cut the sugar. That's why the best Christmas classics, from "It's a Wonderful Life" to "How the Grinch Stole Christmas," are so…

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