Thursday, June 4, 2020
Miranda’s rap. Rylance’s poems. Jackman’s pelvis. And a brassy reunion for Bea Arthur and Angela Lansbury. Now set your clock for “Turkey Lurkey Time.”
SOURCE: The New York Times Subscription at 02:18PMWednesday, June 3, 2020
If BAM is your jam (or places like it), here are digital offerings that offer weird Americana and bold visions from Europe. Plus: a 24-hour variety show.
SOURCE: The New York Times Subscription at 03:06PMThursday, May 28, 2020
With actors on payroll, Seacoast Rep has removed seats, added tech equipment and is selling tickets for a musical livestreamed every weekend.
SOURCE: The New York Times Subscription at 05:06PMWednesday, May 27, 2020
Versions of the “Carousel” song by Aretha Franklin, Gerry and the Pacemakers and Liverpool F.C. fans have turned it into something universal.
SOURCE: The New York Times Subscription at 11:06AMMonday, May 18, 2020
Dolly Parton, Meryl Streep and Jon Bon Jovi in a star-studded benefit concert; a play written specially for Zoom; Shakespeare on YouTube; and more.
SOURCE: The New York Times Subscription at 04:54PMMonday, May 4, 2020
Watch as the virtual curtains rise, from “Acquanetta” to the Wooster Group, with stops at Shakespeare and “Fun Home.”
SOURCE: The New York Times Subscription at 11:54AMTuesday, April 28, 2020
Remote learning may not be ideal, but Zoom encourages acting students to be more nuanced, more private and more intimate.
SOURCE: The New York Times Subscription at 11:54AMThursday, April 23, 2020
Friday, April 10, 2020
A roundup of streaming theater that covers classics and new shows, endearingly D.I.Y. webcasts and slick Broadway extravaganzas.
SOURCE: The New York Times Subscription at 10:48AMThursday, March 26, 2020
Audra McDonald, Lin-Manuel Miranda and Joe Mantello on a versatile collaborator who came to know “he didn’t have to repeat himself.’
SOURCE: The New York Times Subscription at 12:48PMMonday, March 23, 2020
For over three hours online Sunday night, Rosie O’Donnell praised, kibitzed and made room for Broadway stars to check in with their fans and share music.
SOURCE: The New York Times Subscription at 01:54PMTuesday, March 17, 2020
As bans on public gatherings have proliferated nationwide in response to coronavirus, shows and special programs are announcing streaming plans daily.
SOURCE: The New York Times Subscription at 07:12PMTuesday, March 3, 2020
Jessica Blank and Erik Jensen’s show at the Public Theater, with live music by Steve Earle, is based on a real-life West Virginia mining tragedy.
SOURCE: The New York Times Subscription at 10:18PMMonday, March 2, 2020
Ethan Lipton’s delirious Western comedy features a pigtailed gunslinger, a soul-sucking demon and singing puppet cactuses, among other inspired flights of fancy.
SOURCE: The New York Times Subscription at 03:48PMWednesday, February 26, 2020
A “revisal” of a Meredith Willson musical has a strong female lead who doesn’t quit, and her unrelenting energy makes for a static production.
SOURCE: The New York Times Subscription at 11:03PMTuesday, February 25, 2020
Friday, February 21, 2020
Cary Gitter’s throwback romantic comedy, about an Orthodox Jew and his Italian-American neighbor, is kind of sweet and kind of clunky.
SOURCE: The New York Times Subscription at 12:54PMSunday, February 16, 2020
Drew Droege’s solo show is a laugh-out-loud funny social sendup, but it doesn’t add up to more than a series of vignettes.
SOURCE: The New York Times Subscription at 03:03PMTuesday, February 4, 2020
Hollywood has long cast her as a bombshell (“Sin City,” “Karen Sisco”), but the actress has found an entirely different track onstage. Next up: “Anatomy of a Suicide.”
SOURCE: The New York Times Subscription at 01:54PMSaturday, February 1, 2020
In Zora Howard’s new drama, the kitchen is where the characters reveal their bickering-but-loving true selves.
SOURCE: The New York Times Subscription at 11:03PMSunday, January 26, 2020
A tale about the 18th-century African-American mathematician includes actors, a vibrant marching band and wackadoo puppetry.
SOURCE: The New York Times Subscription at 07:36PMFriday, January 24, 2020
In a Spanish-language stage adaptation of the Junot Díaz novel, the friendship between two Dominican men is a testing ground for competing visions of masculinity.
SOURCE: The New York Times Subscription at 05:12PMMonday, January 20, 2020
Barra Grant’s autobiographical solo play plumbs her fraught relationship with her mother, the famous politician and beauty queen Bess Myerson.
SOURCE: The New York Times Subscription at 01:36PMSunday, January 12, 2020
This documentary show, created to teach young audiences about the experiences of refugees, focuses on optimism and hope, perhaps to a fault.
SOURCE: The New York Times Subscription at 01:36PMFriday, January 10, 2020
With a gown and love for old Hollywood, Busch stars in his latest zany romp, “The Confession of Lily Dare.”
SOURCE: The New York Times Subscription at 05:48AMFriday, December 13, 2019
“Anything Can Happen in the Theater: The Musical World of Maury Yeston” is an old-fashioned revue that ably showcases the Tony-winning songwriter.
SOURCE: The New York Times Subscription at 02:42PMSunday, December 8, 2019
This cryptic play at the Brick Theater examining a certain kind of mythological American noir is wonderfully flabbergasting, and often genuinely creepy.
SOURCE: The New York Times Subscription at 04:03PMThursday, December 5, 2019
George Eastman’s Off Broadway play is lifted by its direction and performances, but often feels like a cornball sitcom.
SOURCE: The New York Times Subscription at 12:12AMTuesday, December 3, 2019
Shows that defied categorization offered a stark choice: Escape an angry world, or face up to its travails. Beyond Broadway, writers explored race, inequality and addiction.
SOURCE: The New York Times Subscription at 05:18AMFriday, November 22, 2019
It’s time for Broadway to embrace what’s most joyous about songbook shows. Not biography, not coherence, but excess. Even “Moulin Rouge!” doesn’t quite get it right.
SOURCE: The New York Times Subscription at 11:24AMTuesday, November 19, 2019
A new play focuses on the first woman to win the Nobel Prize and her friendship with Hertha Ayrton, a fellow scientist played by Kate Mulgrew.
SOURCE: The New York Times Subscription at 11:24PM 
