HELL WITH NO INTERMISSION Hell: Paradise Found. Genesis: And so did Seth Panitch rummage through the intellectual compost heap and picketh he out from it clumps of sour clichés and bits of …
SOURCE: Stage and Cinema at 03:50PMTHE GOOD THAT COULD HAVE BEEN BETTER Watching The Amoralists’ production of Derek Ahonen’s entertaining new play The Bad and The Better, an image comes to mind of a virtuoso juggling act…
SOURCE: Stage and Cinema at 05:08AMMORE IS LESS THAN THE SUM OF ITS PARTS When making a show consisting of several short plays about the disabled, one must be concerned, it seems, with the possibility of the whole thing becom…
SOURCE: Stage and Cinema at 09:02PMTHEATER NOIR: STYLE VS. SUBTEXT Supreme command of stagecraft is evident in every aspect of Somerled Charitable Foundation’s production of Jim Henry’s initially riveting but ultimately u…
SOURCE: Stage and Cinema at 09:46PMTHIS IS LIFETIME TV AS THEATER In Megan Hart’s first full-length play This is Fiction, Amy (Aubyn Philanbaum) is on the verge of signing the contract to publish her first book when she pan…
SOURCE: Stage and Cinema at 07:12PMTHE VANYA EXPERIMENT The wunderkinds of American theater, Annie Baker and Sam Gold, ages 31 and 34 respectively, follow up their earlier collaborations, among them Ms. Baker’s remarkably s…
SOURCE: Stage and Cinema at 03:38PMDIME STORE PROPAGANDA One of the problems with watching a play that has an agenda, political or otherwise, is the difficulty of enjoying with a good conscience even those parts that work; kn…
SOURCE: Stage and Cinema at 02:11AMTHEATER AS COLLECTIVE DREAM The band is already playing, the show underway, as we enter The Kitchen Theatre by way of the stage, which is set up like the parlor of a mystic or a fortunetelle…
SOURCE: Stage and Cinema at 02:19PMCHILDREN OF HOPE AND SORROW We enter the theater, which has been configured thrust-style like an amphitheater, and take our seats. The tiny stage below has an unfinished cement floor, a smal…
SOURCE: Stage and Cinema at 08:23PMTHE HOUSE OF LOVE AND MUSIC Many artists, being generally unsuited for life in normal society, have often dreamed of a place where they could be with others of their ilk. Where they would be…
SOURCE: Stage and Cinema at 01:00AMIN PURSUIT OF DRAMA Beneath the stairwell sign assuring guests that all cigarettes smoked on stage are herbal, the following sign might as well have been posted regarding The Roundabout’s …
SOURCE: Stage and Cinema at 10:01PMPICKING THROUGH AMBIGUITIES In Harold Pinter’s purposefully ambiguous The Caretaker (1960), currently playing at Brooklyn Academy of Music’s Harvey Theater, Davies (Jonathan Pryce) is a …
SOURCE: Stage and Cinema at 08:27PMLOOK BEFORE YOU LEAP Americans love popular stories of miracles and redemption. And really, who doesn’t? Few things are more gratifying than God taking time out of His schedule to break al…
SOURCE: Stage and Cinema at 10:54PM