All stories by David Sheward on BroadwayStars

Monday, November 7, 2011

All-American by David Sheward

Dramatist Julia Brownell scores a dramatic touchdown by making unexpected plays in this dramedy about a female football player and her conflicted family.

SOURCE: Backstage at 07:01AM

NY Review: 'Godspell' by David Sheward

Director Daniel Goldstein doesn't trust the innocent charm of John-Michael Tebelak and Stephen Schwartz's 1971 hit and relies on too many gimmicks and topical references.

SOURCE: Backstage at 07:00AM
Tuesday, November 1, 2011

NY Review: 'Milk Like Sugar' by David Sheward

Playwright Kirsten Greenidge paints a detailed and edgy portrait of a youth culture seeking identity through brand names, indiscriminate sex, and fast food.

SOURCE: Backstage at 07:32AM
Monday, October 31, 2011

NY Review: 'Love's Labor's Lost' by David Sheward

Karin Coonrod sets Shakespeare's seldom-performed comedy at an all-male college, and the cast mostly earns a master's degree in hilarity, although a few try too hard to make the grade.

SOURCE: Backstage at 07:30AM
Sunday, October 30, 2011

NY Review: 'The Atmosphere of Memory' by David Sheward

David Bar Katz can't decide if he wants to be Eugene O'Neill, Tennessee Williams, Woody Allen, or comic-book creator Stan Lee in this gloppy mess of a play.

SOURCE: Backstage at 07:00AM
Thursday, October 27, 2011

Asuncion by David Sheward

Despite resemblances to "The Big Bang Theory" and a weak plot line, actor-playwright Jesse Eisenberg's character study of three disparate people seeking to connect is funny and insightful.

SOURCE: Backstage at 07:30AM
Wednesday, October 26, 2011

NY Review: 'Cries and Whispers' by David Sheward

Ivo van Hove brings Ingmar Bergman's masterful examination of death, family, and faith to the stage in a searing staging that brilliantly employs video, sound, and unflinching acting.

SOURCE: Backstage at 06:17AM
Thursday, October 20, 2011

Sons of the Prophet by David Sheward

Stephen Karam is not afraid to ask hard questions and blend humor and sorrow in this moving and funny play about a Lebanese-American family in a small Pennsylvania town.

SOURCE: Backstage at 08:00AM

NY Review: 'Relatively Speaking' by David Sheward

Woody Allen is as funny as ever, contributing a riotous farce that's equal parts Marx Brothers and Freud, but Ethan Coen and Elaine May get mixed results in this program of three one-acts.

SOURCE: Backstage at 07:01AM
Monday, October 17, 2011

Regional Review: 'It Shoulda Been You' by David Sheward

Despite major talent on stage and behind the scenes and some bright numbers, this tired musical about a Jewish-Catholic wedding is as dated as a 1970s sitcom.

SOURCE: Backstage at 05:54AM
Thursday, October 13, 2011

NY Review: 'The Mountaintop' by David Sheward

Katori Hall's two-character fantasy on Martin Luther King Jr. fails to delve into the complexities of American race relations and features an over-the-top performance by Angela Bassett.…

SOURCE: Backstage at 08:00AM
Wednesday, October 12, 2011

NY Review: 'We Live Here' by David Sheward

Playwright-actor Zoe Kazan continues to show promise in her second play, a funny and sad portrait of a family in crisis, but she needs to smooth out some rough edges.

SOURCE: Backstage at 08:00AM
Tuesday, October 11, 2011

NY Review: 'The Lyons' by David Sheward

Nicky Silver's latest dysfunctional-family comedy may be a tad familiar, but it's still wildly funny and deeply touching. Linda Lavin miraculously makes a monstrous mother sympathetic.

SOURCE: Backstage at 07:00AM
Sunday, October 9, 2011

Man and Boy by David Sheward

This revival of a lesser-known Terence Rattigan melodrama about an international tycoon has an uneven balance sheet, but Frank Langella's performance is one of its stronger assets.

SOURCE: Backstage at 08:00AM
Thursday, October 6, 2011

NY Review: 'The Threepenny Opera' by David Sheward

Avant-garde legend Robert Wilson stages Brecht and Weill's satirical 1928 masterpiece as a cold clown show with brilliant and haunting performances from the Berliner Ensemble.

SOURCE: Backstage at 09:25AM
Monday, October 3, 2011

NY Review: 'Dreams of Flying Dreams of Falling' by David Sheward

Adam Rapp ventures into absurdist territory with a sharp and cynical portrait of an America devouring itself and destroying the natural world.

SOURCE: Backstage at 08:00AM
Saturday, October 1, 2011

Kaddish (Or the Key in the Window) by David Sheward

Donnie Mather performs Allen Ginsberg's long autobiographical poem as a solo performance with mixed results. There are moments of moving tenderness, but also rambling repetition.

SOURCE: Backstage at 09:00AM
Friday, September 30, 2011

Time Between Us by David Sheward

What could have been a soapy version of "Will and Grace" is instead a poignant and well-observed portrait of a changing friendship.

SOURCE: Backstage at 06:20AM
Thursday, September 29, 2011

Outlaws: The Ballad of Billy the Kid by David Sheward

Despite its subject matter of adolescent aimlessness and its rudderless characters, this rock musical about the legendary teenaged bandit packs quite a punch.

SOURCE: Backstage at 08:08AM
Sunday, September 25, 2011

Benito Cereno by David Sheward

Inconsistent staging and uneven acting in this fumbling revival mar Robert Lowell's eloquent indictment of the tragic legacy of slavery.

SOURCE: Backstage at 07:00AM
Friday, September 16, 2011

NY Review: 'Septimus and Clarissa' by David Sheward

Ripe Time delivers a breathtaking fusion of text, dance, and design in this insightful adaptation of Virginia Woolf's classic stream-of-consciousness novel.

SOURCE: Backstage at 04:58AM
Tuesday, September 13, 2011

NY Review: 'Completeness' by David Sheward

Despite complicated scientific jargon and a cheap theatrical ploy in the second act, Itamar Moses' modern romantic comedy earns laughs and touches the heart.

SOURCE: Backstage at 07:00AM
Monday, September 12, 2011

Sweet and Sad by David Sheward

The Apple family from Richard Nelson's "That Hopey Changey Thing" last season returns in a reflective, subtle rumination on the state of the nation 10 years after Sept. 11.

SOURCE: Backstage at 07:30AM
Sunday, September 11, 2011

Cirque de Légume by David Sheward

Enjoying your vegetables was never easier with this wildly funny two-person clown act. Nancy Trotter Landry is goofily engaging, thanks to her expressive eyes and uninhibited physicality.

SOURCE: Backstage at 07:30AM

NY Review: The Select (The Sun Also Rises) by David Sheward

Elevator Repair Service transforms Ernest Hemingway’s classic novel of expatriates in Europe into a riotous, drunken party where everyone is putting on a performance.

SOURCE: Backstage at 07:00AM
Thursday, September 8, 2011

Harry and Eddie: The Birth of Israel by David Sheward

Mark Weston's historical docudrama has its heart in the right place but fails to convey the passions behind the founding of the Jewish homeland.

SOURCE: Backstage at 08:00AM
Thursday, August 25, 2011

Captain Ferguson's School for Balloon Warfare by David Sheward

This solo show briefly ascends into the clouds near its climax, but for much of its 70 minutes the play is an earthbound history lecture.

SOURCE: Backstage at 07:30AM

Never Look in the Mirror When You're Dancing by David Sheward

Ballroom moves and childhood memories mix in Kay Scorah's delicate and sweet dance-theater piece as terps Erin Hunter and Faith Hunter Kimberling step out like a pair of graceful ghosts.

SOURCE: Backstage at 02:30AM

The Tenant by David Sheward

This adaptation of Roland Topor's Kafkaesque novel, which also inspired Roman Polanski's 1976 film, is more confusing than intriguing. Gabriel Hainer Evansohn's production design is the mo…

SOURCE: Backstage at 01:16AM
Wednesday, August 24, 2011

Jersey Shoresical: A Frickin' Rock Opera by David Sheward

Snooki, JWoww, and the Situation come in for a merciless parodying in this riotous riff on the excess of reality TV.

SOURCE: Backstage at 10:39AM

Recovery by David Sheward

In Mark Jason Williams' new play about dealing with terminal illness, the prognosis is not great when lead roles are less interesting than supporting characters.

SOURCE: Backstage at 01:57AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic