All stories by David Ralf on BroadwayStars

Monday, June 12, 2017

Cat and Mouse review at Village Underground, London – ‘quirky animation’ by David Ralf

Shoreditch music venue Village Underground’s first in-house theatre production comes care of Paul Barritt, animator and co-artistic director of 1927. Cat and

SOURCE: The Stage Registration at 11:30AM
Sunday, June 11, 2017

Review: Cover My Tracks at the Old Vic by David Ralf

The mythology of touring: David Ralf reviews Charlie Fink and Jade Anouka performing a work combining Fink's new album with a monologue by David Greig. The post Review: Cover My Tracks at t…

SOURCE: exeuntmagazine.com at 05:10PM
Friday, May 26, 2017

Jam review at the Finborough Theatre, London – ‘astonishing performances’ by David Ralf

Succeeding in being incredibly tough to watch from a metropolitan, socially liberal perspective, Jam pits a 13-year-old white boy with ADHD from

SOURCE: The Stage Registration at 06:24AM
Monday, May 22, 2017

Combustion review at Tara Arts – ‘deft and powerful’ by David Ralf

Asif Khan is most well-known for his remarkable performance in one-man monologue quartet Love, Bombs and Apples, and his debut outing as

SOURCE: The Stage Registration at 08:03AM
Tuesday, May 9, 2017

Assata Taught Me review at Gate Theatre, London – ‘powerful performances’ by David Ralf

Assata Shakur, a Black Panther in the 1970s, is alive today and living in Cuba. In Kalungi Ssebandeke’s first full length play,

SOURCE: The Stage Registration at 05:51AM
Wednesday, April 19, 2017

Review: Guards at the Taj at the Bush Theatre by David Ralf

A stage awash with blood and smoke: David Ralf delves into the uneasy moralities at play in Jamie Lloyd's Bush Theatre production of Pulitzer nominee Rajiv Joseph's brutal two-hander. The po…

SOURCE: exeuntmagazine.com at 06:58PM
Thursday, February 2, 2017

Focus Group review at Ovalhouse, London – ‘surreal and experimental’ by David Ralf

What colour is “brave and loyal”? What flavour conveys “confident and conscientious”? In Focus Group*, one half of the audience is asked

SOURCE: The Stage Registration at 11:04AM
Tuesday, January 24, 2017

Only Bones review at Soho Theatre, London – ‘full-bodied physicality’ by David Ralf

A free association flutter of fingers opens Only Bones. Part of the London International Mime Festival, Thomas Monckton’s show sees him make

SOURCE: The Stage Registration at 07:30AM
Sunday, January 1, 2017

Peter Pan Goes Wrong review on BBC1 – ‘a festive metatheatrical treat’ by David Ralf

Cornley Polytechnic Drama Society continues to fail upwards, now finding itself the winner of the BBC’s Community Choice Award, and its infamous

SOURCE: The Stage Registration at 09:15AM
Wednesday, December 14, 2016

Dick Whittington review at New Wimbledon Theatre – ‘high production values’ by David Ralf

Arlene Phillips makes her pantomime debut in a lavish Dick Whittington in Wimbledon, where the streets may not be paved with gold,

SOURCE: The Stage Registration at 06:27AM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards