Telling the story of a buffoonish liar swindling those he should be serving, Richard Bean’s One Man, Two Guvnors – adapted from
SOURCE: The Stage Registration at 05:16AMSet in a traditional London pub on the night it goes out of business, We Anchor in Hope is a nostalgic elegy
SOURCE: The Stage Registration at 11:47AMEvery relationship, from the briefest fling to the longest marriage, comes with expectations attached. Gently interrogating the impact of gender roles and
SOURCE: The Stage Registration at 01:00PMFull of ruthless ambition, destructive entitlement and cynical political flip-flops, King John may be amongst Shakespeare’s least-performed plays, but it certainly isn’t
SOURCE: The Stage Registration at 06:32AMTackling the fallout within a family that follows when one member commits an unconscionable crime, Mother of Him is a thoughtful, morally
SOURCE: The Stage Registration at 08:30AMInvestigating the controversial legacy of railway privatisation, The Permanent Way is a detailed, dry and typically forensic piece of verbatim theatre from
SOURCE: The Stage Registration at 06:18AMSurviving on little more than Faith, Hope and Charity, a group of volunteers, vulnerable adults and desperate families gather in a dilapidated
SOURCE: The Stage Registration at 06:18AMMashing together family melodrama, a rags-to-riches success story and a little supernatural horror, Stardust is an ambitious new musical struggling under the
SOURCE: The Stage Registration at 10:57AMFor a play based around an act of provocation, there is nothing remotely challenging about Matthieu Delaporte and Alexandre de La Patellière’s
SOURCE: The Stage Registration at 07:12AMReflecting on grief, friendship, and the sometimes-suffocating parameters of normality, So Here We Are charts the fallout of a young man’s sudden
SOURCE: The Stage Registration at 12:10PMDigging into the ambiguities of stereotypes, social stigma, and of simultaneously loving and loathing the place you grew up, Stiletto Beach is
SOURCE: The Stage Registration at 11:58AMExamining loneliness, love, and co-dependence, Chloe Moss’ How Love Is Spelt is an intricate and intriguing character study. Delicate, dreamlike, yet keenly
SOURCE: The Stage Registration at 07:28AMThere’s a cracking, crackling energy running through Jade City, an unfocused but undeniably powerful study of toxic masculinity and its victims. Discussing
SOURCE: The Stage Registration at 06:03AMWhen unjust rulers erode our sense of community for selfish political ends, running off to start a better society in the woods
SOURCE: The Stage Registration at 06:10AMBursting with energy and movement, Paul Hart’s Kiss Me, Kate is a fun take on the well-loved, if utterly frivolous, musical-within-a-musical. Playing
SOURCE: The Stage Registration at 07:08AMReturning to London’s Old Red Lion Theatre, where it premiered in 1982, Phil Young’s Crystal Clear is an introspective examination of life
SOURCE: The Stage Registration at 10:23AMJumbling together a selection of micro-plays from Tony award-winning writer Christopher Durang, The Actor’s Nightmare is as shallow and disordered as any
SOURCE: The Stage Registration at 07:32AMProbably history’s first comedy spin-off, Shakespeare’s Merry Wives of Windsor is among his lightest, daftest plays, but that doesn’t mean it has
SOURCE: The Stage Registration at 11:58AMWritten in 1915, John Buchan’s pulpy espionage yarn The 39 Steps found lasting pop-culture fame as a seminal Hitchcock thriller, while Patrick
SOURCE: The Stage Registration at 07:51AMReturning to the West End with a new line-up following a successful Broadway engagement, long running magical variety act The Illusionists is
SOURCE: The Stage Registration at 06:30AMVibrant, accessible and with an increasing emphasis on spectacle, this year’s Greenwich and Docklands International Festival programme is laden with boldly theatrical
SOURCE: The Stage Registration at 11:54AMRain falls, wolves howl in the woods, and a pianist plays an obscure, discordant composition by Erik Satie. Fully embracing an offbeat
SOURCE: The Stage Registration at 05:53AMThere’s no denying that Shakespeare’s bitter comedy of sleazy politicians and sexual extortion remains as resonant today as it ever was. Helmed
SOURCE: The Stage Registration at 05:33AMNow in its fourth year, outdoor touring company Shakespeare in the Squares is taking a breezy, easy-going Dream on a circuit of
SOURCE: The Stage Registration at 06:13AMCharting a course between the philosophical and the pointedly political, Al Smith’s Radio is a heartfelt monologue about the paradoxical fragility and
SOURCE: The Stage Registration at 06:55AMThough it opens on a suitably melancholy note, with a shivering Viola staggering ashore, and a brooding Duke listening to love songs
SOURCE: The Stage Registration at 10:50AMDwelling more on the early history of rave music than on the impending ecological catastrophe facing our planet, Kill Climate Deniers is
SOURCE: The Stage Registration at 08:57AMWritten in the tumultuous decades following the English Restoration, Thomas Otway’s 1682 tragedy Venice Preserved is a strikingly bleak and misanthropic melodrama,
SOURCE: The Stage Registration at 06:51AMTestament is a compassionate fable about coming to terms with grief, albeit one wearing the trappings of an edgy mental health drama
SOURCE: The Stage Registration at 10:39AMVividly capturing the feeling of being cornered in your local pub by a drunken stranger with a tale to tell, Jeffrey Bernard
SOURCE: The Stage Registration at 07:31AMIn 2016, as the Tory party grappled with David Cameron’s decision to hold a Brexit referendum, Boris Johnson invited Michael Gove to
SOURCE: The Stage Registration at 06:26AM