Tuesday, November 6, 2012
It’s difficult to make out a lot of what is happening in “Ich, Kürbisgeist,” which has its own dialect, but it is still, somehow, powerful.
SOURCE: The New York Times Subscription at 03:57PMTuesday, October 23, 2012
“How to Break,” a new play by Aaron Jafferis and the Mixing Texts Collective, tells the story of two teenagers in a hospital who are united by their illnesses and their love of hip-hop.
SOURCE: The New York Times Subscription at 10:00PMThursday, October 11, 2012
Much of “Blood Play,” in which the characters start as caricatures and grow more rounded, is spent in the basement of a couple’s new house.
SOURCE: The New York Times Subscription at 07:15PMMonday, June 25, 2012
In “Motel Cherry,” a new play by Peggy Stafford, a group of travelers congregate in a dumpy roadside motel.
SOURCE: The New York Times Subscription at 05:29PMTuesday, June 19, 2012
Monday, June 18, 2012
Friday, June 1, 2012
In “Amelia,” written by Alex Webb and performed on Governors Island, a woman journeys through the wartime South in search of her soldier husband.
SOURCE: The New York Times Subscription at 06:55PMThursday, May 31, 2012
Friday, May 18, 2012
In Yair Oelbaum’s play of fractured narrative, part of the Whitney Biennial, two single mothers search for a lost daughter.
SOURCE: The New York Times Subscription at 05:26PMTuesday, March 20, 2012
In Paul Durcan’s “Give Me Your Hand,” two actors read poems inspired by a visit to the National Gallery in London.
SOURCE: The New York Times Subscription at 05:52PMFriday, March 16, 2012
The director Daniel Fish will present a theater piece based on the words of David Foster Wallace at the Chocolate Factory in Queens.
SOURCE: The New York Times Subscription at 10:00AMThursday, March 8, 2012
Joyce Hokin Sachs’s play “Eternal Equinox” at 59E59 Theaters concerns a fraught 24-hour interlude in the lives of the Bloombury artists Vanessa Bell and Duncan Grant.
SOURCE: The New York Times Subscription at 04:44PMMonday, February 13, 2012
“Leave the Balcony Open” at 3LD Art & Technology Center is about college students grieving and healing after two deaths.
SOURCE: The New York Times Subscription at 05:42PMMonday, January 30, 2012
Sunday, January 15, 2012
Thursday, January 12, 2012
The Turkish play “Lick But Don’t Swallow!,” about a reluctant angel sent to join the cast of a low-budget skin flick, is running at La MaMa as part of the Under the Radar festival.
SOURCE: The New York Times Subscription at 04:09PMMonday, January 9, 2012
"Looking for a Missing Employee," based on a true story about the troubling disappearance of a Lebanese government official, is the long overdue and too-brief American debut of the actor and…
SOURCE: The New York Times Subscription at 02:00PMFriday, December 23, 2011
More female playwrights have come to Broadway, but at least one of them, Theresa Rebeck, seems to accept a glass ceiling in ”Seminar.”
SOURCE: The New York Times Subscription at 08:27PMThursday, December 22, 2011
A good man is hard to find, especially in this city. But is it harder or easier to find one than to find a good bar? Grant James Varjas answers these eternal New York questions in his latest…
SOURCE: The New York Times Subscription at 05:28PMMonday, October 17, 2011
Mac Wellman’s enigmatic play “3 2’s; or AFAR” covers ground from physical theater to Heidegger at Dixon Place.
SOURCE: The New York Times Subscription at 07:32PMFriday, September 30, 2011
The people passing by, the noises of the street and even the weather influence the events of “The Love Letter You’ve Been Meaning to Write New York.”
SOURCE: The New York Times Subscription at 07:22PMTuesday, September 27, 2011
Sunday, August 14, 2011
Unannounced, Popeye & Cloudy, a k a Fred Jones and Paul Marino, are performing Shakespeare on New York City subway cars.
SOURCE: The New York Times Subscription at 12:26PMFriday, July 15, 2011
Kara Lee Corthron’s “Julius by Design” centers on a couple grieving for their only child, Julius, who was killed seven years ago during a bungled home invasion.
SOURCE: The New York Times Subscription at 05:43PMSunday, July 3, 2011
In “Manipulation,” by Victoria E. Calderon, a woman is trapped by circumstances and the people around her, against the backdrop of a Latin American revolution.
SOURCE: The New York Times Subscription at 02:27PMWednesday, June 29, 2011
Performance Space 122 is closed for a multiyear renovation. There is much to gain, but something will also be lost.
SOURCE: The New York Times Subscription at 06:59PMTuesday, May 10, 2011
Target Margin Theater’s delightfully homespun production of “The Tempest” has a lighthearted, mischievous touch.
SOURCE: The New York Times Subscription at 05:45PMMabou Mines’s revival of “Peter and Wendy,” intended for age 10 to adult, left one young audience member wanting more, and one older one not particularly satisfied.
SOURCE: The New York Times Subscription at 05:32PMWednesday, April 27, 2011
Anne Bogart directs Charles Mee’s script in the Siti Company’s “Under Construction,” which suggests that, like the title, America is a work in progress.
SOURCE: The New York Times Subscription at 06:19PMTuesday, April 26, 2011
John Kelly renders “The Escape Artist” at Performance Space 122 with the assistance of re-creations of paintings by Caravaggio.
SOURCE: The New York Times Subscription at 05:41PMWednesday, April 13, 2011
“Nuevo Laredo,” by Gabriella Barnstone and El Gato Teatro, takes a strange trip into the Mexican drug world.
SOURCE: The New York Times Subscription at 06:45PM 
