All stories by Clare Brennan on BroadwayStars

Saturday, June 2, 2012

The Bacchae; Blood Wedding – review by Clare Brennan

Royal & Derngate, NorthamptonMemories of last year's riots are fresh. Jubilee celebrations have begun. Olympic torchbearers draw nearer to London. The time is right to run a set of play…

SOURCE: The Guardian at 07:03PM
Saturday, May 26, 2012

Betrayal – review by Clare Brennan

Crucible, SheffieldHarold Pinter's 1978 play is both deeply personal and disquietingly universal. Its ostensible subject matter is the staple of bourgeois drama: publisher Robert (Colin Tier…

SOURCE: The Guardian at 07:05PM
Saturday, May 19, 2012

Little Dogs – review by Clare Brennan

Patti Pavilion, SwanseaThere's a lovely reading on YouTube of Dylan Thomas's short story Just Like Little Dogs. The text unfurls on the screen as the voice of – I think – Anthony Hopkins…

SOURCE: The Guardian at 07:04PM
Saturday, May 12, 2012

Illusions – review by Clare Brennan

Hull Truck, HullIn Ivan Viripaev's play, four performers in their 30s take turns to narrate the stories of two elderly and long-married couples. They begin at the ends of the lives and shutt…

SOURCE: The Guardian at 07:03PM
Saturday, April 28, 2012

Twelfth Night; The Tempest – review by Clare Brennan

Royal Shakespeare theatre, Stratford-upon-AvonBefore the house lights went down, two men climbed on to the stage and began to sing. Their voices wavered, harmony faltered; they exited audito…

SOURCE: The Guardian at 07:06PM
Saturday, April 7, 2012

The Marriage of Figaro – review by Clare Brennan

Royal Lyceum, EdinburghDC Jackson's comic drama of sexual and financial shenanigans among Edinburgh's banking elite relies heavily on its two sources: Beaumarchais's 1784 comedy The Marriage…

SOURCE: The Guardian at 07:06PM
Saturday, March 17, 2012

Gypsy – review by Clare Brennan

The Curve, LeicesterAs the brass and percussion strike the opening bars, period posters, their colours bleached to shades of grey, descend from the flies. The most prominent pictures a happy…

SOURCE: The Guardian at 08:01PM
Saturday, March 10, 2012

Michael Frayn season – review by Clare Brennan

Crucible, Sheffield"This is not art, it's mathematics!" complains Simon Wilson's exasperated architect in Michael Frayn's Benefactors, as he struggles to square daylight regulations with the…

SOURCE: The Guardian at 07:06PM
Tuesday, March 6, 2012

Are women getting any closer to equality in theatre? by Clare Brennan

Men still dominate the big jobs in performing arts. And I have noticed, shockingly, that female theatre students are still prone to cede to male classmates. But is change finally coming?In h…

SOURCE: The Guardian at 04:43AM
Saturday, February 25, 2012

A Streetcar Named Desire – review by Clare Brennan

Liverpool PlayhouseIn a week when leading playwrights accused the subsidised theatres of preferring familiar fare to challenging work, Gemma Bodinetz, artistic director of the Liverpool Play…

SOURCE: The Guardian at 07:05PM
Saturday, February 18, 2012

Waiting for Godot; Angus, Thongs and Even More Snogging – review by Clare Brennan

West Yorkshire Playhouse, LeedsIn his understated way, Ian Brown has done tremendous things during his decade as artistic director at West Yorkshire Playhouse. His departure later this summe…

SOURCE: The Guardian at 07:05PM
Saturday, December 3, 2011

Annie – review by Clare Brennan

West Yorkshire Playhouse, LeedsMiss Hannigan, the orphanage overseer from hell, tantalises her charges with hope: "Today, you're not getting hot mush"; then dashes it with vicious glee: "You…

SOURCE: The Guardian at 07:05PM
Saturday, November 12, 2011

Blackbird – review by Clare Brennan

Theatre Royal, York; and touringSex between a 12-year-old girl and a fortysomething man. This is the subject of David Harrower's 2005 play, explored through a dialogue between the pair meeti…

SOURCE: The Guardian at 07:05PM
Saturday, October 29, 2011

Yerma – review by Clare Brennan

Hull Truck, HullThe poster (weirdly featuring an image of a faceless young woman wearing nothing but her underwear and sheathed in see-through plastic) proclaims in big letters: "Yerma by Fe…

SOURCE: The Guardian at 07:06PM
Saturday, October 22, 2011

Good – review by Clare Brennan

Royal Exchange, Manchester In a 2004 Guardian article celebrating CP Taylor's "unique contribution to British theatre", his fellow playwright, the late Alan Plater, described Good as "a…

SOURCE: The Guardian at 07:06PM
Saturday, October 15, 2011

The Go-Between – review by Clare Brennan

Derby theatre, DerbyThe jewel-like precision of David Wood's adaptation is immediately apparent: LP Hartley's oft-quoted opening line to his 1953 novel is subtly but significantly altered. "…

SOURCE: The Guardian at 07:06PM
Saturday, October 8, 2011

The Resistible Rise of Arturo Ui – review by Clare Brennan

Liverpool PlayhouseThe gangster Alberto Ui is a connoisseur of violence; just like his real-life counterpart, Adolf Hitler. Bertolt Brecht's play charts the rise to power of both. Fictional …

SOURCE: The Guardian at 07:05PM

All the Way Home – review by Clare Brennan

Lowry, SalfordLike East Is East (his 1990s stage and screen hit), Ayub Khan-Din's latest work is set in his native Salford. A large, rumbustious family is again at the heart of his story. Al…

SOURCE: The Guardian at 07:05PM
Saturday, October 1, 2011

Neighbourhood Watch – review by Clare Brennan

Stephen Joseph, Scarborough Fans of Hot Fuzz, the hilarious buddy-cop, bloodfest movie, know how fine is the line separating neighbourhood watch from Armageddon. In Alan Ayckbourn'…

SOURCE: The Guardian at 07:06PM

Broken Time – review by Clare Brennan

Theatre Royal, WakefieldBroken time is a resonant phrase in the history of rugby. The game initiated at the English public school of the same name in the 1820s was played by amateurs. Then, …

SOURCE: The Guardian at 07:06PM
Saturday, September 24, 2011

Men Should Weep; The Missing – review by Clare Brennan

Citizens, Glasgow; Tramway, GlasgowStunning sets are a feature of National Theatre of Scotland (NTS) productions and Colin Richmond's design for Men Should Weep is no exception. An enormous …

SOURCE: The Guardian at 07:06PM
Saturday, September 17, 2011

Bang Bang Bang – review by Clare Brennan

Octagon, BoltonBefore writing this play Stella Feehily interviewed a great many people connected to the aid business. The lively but muddled result feels like a series of set pieces strung t…

SOURCE: The Guardian at 06:31PM

We Are Three Sisters – review by Clare Brennan

Viaduct, HalifaxOut of the howling wind emerge three young women wearing bonnets tightly tied and shawls chest-clutched; in their midst a young man, wild-haired, booted, waistcoated and jack…

SOURCE: The Guardian at 06:30PM
Saturday, September 10, 2011

Bananas Are Blue – review by Clare Brennan

Hull Truck, HullThe idea of "a play, a pie and a pint" began as a lunchtime filler at Òran Mór in Glasgow in 2004 and now features at other theatres and as an occasional tea-time special a…

SOURCE: The Guardian at 07:04PM
Saturday, September 3, 2011

Someone Who'll Watch Over Me – review by Clare Brennan

Theatre by the Lake, KeswickThe contrast could hardly be greater, between the view from the theatre cafe out across the sunset-tipped ripples of Derwentwater and the steel-doored room w…

SOURCE: The Guardian at 07:06PM
Saturday, August 27, 2011

Peter Pan – review by Clare Brennan

York Theatre RoyalFrom its first appearance on 27 December 1904, the appeal of JM Barrie's story about "the boy who wouldn't grow up" was intergenerational. Children relished its adventures;…

SOURCE: The Guardian at 07:06PM
Saturday, July 23, 2011

Dear Uncle – review by Clare Brennan

Stephen Joseph theatre, Scarborough Anton Chekhov's characters, like so many of their compatriots these days, it seems, are relocating to these shores. This autumn, his Three Sisters will be…

SOURCE: The Guardian at 07:05PM
Saturday, July 16, 2011

The Life and Death of Marina Abramović – review by Clare Brennan

The Lowry, SalfordFour years ago, performance artist Marina Abramović, born in Belgrade in 1946 and still very much alive, invited the celebrated American director Robert Wilson to co-creat…

SOURCE: The Guardian at 07:06PM

And Another Thing – review by Clare Brennan

Pavilion theatre, ManchesterEven with a tight brown casing of women's support underwear pulled on over his trousers, constricting flesh and cloth so that it looks as if a couple of sausage d…

SOURCE: The Guardian at 07:05PM
Saturday, July 9, 2011

As You Like It – review by Clare Brennan

Royal Exchange, ManchesterGreg Hersov's clear, fast-paced, witty and occasionally wacky production is not, in fact, part of this year's Manchester international festival but the Royal Exchan…

SOURCE: The Guardian at 07:05PM
Saturday, July 2, 2011

The Yalta Game/ Elegy for a Lady – review by Clare Brennan

Stephen Joseph theatre, ScarboroughThe Stephen Joseph is one of the best of those undervalued national treasures – our regional theatres, all fighting hard to keep our communities provided…

SOURCE: The Guardian at 07:04PM