All stories by Clare Brennan on BroadwayStars

Saturday, October 8, 2011

All the Way Home – review by Clare Brennan

Lowry, SalfordLike East Is East (his 1990s stage and screen hit), Ayub Khan-Din's latest work is set in his native Salford. A large, rumbustious family is again at the heart of his story. Al…

SOURCE: The Guardian at 07:05PM
Saturday, October 1, 2011

Neighbourhood Watch – review by Clare Brennan

Stephen Joseph, Scarborough Fans of Hot Fuzz, the hilarious buddy-cop, bloodfest movie, know how fine is the line separating neighbourhood watch from Armageddon. In Alan Ayckbourn'…

SOURCE: The Guardian at 07:06PM

Broken Time – review by Clare Brennan

Theatre Royal, WakefieldBroken time is a resonant phrase in the history of rugby. The game initiated at the English public school of the same name in the 1820s was played by amateurs. Then, …

SOURCE: The Guardian at 07:06PM
Saturday, September 24, 2011

Men Should Weep; The Missing – review by Clare Brennan

Citizens, Glasgow; Tramway, GlasgowStunning sets are a feature of National Theatre of Scotland (NTS) productions and Colin Richmond's design for Men Should Weep is no exception. An enormous …

SOURCE: The Guardian at 07:06PM
Saturday, September 17, 2011

Bang Bang Bang – review by Clare Brennan

Octagon, BoltonBefore writing this play Stella Feehily interviewed a great many people connected to the aid business. The lively but muddled result feels like a series of set pieces strung t…

SOURCE: The Guardian at 06:31PM

We Are Three Sisters – review by Clare Brennan

Viaduct, HalifaxOut of the howling wind emerge three young women wearing bonnets tightly tied and shawls chest-clutched; in their midst a young man, wild-haired, booted, waistcoated and jack…

SOURCE: The Guardian at 06:30PM
Saturday, September 10, 2011

Bananas Are Blue – review by Clare Brennan

Hull Truck, HullThe idea of "a play, a pie and a pint" began as a lunchtime filler at Òran Mór in Glasgow in 2004 and now features at other theatres and as an occasional tea-time special a…

SOURCE: The Guardian at 07:04PM
Saturday, September 3, 2011

Someone Who'll Watch Over Me – review by Clare Brennan

Theatre by the Lake, KeswickThe contrast could hardly be greater, between the view from the theatre cafe out across the sunset-tipped ripples of Derwentwater and the steel-doored room w…

SOURCE: The Guardian at 07:06PM
Saturday, August 27, 2011

Peter Pan – review by Clare Brennan

York Theatre RoyalFrom its first appearance on 27 December 1904, the appeal of JM Barrie's story about "the boy who wouldn't grow up" was intergenerational. Children relished its adventures;…

SOURCE: The Guardian at 07:06PM
Saturday, July 23, 2011

Dear Uncle – review by Clare Brennan

Stephen Joseph theatre, Scarborough Anton Chekhov's characters, like so many of their compatriots these days, it seems, are relocating to these shores. This autumn, his Three Sisters will be…

SOURCE: The Guardian at 07:05PM
Saturday, July 16, 2011

The Life and Death of Marina Abramović – review by Clare Brennan

The Lowry, SalfordFour years ago, performance artist Marina Abramović, born in Belgrade in 1946 and still very much alive, invited the celebrated American director Robert Wilson to co-creat…

SOURCE: The Guardian at 07:06PM

And Another Thing – review by Clare Brennan

Pavilion theatre, ManchesterEven with a tight brown casing of women's support underwear pulled on over his trousers, constricting flesh and cloth so that it looks as if a couple of sausage d…

SOURCE: The Guardian at 07:05PM
Saturday, July 9, 2011

As You Like It – review by Clare Brennan

Royal Exchange, ManchesterGreg Hersov's clear, fast-paced, witty and occasionally wacky production is not, in fact, part of this year's Manchester international festival but the Royal Exchan…

SOURCE: The Guardian at 07:05PM
Saturday, July 2, 2011

The Yalta Game/ Elegy for a Lady – review by Clare Brennan

Stephen Joseph theatre, ScarboroughThe Stephen Joseph is one of the best of those undervalued national treasures – our regional theatres, all fighting hard to keep our communities provided…

SOURCE: The Guardian at 07:04PM
Saturday, June 18, 2011

Hard Times – review by Clare Brennan

Murrays' Mills, Ancoats, ManchesterA practical problem imaginatively resolved – Charles Dickens would have approved. The Library theatre's old home is being renovated; its new home won't b…

SOURCE: The Guardian at 07:06PM
Saturday, June 11, 2011

Marlene – review by Clare Brennan

Stephen Joseph theatre, ScarboroughEven good actors have their limits. Sarah Parks excels at down-to-earth roles (crusty old Badger in Wind in the Willows; Linda in Corrie). So what made dir…

SOURCE: The Guardian at 07:06PM

East End – review by Clare Brennan

Royal & Derngate, Northampton, then on tourSet in 1912, this is a slight but well-constructed story of a prodigal daughter's brief return to the home of her country doctor father, her hopes …

SOURCE: The Guardian at 07:04PM
Saturday, May 28, 2011

Happy Days – review by Clare Brennan

Crucible, SheffieldIt's almost 50 years since Samuel Beckett's genre-defying play had its world premiere at the Cherry Lane theatre, New York – a venue Bob Dylan played around that time. I…

SOURCE: The Guardian at 07:06PM

Clockwork – review by Clare Brennan

Macrobert, StirlingScottish Opera and Visible Fictions' adaptation of Philip Pullman's children's story is as cleverly contrived as an intricate mechanism of meshing cogs – and about as cu…

SOURCE: The Guardian at 07:06PM
Saturday, May 21, 2011

Secret Thoughts – review by Clare Brennan

Octagon, Bolton"David Lodge yokes together two warhorses, the campus novel and the novel of adultery, and uses them to pull an old debate – the rival claims of science and art – to tell …

SOURCE: The Guardian at 07:04PM
Saturday, May 14, 2011

Macbeth – review by Clare Brennan

Everyman, LiverpoolTwo fissures in the broken-tiled concrete floor are filled with a foul-looking liquid, bubbling gloopily. A drifting smoke, from no seen source, hazes the air. Francis O'C…

SOURCE: The Guardian at 07:05PM
Sunday, May 8, 2011

Vagabonding – review by Clare Brennan

Bardsea Malt Kiln, Cumbria"Augmenters of anecdotes" – if any there be who read this page – beware of calling on your mother for corroboration of exaggeration. Gary Bridgens, one of a pai…

SOURCE: The Guardian at 07:33AM
Saturday, April 23, 2011

5@50 – review by Clare Brennan

Royal Exchange, ManchesterBrad Fraser's new play, commissioned by the Royal Exchange, seems as if what it really wants to be is an issue-based TV miniseries dealing with addiction among a gr…

SOURCE: The Guardian at 07:05PM

Uncle Vanya – review by Clare Brennan

Belgrade theatre, CoventryIf this production had a meter attached marked at one end "sublime" and at the other "ridiculous", its needle would lunge between the extremes, barely registering m…

SOURCE: The Guardian at 07:03PM
Monday, March 21, 2011

Why distinguish between 'cast' and 'creatives' in theatre productions? by Clare Brennan

The way theatre programmes segregate actors from the creative process undersells their contributionWhen did theatre companies start to use the headings "cast" and "creative team" in their pr…

SOURCE: The Guardian at 07:28AM
Saturday, March 19, 2011

Yerma – review by Clare Brennan

West Yorkshire Playhouse, LeedsAcross the back of the stage stretches a cyclorama, drenched in the hues of a changing sky (Paul Keogan's lighting). In front is suspended an enormous disc, ti…

SOURCE: The Guardian at 08:05PM
Saturday, March 12, 2011

Girl X – review by Clare Brennan

Traverse, Edinburgh, and touringOn to a towering set is projected an online exchange between a mother and her son. The mother has no idea how a computer "conversation" works. The son has to …

SOURCE: The Guardian at 07:05PM

Hamlet – review by Clare Brennan

New Vic, Newcastle-under-Lyme, and touringConrad Nelson's production for Northern Broadsides is a white-knuckle ride but, if you can keep your grip, it is as physically and spiritually exhil…

SOURCE: The Guardian at 07:05PM
Thursday, March 10, 2011

Is British theatre more highly prized abroad than at home? by Clare Brennan

UK dramatists are hugely popular overseas, where their work enjoys an exposure and longevity often denied it domesticallyFlying out to Slovenia for a new production of Simon Stephens's 2008 …

SOURCE: The Guardian at 07:40AM
Saturday, February 26, 2011

Racing Demon – review by Clare Brennan

Crucible theatre, SheffieldDavid Hare's 1990 play about the state of the Church of England seems like a cross between the 1960s TV comedy All Gas and Gaiters (featuring Derek Nimmo as a st…

SOURCE: The Guardian at 07:05PM

The Deep Blue Sea – review by Clare Brennan

West Yorkshire Playhouse, LeedsIn the USSR of the 1950s, playwrights, like other artists, had to conform to Stalin's notions of socialist realism; in 1950s UK, it was the West End, "Aunt Edn…

SOURCE: The Guardian at 07:04PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic