All stories by Celia Wren on BroadwayStars

Friday, November 14, 2014

A photo exhibit at the Embassy of Switzerland depicts victims of war by Celia Wren

Bullet holes pockmark a building facade in 1974 Cyprus. Young Palestinian refugees smile and laugh in Gaza in 1979. A Mozambican refugee covers her face during Sunday mass in Tanzania in 196…

SOURCE: Washington Post at 10:27AM
Friday, November 7, 2014

At the embassy of the Republic of Slovenia, an exhibit of theater posters as high art by Celia Wren

Twitter. Facebook. E-mail blasts. Such phenomena may be a boon to Information Age theaters seeking publicity. But will cyber-marketing ever attain the level of high art, as a much older mark…

SOURCE: Washington Post at 11:13AM
Thursday, November 6, 2014

The power of the ‘Pen’: David Marshall Grant’s darkly comic drama about destiny by Celia Wren

Can we write our own fate? David Marshall Grant ponders that question on a couple of levels in his surprising dark-comic drama “Pen,” currently on view in an entertaining Washington Stag…

SOURCE: Washington Post at 03:44PM
Wednesday, November 5, 2014

Idris Goodwin’s ‘How We Got On’ at Forum Theatre by Celia Wren

A would-be rapper stranded in 1980s Midwestern suburbs, 15-year-old Hank loses his first battle-of-the-rhymes. The onlookers who give the kid a thumbs-down during the match — mounted in a …

SOURCE: Washington Post at 04:02PM
Friday, October 31, 2014

South African soprano Pretty Yende plans a D.C. recital of classical music and zarzuela by Celia Wren

Soprano Pretty Yende sometimes hankers after the climate of her native land. “The sun! I miss the sun!” the South African singer exclaimed when asked for what home comforts she felt nost…

SOURCE: Washington Post at 12:11PM
Thursday, October 30, 2014

Carmen de Lavallade in ‘As I Remember It,’ at the Kennedy Center by Celia Wren

At one point in “As I Remember It,” her stirring, history-rich autobiographical solo show, the great dancer, choreographer and actress Carmen de Lavallade evokes the Biblical creation st…

SOURCE: Washington Post at 02:13PM
Tuesday, October 28, 2014

‘Rage’ from Ambassador Theater elicits interesting questions but feels shallow by Celia Wren

Think carefully before festooning your office with idealistic posters. The inspiring decor may come back to haunt you. Such is the experience of Laura, the complacent school guidance counsel…

SOURCE: Washington Post at 12:05PM
Friday, October 24, 2014

Brazilian Film Week features documentaries about the country’s music by Celia Wren

Brazilian Embassy cultural attache Raphael Tosti de Almeida Vieira has an ace up his sleeve. No, it’s not the shorter version of his name — Raphael Tosti — that he uses in Washington b…

SOURCE: Washington Post at 12:29PM
Thursday, October 23, 2014

‘Visible Language’ captures the historic dispute in D.C. over how to teach the deaf by Celia Wren

Sometimes, a historical showdown begets memorable theater — think of the political struggles recalled in Shakespeare’s history plays, or the courtroom clash that inspired “Inherit the …

SOURCE: Washington Post at 06:32PM
Wednesday, October 22, 2014

International Festival of Hispanic Theater off to a strong start with ‘Gracias por Todo’ by Celia Wren

Such a large wardrobe should contain more than a single hat. An audience member might have entertained that thought, briefly, near the beginning of the wry Uruguayan solo show “Gracias por…

SOURCE: Washington Post at 10:29AM
Friday, October 17, 2014

American artists find meaning in the fall of the Berlin Wall by Celia Wren

We have seen the Berlin Wall — and it is us. Expect that reflection to whisper at the back of your mind when you visit the “The Wall in Our Heads: American Artists and the Berlin Wall,�…

SOURCE: Washington Post at 11:20AM
Friday, October 10, 2014

Concert celebrates the Sarajevo Haggadah, ‘a symbol of survival’ by Celia Wren

A tale some 600 years old will turn another page Oct. 20, when the multimedia concert “The Sarajevo Haggadah: Music of the Book” has its D.C. premiere. The production, with an original a…

SOURCE: Washington Post at 12:17PM
Friday, October 3, 2014

Belgrade Philharmonic, 91 years old, to play Strathmore on first U.S. tour by Celia Wren

After periods of great suffering, “it is in the nature of people to always look ahead and take the direction of progress,” maintains Darko Krstic, acting director of the 91-year-old Belg…

SOURCE: Washington Post at 12:34PM
Sunday, September 28, 2014

‘Three Sistahs,’ the tuneful show, is back at MetroStage by Celia Wren

A military knapsack is a poignant presence in “Three Sistahs,” the tuneful show that is back at MetroStage, where it premiered in 2002 and ran again in 2007. The spirited siblings who ar…

SOURCE: Washington Post at 03:40PM
Friday, September 26, 2014

Indonesian puppetry and a festival of West Javanese culture come to Freer/Sackler by Celia Wren

Epic narrative. Exquisite music. Spirited humor. And puppets. The performing-art form wayang golek has it all, says Kathy Foley, a scholar and master puppeteer who is deeply versed in this b…

SOURCE: Washington Post at 01:54PM
Thursday, September 25, 2014

1st Stage’s ‘Take Me Out’ swings for the fences but falls short in some areas by Celia Wren

Paradoxically, given that his life revolves around a whizzing ball, this sportsman uses stillness to advantage. As portrayed by actor Jaysen Wright, in 1st Stage’s otherwise uneven product…

SOURCE: Washington Post at 01:01PM
Friday, September 19, 2014

Foundry Gallery’s ‘Colors of Kurdistan’ artists show courage as well as talent by Celia Wren

As artist Ramzi Ghotbaldin sees it, life is like gardening. “When you plant a plant, you don’t know if it will bear fruit,” the former Kurdish resistance fighter observed at the recent…

SOURCE: Washington Post at 11:34AM
Thursday, September 18, 2014

One-man show ‘The Devil in His Own Words’ offers an up-close look at the evil deity by Celia Wren

Buckle up for a rollercoaster ride with Satan: Taffety Punk Theatre Company has revived “The Devil in His Own Words,” the intriguing one-man show that not only evokes Lucifer’s storied…

SOURCE: Washington Post at 02:07PM
Wednesday, September 17, 2014

‘Seven Guitars’ at Signature Theatre hits all the right chords to resonate with audiences by Celia Wren

Without being showy, the transition packs a punch. About halfway through No Rules Theatre Company’s absorbing production of August Wilson’s “Seven Guitars,” a rapt attentiveness desc…

SOURCE: Washington Post at 02:39PM
Friday, September 12, 2014

Acclaimed playwright Caridad Svich’s ‘Spark’ largely disappoints by Celia Wren

In the most compelling scene in Caridad Svich’s disappointing new play “Spark,” a troubled female soldier named Lexie, recently returned home from a combat posting, finds herself speak…

SOURCE: Washington Post at 11:51AM

D.C. Shorts Film Festival: “Ziazan,” an Armenian girl’s adventure in geopolitics by Celia Wren

Sometimes chocolate speaks of geopolitics. It does just that in Turkish director Derya Durmaz’s film “Ziazan,” part of the D.C. Shorts Film Festival. In the 15-minute movie — which h…

SOURCE: Washington Post at 11:31AM
Friday, September 5, 2014

Retrospective captures sensibilities of heralded Thai director by Celia Wren

How much mayhem can spill out of a noodle carton? A lot, as Pen-ek Ratanaruang’s film “6ixtynin9” tells it. In the black-comic thriller — the celebrated Thai director’s 1999 break…

SOURCE: Washington Post at 01:25PM
Friday, August 29, 2014

Cinematographer Gabriel Figueroa in the spotlight, and a celebration of Kafka by Celia Wren

Movie actors are media darlings. Movie directors get a lot of press. Cinematographers, on the other hand, tend to fly lower on the public radar. But an exhibition at the Mexican Cultural Ins…

SOURCE: Washington Post at 11:20AM
Thursday, August 21, 2014

Artist Franca Bartholomaei’s woodcuts, papercuts are a mashup of somber and silly by Celia Wren

Franca Bartholomaei knows about the kinship of irreconcilables. “The terrible and the silly often lie close together,” the German artist observes. “If you look long enough at something…

SOURCE: Washington Post at 06:32PM
Friday, August 15, 2014

Jingju Theater at the Kennedy Center by Celia Wren

He hobnobbed with Charlie Chaplin. He was on good terms with Douglas Fairbanks and Mary Pickford. His work deeply impressed theatrical visionaries like Vsevolod Meyerhold and Bertolt Brecht.…

SOURCE: Washington Post at 11:08AM
Wednesday, August 13, 2014

Juan Ogalla brings flaunting fierceness to Wolf Trap with Noche Flamenca by Celia Wren

Maybe it was pent-up energy following all that rain. Whatever the explanation, dancer Juan Ogalla was a burst of flaunting fierceness at Wolf Trap on Tuesday night, at the end of a watery da…

SOURCE: Washington Post at 01:18PM
Monday, August 11, 2014

‘Pol Pot & Associates, LLP’ at Callan Theatre: A wonky, talky whodunit by Celia Wren

Advice to the founders of latter-day utopias: Plan carefully when you build your koi pond. In “Pol Pot & Associates, LLP,” Kathleen Akerley’s interesting, idiosyncratic whodunit-of…

SOURCE: Washington Post at 02:19PM
Friday, August 8, 2014

KanKouran’s irresistible celebration of West African dance by Celia Wren

How stirring are the drumbeats in a KanKouran West African Dance Company classroom? Stirring enough to make a clueless novice forget, briefly, that she has neglected to wear a lapa skirt. I …

SOURCE: Washington Post at 10:07AM
Friday, August 1, 2014

‘Noli Me Tangere’ Filipino opera will tell moving tale at Kennedy Center by Celia Wren

The title may translate as “Touch Me Not,” but a team of intrepid producers haven’t hesitated to tackle “Noli Me Tangere,” which has been called the first full-length Filipino oper…

SOURCE: Washington Post at 11:52AM
Thursday, July 24, 2014

Seizing the moment while staying true to her heritage by Celia Wren

Seize the moment. Life is change. Turn, turn, turn. Those are some of the nuggets of wisdom that Mauritanian singer and musician Noura Mint Seymali wants listeners to take away from “Tzenn…

SOURCE: Washington Post at 05:23PM
Friday, July 18, 2014

Natalia Arias’s ‘Femininity Beyond Archetypes’ photos strike unusual poses by Celia Wren

Natalia Arias does not set out to disturb people. Her photographs may “look kind of aggressive — I’ve been told that they look like that. But as an artist, I don’t see that,” she s…

SOURCE: Washington Post at 06:13PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic