All stories by Carole Woddis on BroadwayStars

Tuesday, October 18, 2016

RAGTIME – Charing Cross Theatre by Carole Woddis

You begin to run out of superlatives when it comes to Thom Southerland and Danielle Tarento’s touch with small scale musicals. Having seen three of their previous ones at Southwark Playhou…

SOURCE: mytheatremates.com at 11:51AM

A MAN OF GOOD HOPE – Young Vic Theatre by Carole Woddis

Told partly in text but also sung through accompanied by marimbas, drums and any other vocal sound required made by the 25 piece ensemble, A Man of Good Hope is a model of economy yet full b…

SOURCE: mytheatremates.com at 11:16AM
Saturday, February 21, 2015

From the archive, 21 February 1987: Dee Dee Bridgewater in new London musical by Carole Woddis

Her music roots stretch back a long way, not just through a female line that touches hands with Billie Holliday and before her, Bessie Smith Continue reading...

SOURCE: The Guardian at 12:30AM
Friday, June 14, 2013

The Amen Corner, National Theatre by Carole Woddis

Oh, how the mighty are fallen. Margaret Alexander (Marianne Jean-Baptiste) is a storefront pastor in Harlem who leads her flock with absolutist conviction. No drinking, no smoking - the way …

SOURCE: The Arts Desk at 03:45AM
Sunday, June 9, 2013

Blair's Children, Cockpit Theatre by Carole Woddis

What kind of legacy will the Blair years lave on ordinary people? Some predictable answers but also some unexpected, haunting personal accounts emerge in a drama inspired by the spectacularl…

SOURCE: The Arts Desk at 07:00PM
Sunday, May 12, 2013

The Match Box, Tricycle Theatre by Carole Woddis

What must it be like to lose a child to random violence? The great Irish dramatist Frank McGuinness, who has tackled mythic violence on a number of occasions in previous work, has now delive…

SOURCE: The Arts Desk at 07:01PM
Wednesday, April 10, 2013

My Perfect Mind, Young Vic Theatre by Carole Woddis

"And, to deal plainly, I fear I am not in my perfect mind." So speaks King Lear towards the end of his monumental journey of self-knowledge that has taken the mad monarch from the highest to…

SOURCE: The Arts Desk at 02:35AM
Thursday, February 28, 2013

God's Property, Soho Theatre by Carole Woddis

"Half-caste" and "mixed race" are terms that excite strong emotions. Are you black, are you white? Where do you belong? To whom do you owe your loyalties when the chips are down?read more

SOURCE: The Arts Desk at 07:10AM
Saturday, February 2, 2013

London Wall, Finborough Theatre by Carole Woddis

The walls of the staircase to the Finborough Theatre off the Earls Court Road are lined with framed awards. Downstairs for the umpteenth time, the café/restaurant has gone bust. But no othe…

SOURCE: The Arts Desk at 09:23AM
Sunday, January 27, 2013

Mare Rider, Arcola Theatre by Carole Woddis

It’s like waiting for a number 19 bus. You hang around for half an hour then two come along at once. So it is just now with plays either written by women or featuring women’s lives. Whil…

SOURCE: The Arts Desk at 07:05PM
Thursday, December 20, 2012

Midnight's Pumpkin, Battersea Arts Centre by Carole Woddis

If you have any young siblings, friends or relatives in need of burning off a little energy, send them directly to BAC. With their open-hearted style of rough, circusy-type theatre, Kneehigh…

SOURCE: The Arts Desk at 07:03PM
Saturday, November 24, 2012

Arab Nights, Soho Theatre by Carole Woddis

Given the present Middle East uproar, perhaps we shouldn’t be surprised that contemporary versions of The 1001 Arabian Nights are sprouting everywhere. With their variety of stor…

SOURCE: The Arts Desk at 07:00PM
Sunday, October 14, 2012

You Can Still Make a Killing, Southwark Playhouse by Carole Woddis

Banking and the financial world may have gone into free-fall, but there are still killings to be made. Particularly personal ones. Nicholas Pierpan’s You Can Still Make a Killing is a fain…

SOURCE: The Arts Desk at 07:00PM
Tuesday, August 21, 2012

Our Country's Good: Director Max Stafford-Clark opens up by Carole Woddis

“Our Country’s Good, a play that proclaimed the power and enduring worth of theatre and that celebrated its centrality to our lives, was of importance in the third term of a government w…

SOURCE: The Arts Desk at 07:10PM
Wednesday, August 15, 2012

Julius Caesar, Noël Coward Theatre by Carole Woddis

It’s brave to take Shakespeare into the West End in midsummer – and in this of all summers. Greg Doran’s all-black, African Caesar certainly doesn’t lack for impact, colour, zest, ur…

SOURCE: The Arts Desk at 07:00PM
Wednesday, July 11, 2012

Mottled Lines, Orange Tree Theatre by Carole Woddis

At the end of The Riots, the Tricycle Theatre’s verbatim response to last year’s upheavals edited by Gillian Slovo and Cressida Brown, a local Muslim whose home was burnt down in Tottenh…

SOURCE: The Arts Desk at 06:48AM
Sunday, February 19, 2012

A Midsummer Night's Dream, Lyric Hammersmith by Carole Woddis

Four people walked out of Filter’s A Midsummer Night’s Dream last night. The rest stayed to cheer an hour and 20 minutes of fast and furious filleted Shakespeare from a company which has…

SOURCE: The Arts Desk at 07:10PM
Thursday, January 26, 2012

The Sea Plays, Old Vic Tunnels by Carole Woddis

The Old Vic Tunnels would seem to be the perfect place to set three of Eugene O’Neill’s three earliest plays about the sea, drenched as they are in the stench of life in the heavy engine…

SOURCE: The Arts Desk at 03:48AM
Sunday, January 22, 2012

Constellations, Royal Court Theatre Upstairs by Carole Woddis

Nick Payne has already made quite a mark. In 2009 he won the George Devine award for Most Promising Playwright with the intriguingly entitled If There Is I Haven’t Found it Yet at the Bush…

SOURCE: The Arts Desk at 07:20PM
Thursday, November 24, 2011

Matilda, The Musical, Cambridge Theatre by Carole Woddis

W. C. Fields once famously cautioned against working with children or animals. He might very well have gone crazy had he been involved with the RSC’s hit musical production, Matilda, which…

SOURCE: The Arts Desk at 07:22PM
Friday, November 18, 2011

Reasons to be Pretty, Almeida Theatre by Carole Woddis

This needs confessing. Neil LaBute and I have an uneasy relationship. David Mamet - in Oleanna or Boston Marriage mode – also gets under my skin. It’s close-run thing: misogyny exposed, …

SOURCE: The Arts Desk at 12:04AM
Sunday, October 16, 2011

Sixty-Six Books, Bush Theatre by Carole Woddis

Sometimes theatre people do mad things. Like stay up all night and the following day to “celebrate” the King James Bible and a theatre’s house-move to a new premises. Its 400th year ha…

SOURCE: The Arts Desk at 07:03PM
Sunday, September 18, 2011

This Is Where We Got To When You Came In, Bush Theatre by Carole Woddis

It all started back on Thursday, 6 April, 1972. In the dining room of the less than salubrious Bush Hotel on the corner of Shepherds Bush Green, in a room that had once been Lionel Blair’s…

SOURCE: The Arts Desk at 06:35AM
Monday, June 27, 2011

Margaret Tyzack obituary by Carole Woddis

One of Britain's most distinguished actors known for her roles on stage, screen and TVMargaret Tyzack, who has died aged 79, was one of Britain's greatest and most popular actors, working on…

SOURCE: The Guardian at 02:18PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic