All stories by Carly Maga - Theatre Critic on BroadwayStars

Friday, April 5, 2019

Under the Stairs borrows from kid-lit classics with success by Carly Maga - Theatre Critic

New play’s tale of an anxious boy’s mystical adventure is endearing even if it’s not revolutionary.

SOURCE: Toronto Star at 12:50PM
Thursday, April 4, 2019

Shove It Down My Throat takes a meta approach to a true crime story by Carly Maga - Theatre Critic

Playwright Johnnie Walker shows the audience his struggle over how to tell the story of a 2013 knife fight that sent Luke O’Donovan to jail.

SOURCE: Toronto Star at 01:55PM
Saturday, March 30, 2019

Modern Times offers a faithful rendition of Chekov’s The Cherry Orchard by Carly Maga - Theatre Critic

Presented as one act in about 90 minutes, the quickened pace of Soheil Parsa’s adaptation lessens the characters’ ennui and detracts from the play’s sense of tragedy, writes Carly Maga.

SOURCE: Toronto Star at 02:01PM
Thursday, March 28, 2019

Toronto’s Dear Evan Hansen is a sad, sad, surefire smash by Carly Maga - Theatre Critic

Local production of Broadway smash has found a worthy star in Robert Markus, to go with powerful story and songs.

SOURCE: Toronto Star at 10:00PM
Wednesday, March 27, 2019

A Doll’s House, Part 2 revives well-worn arguments about love and marriage but lacks emotional tension by Carly Maga - Theatre Critic

Director Krista Jackson seems to be caught between making Lucas Hnath’s play a farcical comedy or a serious living-room drama, writes Carly Maga.

SOURCE: Toronto Star at 10:00PM

Theatre Passe Muraille: A Collective History presents the story of alternative theatre in Canada by Carly Maga - Theatre Critic

For collaborators Martin Julien, Samantha Serles and Rae Johnson, the book presents a hard-won history of a distinctly Canadian type of theatre and its passionate beginnings.

SOURCE: Toronto Star at 07:00AM
Sunday, March 24, 2019

The Little Prince: Reimagined reminds us why the original story is beloved by Carly Maga - Theatre Critic

Presented by new company Puzzle Piece, The Little Prince: Reimagined digs into deeper humanistic lessons around love, patience, connection and wonder with the novella’s signature enigmatic…

SOURCE: Toronto Star at 02:33PM
Thursday, March 21, 2019

Isitwendam’s structure is why Indigenous story’s moving moments are undermined by Carly Maga - Theatre Critic

The passing of a decade, actor and co-creator Meegwun Fairbrother’s narrative choices keep his affecting message from having a bigger impact.

SOURCE: Toronto Star at 12:31PM
Tuesday, March 12, 2019

With solo show CHICHO, Augusto Bitter brings both himself and Venezuela to the forefront by Carly Maga - Theatre Critic

Bitter grew up in Caracas and wanted his one-man show, now at Theatre Passe Muraille, to be about more than a gay man coming out, he tells Carly Maga.

SOURCE: Toronto Star at 01:03PM
Saturday, March 9, 2019

Playwright Jocelyn Bioh’s School Girls; or, the African Mean Girls Play gets a pitch-perfect production by Carly Maga - Theatre Critic

Ghanian-American’s play is remarkable for not only skewering petty teenage female power grabs, but for exposing their root causes as deeply serious, systemic and colonial.

SOURCE: Toronto Star at 02:48PM
Friday, March 8, 2019

Was Betroffenheit just lightning in a bottle? Revisor proves it wasn’t by Carly Maga - Theatre Critic

In latest collaboration, Crystal Pite and Jonathon Young reimagine Nikolai Gogol’s mid-19th-century play The Government Inspector.

SOURCE: Toronto Star at 02:56PM
Wednesday, March 6, 2019

Dear Evan Hansen team strives to avoid cynicism in Tony-winning musical by Carly Maga - Theatre Critic

As it begins previews in Toronto, composers Benj Pasek and Justin Paul, director Michael Greif and others talk about understanding the human story behind the production, writes Carly Maga.

SOURCE: Toronto Star at 03:36PM
Saturday, March 2, 2019

Towards Youth connects drama class and drama of real world by Carly Maga - Theatre Critic

Towards Youth pulls back director Andrew Kushnir’s misplaced fear toward teens and reveals the humour, anxiety, thought, and, most importantly to Gallagher, hope, that affects their world …

SOURCE: Toronto Star at 04:21PM
Friday, March 1, 2019

In New Magic Valley Fun Town, Daniel MacIvor tackles issue of resurrecting long buried pain by Carly Maga - Theatre Critic

As quirky, introverted Dougie, MacIvor reveals that the quirks mask a deep trauma: they’re coping mechanisms in a small town that hides its pain, writes Carly Maga.

SOURCE: Toronto Star at 01:15PM
Wednesday, February 27, 2019

26 Letter Dance’s march through the alphabet leaves kids spellbound by Carly Maga - Theatre Critic

Other aspects were less successful but dance element at heart of show playing through March break grips its young audience.

SOURCE: Toronto Star at 12:28PM
Monday, February 25, 2019

We laugh along with Harold Pinter’s ‘comedy of menace’ in Little Menace: Pinter Plays at Soulpepper by Carly Maga - Theatre Critic

The actors find the key to the humour and Pinter’s cultural criticism in this 90-minute collection of short plays, writes Carly Maga.

SOURCE: Toronto Star at 05:48PM
Thursday, February 21, 2019

Good Morning, Viet Mom grows beyond the Fringe by Carly Maga - Theatre Critic

Tales of boyhood from immigrants’ son benefit considerably from more ambitious presentation at Toronto’s Aki Studio.

SOURCE: Toronto Star at 08:55PM
Wednesday, February 20, 2019

There are some impressive elements in The Last Ship, but it’s not all smooth sailing by Carly Maga - Theatre Critic

Sting’s orchestral score shows off the cast’s divine vocals. He and the set by 59 Productions are reasons to potentially forgive the musical’s missteps, writes Carly Maga.

SOURCE: Toronto Star at 01:04PM

Designer Nick Blais specializes in bringing theatre to life in unconventional spaces by Carly Maga - Theatre Critic

The designer behind the woodsy set in last year’s Jerusalem is converting St. Matthew’s Clubhouse for Human Animals and the Don Jail for Kiss of the Spider Woman.

SOURCE: Toronto Star at 07:00AM
Friday, February 15, 2019

The Father at Coal Mine Theatre builds empathy for its aging lead character with its combination of farce and tragedy by Carly Maga - Theatre Critic

Eric Peterson is best at capturing Andre’s childlike helplessness, culminating in a moving final breakdown, writes Carly Maga.

SOURCE: Toronto Star at 01:41PM
Wednesday, February 13, 2019

Kate Lushington put aside her idea for a play when her daughter, Natasha Greenblatt, was 2. Now that Natasha’s 34, they’ve finished it together. by Carly Maga - Theatre Critic

The two have collaborated on The Apocalypse Plays: A Legacy Project, the end of a trilogy that Lushington began in the 1980s, writes Carly Maga.

SOURCE: Toronto Star at 07:00AM
Tuesday, February 12, 2019

We Are All Treaty People treats the serious subject of Indigenous-settler relations with a light touch by Carly Maga - Theatre Critic

As Trickster, Marshall Vielle is a trustworthy guide through history and his sense of humour stops We Are All Treaty People from feeling too much like a lecture, writes Carly Maga.

SOURCE: Toronto Star at 06:21PM

Cirque Éloize’s Hotel has beautiful images and inventive acts but could use some dramatic development by Carly Maga - Theatre Critic

The production fuses a Downton Abbey-like look at both the menial workers and famous guests at a nameless hotel with the jazzy sights and sounds of the 1920s, writes Carly Maga.

SOURCE: Toronto Star at 02:31PM
Wednesday, February 6, 2019

Canadian premiere of Hamilton is the highlight of the new Mirvish season by Carly Maga - Theatre Critic

The main subscription series also features Tony winner The Band’s Visit, Hello, Dolly!, the Toronto premiere of Piaf/Dietrich and the stage version of Emma Donoghue’s Room.

SOURCE: Toronto Star at 06:00AM
Monday, February 4, 2019

In salt, Selina Thompson travels a transatlantic slave route, but the journey is a warm and celebratory one by Carly Maga - Theatre Critic

It’s rare to see an hour-long show so affecting that encompasses hundreds of years, many miles and several generations but feels intimate, immediate and personal, writes Carly Maga.

SOURCE: Toronto Star at 02:05PM

Nightwood Theatre announces Andrea Donaldson as new artistic director by Carly Maga - Theatre Critic

Donaldson, a long-time collaborator with the feminist company, takes over from Kelly Thornton in May.

SOURCE: Toronto Star at 02:00PM
Saturday, February 2, 2019

Mary’s Wedding is moving and charming but anachronistic by Carly Maga - Theatre Critic

The relationship in this play about a First World War romance would border on the almost manipulatively saccharine if not for the chemistry between the real-life couple playing the leads, wr…

SOURCE: Toronto Star at 03:30PM
Wednesday, January 30, 2019

London came calling for actor and playwright Haley McGee but now she’s back in Toronto with The Ex-Boyfriend Yard Sale by Carly Maga - Theatre Critic

The show about love, money and how we invest in relationships is part of the Progress Festival of international work, writes Carly Maga.

SOURCE: Toronto Star at 07:00AM
Thursday, January 24, 2019

Soulpepper’s Rose is part adventure epic, part existential crisis, part Wes Anderson film, part folk festival by Carly Maga - Theatre Critic

One has to surrender to a narrative that doesn’t always make sense, but the Soulpepper cast and its warm heart make it easy to overlook the faults of this new musical, writes Carly Maga.

SOURCE: Toronto Star at 02:36PM
Friday, January 18, 2019

Eve of St. George isn’t perfect, but it’s still an absorbing night of immersive theatre by Carly Maga - Theatre Critic

The Great Hall’s stateliness is fitting for a rendezvous with rich, powerful and mysterious Count Dracula, but the written text needs improvement, writes Carly Maga.

SOURCE: Toronto Star at 04:29PM
Wednesday, January 16, 2019

The Canada Council for the Arts gave Susanna Fournier $108,000 and she used it to build an Empire by Carly Maga - Theatre Critic

Fournier was beginning to feel her trilogy of plays about a fictional imperial civilization was ‘unstageable,’ but a New Chapter grant helped kick-start a project that includes The Scave…

SOURCE: Toronto Star at 07:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic