All stories by Brett Steven Abelman on BroadwayStars

Tuesday, September 13, 2016

Angels in America, Part I: Millennium Approaches at Round House (review) by Brett Steven Abelman

Recent reports of the death of relevance for Angels in America’are greatly exaggerated. If anything, the recession of the AIDS crisis in America (or, at least, in the mainstream American …

SOURCE: DC Theatre Scene at 05:28PM
Saturday, July 16, 2016

Fat Kids Are Harder to Kidnap, Capital Fringe (review) by Brett Steven Abelman

  It can be fun reaching into a mixed bag – not knowing whether you’ll get something good or something so-so is a kind of entertainment in itself. Whether you find that the bag of l…

SOURCE: DC Theatre Scene at 09:40AM
Tuesday, July 12, 2016

Let Trump Be Trump (review) by Brett Steven Abelman

Apologies to the one Trump fan who goes to DC theatre and is reading this, but there is perhaps too much wrong, unbelievable, or historically unprecedented about The Donald’s candidacy to …

SOURCE: DC Theatre Scene at 04:50PM

Aliens, Nazis and Angels (review) by Brett Steven Abelman

Some people who talk about Fringe offer a warning: it’s uncurated. Anything could get produced. The implication, of course, is that curation is needed to prevent bad art from getting throu…

SOURCE: DC Theatre Scene at 12:25PM
Monday, July 11, 2016

Amelia Earhart… IN SPACE! by Brett Steven Abelman

What is your personal silliness threshold? Your tolerance level for fourth-wall breaking? Your preferred amount of Tang to get sprayed all over your face? Your answers to these questions wil…

SOURCE: DC Theatre Scene at 04:09PM
Sunday, July 10, 2016

Medieval Story Man (review) by Brett Steven Abelman

The only way to make a Fringe show lower budget than this would be to do it without a stage manager. There are no light changes, no sound, nothing but the plain black costume on performer St…

SOURCE: DC Theatre Scene at 11:07AM
Monday, June 20, 2016

Get Used To It! from Rainbow Theatre Project (review) by Brett Steven Abelman

Before Orlando, this show meant something different. Before that tragedy, a mere two weeks ago – just two days after Rainbow Theatre Project opened Get Used To It! – it would have be…

SOURCE: DC Theatre Scene at 11:25AM
Tuesday, April 19, 2016

Peter Pan at Toby’s Dinner Theatre (review) by Brett Steven Abelman

You already know what kind of time you’ll have at Toby Dinner Theatre’s Peter Pan.  If the show’s of-its-era difficulties portraying Native Americans would bother you, this production…

SOURCE: DC Theatre Scene at 12:10PM
Monday, April 11, 2016

The Nether at Woolly Mammoth (review) by Brett Steven Abelman

The desires and dilemmas The Nether explores are as dark as they come, so the question for the potential audience member is: are you afraid of the dark?  Or do you find it contemplative?  …

SOURCE: DC Theatre Scene at 04:37PM
Monday, March 28, 2016

Scena’s Antigone Now at Atlas before European tour (review) by Brett Steven Abelman

The title of this play is also its purpose – to show us what the ancient Greek tragedy of Antigone would look like in modern times, and locate its deeper meaning across the centuries.  Wh…

SOURCE: DC Theatre Scene at 01:25PM
Monday, February 29, 2016

Crimes of the Heart at NextStop (review) by Brett Steven Abelman

What’s changed in the thirty-five years since Beth Henley wrote Crimes of the Heart that makes it feel outdated?  It’s hard to pinpoint any obvious factors, since the story is a very pe…

SOURCE: DC Theatre Scene at 12:06PM
Thursday, February 4, 2016

Father Comes Home From the Wars (Parts 1, 2 & 3) at Round House Theatre (review) by Brett Steven Abelman

The most fun you can have at a three-hour epic about slavery.  A huge, sprawling play (with six more parts still coming!) that boils down to a few simple conversations.  A story that illum…

SOURCE: DC Theatre Scene at 10:54AM
Wednesday, February 3, 2016

Critics are up again in St. Nicholas at Washington Stage Guild (review) by Brett Steven Abelman

A fascinating conversation about the fascinating story of an all-too-ordinary man, Conor McPherson’s St. Nicholas, at Washington Stage Guild, is theatre for people who like to laugh at, an…

SOURCE: DC Theatre Scene at 08:28PM
Tuesday, December 15, 2015

The Gospel of Lovingkindness at Mosaic Theater (review) by Brett Steven Abelman

The most outstanding thing about Marcus Gardley’s The Gospel of Lovingkindness is that it wrestles full-body with the most troubling issues of our times yet still is a joy and a treat to p…

SOURCE: DC Theatre Scene at 12:35PM
Tuesday, August 11, 2015

One in the Chamber at Mead Theatre Lab (review) by Brett Steven Abelman

Perhaps the best kind of political play is the one that has no message at all. With One in the Chamber, Marja-Lewis Ryan is not at all interested in making points, picking sides, or influenc…

SOURCE: DC Theatre Scene at 10:23AM
Thursday, July 23, 2015

Twelve Angry Men, American Century Theater’s closing show by Brett Steven Abelman

What a way for a theatre company to say farewell. Returning, twenty years later, to the play that first brought them into the world, American Century Theater sets the example for bowing out …

SOURCE: DC Theatre Scene at 12:15PM
Monday, July 20, 2015

Sanctuary at Capital Fringe by Brett Steven Abelman

I sincerely feel rather awful sticking a rating of “2” on this work, because I in no way disagree with any of its points. War is certainly bad, and is often particularly cruel to…

SOURCE: DC Theatre Scene at 07:37AM

District of Cara at Capital Fringe by Brett Steven Abelman

Everyone’s got a story to tell, but some are more engaging for their wild and woolly details, and others more for the way they are told; Cara Foran’s story falls into the second …

SOURCE: DC Theatre Scene at 07:37AM
Wednesday, July 15, 2015

The Bloody Banquet at Capital Fringe by Brett Steven Abelman

I wouldn’t want to meet a Jacobean if The Bloody Banquet was their idea of drama. At the same time, I’m glad we have Brave Spirits Theatre to interpret and serve up this centurie…

SOURCE: DC Theatre Scene at 07:33PM
Monday, July 13, 2015

The Wedding Party at Capital Fringe by Brett Steven Abelman

What fluff does Hollywood stick into the other 30 to 60 minutes of its big screen rom-coms? The Wedding Party, a new play by writing team Megan Dominy and Mimsi Janis, proves that a complete…

SOURCE: DC Theatre Scene at 02:49PM
Sunday, July 12, 2015

Salvation Road at Capital Fringe by Brett Steven Abelman

An expert piece of craftsmanship, Salvation Road is the kind of drama that is guaranteed to be enjoyed by any who go see it, but nevertheless challenging to recommend. It’s got some st…

SOURCE: DC Theatre Scene at 03:31PM
Saturday, July 11, 2015

Wombat Drool at Capital Fringe by Brett Steven Abelman

If the purpose of Fringe is to directly connect art to people and to find the sublime things that slip through the cracks of the establishment, Wombat Drool may just be the quintessential Fr…

SOURCE: DC Theatre Scene at 04:33PM
Wednesday, June 17, 2015

Chesapeake Shakespeare’s Comedy of Errors in the ruins (review) by Brett Steven Abelman

While not considered one the Bard’s richest works or given the most revelatory treatment, The Comedy of Errors makes for ideal picnic blanket theatre in Chesapeake Shakespeare Company&…

SOURCE: DC Theatre Scene at 08:03AM
Monday, May 11, 2015

Rob Jansen dons Chaplin’s bowler for The Tramp’s New World by Brett Steven Abelman

Who wouldn’t want to see a lost Charlie Chaplin film? The Tramp’s New World was a screenplay for The Tramp by James Agee which Chaplin declined to produce because he felt, at the…

SOURCE: DC Theatre Scene at 12:12PM
Wednesday, May 6, 2015

Washington Stage Guild revives Lonsdale comedy On Approval (review) by Brett Steven Abelman

When a story is forgotten, dropped out of view and from the canon, it may be justly, because it has fallen hopelessly behind the times, or unjustly, because it still has something to give &#…

SOURCE: DC Theatre Scene at 11:55AM
Sunday, March 22, 2015

Blue Viola, a bluesy, jazzy new opera from UrbanArias by Brett Steven Abelman

What would you call the blend of music and genre in UrbanArias’ world premiere Blue Viola? Standard terms like “chamber opera,” “folk opera,” or “comic op…

SOURCE: DC Theatre Scene at 07:05PM
Monday, March 16, 2015

HalfMad Theatre takes on The Winter’s Tale by Brett Steven Abelman

One of the most sensible approaches to Shakespeare’s problem plays is simply to cut out the problematic parts and zero in on the play’s beating heart. With its long one-act prese…

SOURCE: DC Theatre Scene at 11:42AM
Monday, March 2, 2015

Shaw sees the future: Back to Methuselah by Brett Steven Abelman

It’s difficult to come into the middle of something, but, to take a stab at a George Bernard Shaw-like observation, aren’t we all living all our lives having come into the middle…

SOURCE: DC Theatre Scene at 09:31AM
Wednesday, January 14, 2015

No Rules’ gamer’s romance, In Love and Warfare by Brett Steven Abelman

A tense build-up; a long-anticipated entry; desperate shouting of instructions; begging for supernatural aid; an explosive climax; a satisfied finish. Depicting all the passion of a major ra…

SOURCE: DC Theatre Scene at 11:49AM
Wednesday, December 10, 2014

A Christmas Carol, Baltimore-style by Brett Steven Abelman

Inside the gorgeous brick edifice of the new Chesapeake Shakespeare Company home in Baltimore rises another brick edifice, this one made out of flat, painted wood but no less impressive. The…

SOURCE: DC Theatre Scene at 12:09PM
Monday, November 24, 2014

The Gift of Nothing, a great child’s gift at the Kennedy Center by Brett Steven Abelman

We’re truly blessed to have such sharp talents right here in D.C., who can take a comic strip and whip it up into a classy, pleasant children’s musical seemingly effortlessly. Wh…

SOURCE: DC Theatre Scene at 11:07AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic