As he stepped up to his piano at the beginning of For Morgan, Nicky Paraiso looked out the intimate audience at Pangea restaurant. “It feels like family in here,” he said. Sometime in th…
SOURCE: Culture Bot at 05:24PMAt the conclusion of the electrifying performance of Curriculum III: People, Places, and Things, members of the Bill T. Jones/Arnie Zane Dance Company took their bows to a standing ovation f…
SOURCE: Culture Bot at 12:18PMAt the opening of Memory Piece: Mr. Ailey, Alvin…the un-Ailey?, we catch glimpses of Bill T. Jones dancing in and out of darkness. His flowing white pants and matching shirt caress his bod…
SOURCE: Culture Bot at 11:18AMShared programs can be tricky. As a dance festival curator, part of the battle is attempting to describe a work of art effectively to the public while predicting their reaction. Putting two …
SOURCE: Culture Bot at 12:32PM“There he is.” Nicky Paraiso is sitting next to me and wants me to look at something on his phone. Ostensibly, we´re here at St. Mark’s Church-in-the-Bowery to see a show, the first…
SOURCE: Culture Bot at 11:18AM(This post is part of the World Theatre Day 2014/Crossing Borders salon series. More than a choreographer or a teacher, Mary Overlie is a philosopher. When I got to study with her at the�…
SOURCE: Theatre Communications Group at 08:37AM