Tuesday, April 18, 2017
Paula Vogel makes her long-awaited Broadway debut, telling the story of a Yiddish drama shut down in 1923.
SOURCE: The New York Times Subscription at 10:48PMMonday, April 17, 2017
A beloved movie is adapted to the musical stage with feverish imagination — and a magnetic Andy Karl shooing away the shadow of Bill Murray.
SOURCE: The New York Times Subscription at 09:12PMSunday, April 16, 2017
This uncanny play from the great experimentalist Richard Maxwell brings to mind Clint Eastwood’s Man With No Name, but with more to say.
SOURCE: The New York Times Subscription at 10:18PMThursday, April 13, 2017
Bartlett Sher’s masterly production of J.T. Rogers’s drama about the Oslo Accords is reborn as the colossus it was always meant to be.
SOURCE: The New York Times Subscription at 10:18PMThursday, April 6, 2017
Patti LuPone and Christine Ebersole find the human factor in a repetitive musical about battling cosmetics magnates.
SOURCE: The New York Times Subscription at 10:24PMWednesday, April 5, 2017
A bouncy revival of a Noël Coward classic re-establishes the Tony-winning Mr. Kline as one of the great physical comedians.
SOURCE: The New York Times Subscription at 10:31PMMonday, April 3, 2017
This mild-mannered musical adaptation of the famously divisive 2001 French film is unlikely to inspire similarly passionate responses.
SOURCE: The New York Times Subscription at 10:24PMSunday, April 2, 2017
This knockabout farce from London trades on the perverse comfort of watching things go smash in a safe, contained environment.
SOURCE: The New York Times Subscription at 10:36PMSaturday, April 1, 2017
Offerings include a matchmaker named Dolly (embodied by a little old diva named Bette) and a new work from Annie Baker.
SOURCE: The New York Times Subscription at 12:42AMFriday, March 31, 2017
In this visually ravishing production, Bobby Cannavale steps into a part that has been waiting for him for decades.
SOURCE: The New York Times Subscription at 10:31PMMonday, March 27, 2017
In this harshly funny performance piece, a stand-up artist translates thoughts about Latino history into hyperkinetic action.
SOURCE: The New York Times Subscription at 10:18PMSunday, March 26, 2017
Lynn Nottage’s bracingly topical play explores the working-class anger and anxieties that put Donald J. Trump in the White House.
SOURCE: The New York Times Subscription at 10:24PMThursday, March 23, 2017
The singing scenery of “Miss Saigon” is back on Broadway, with political corrections and a newly proportioned cast.
SOURCE: The New York Times Subscription at 10:32PMCole Porter’s lost musical from 1930 raises a glass to the giddy heyday of Prohibition and high (really high) society.
SOURCE: The New York Times Subscription at 06:03PMMonday, March 20, 2017
Two long-married couples take a walk on the wild side in Sarah Ruhl’s comedy of lust, friendship and animal sacrifice.
SOURCE: The New York Times Subscription at 10:36PMSunday, March 19, 2017
A monster devours your sense of security in this scream-filled Julia Jarcho evisceration of classic horror movies at Abrons Arts Center.
SOURCE: The New York Times Subscription at 10:36PMWednesday, March 15, 2017
Tuesday, March 14, 2017
Voices are seldom raised in Rachel Bonds’s beautifully acted play, and big, confrontational truths mostly remain unspoken.
SOURCE: The New York Times Subscription at 10:12PMMonday, March 13, 2017
The Debate Society’s leisurely and copiously detailed production contemplates two Chicago World’s Fairs, and everything in between.
SOURCE: The New York Times Subscription at 10:32PMThis whimsical exploration of the world created by the writing of Charlotte, Emily and Anne Brontë gets an alternately intriguing and irritating production.
SOURCE: The New York Times Subscription at 10:32PMSunday, March 12, 2017
This musical pushes emotional buttons as it portrays a town’s efforts to accommodate travelers whose planes were diverted to a Canadian town after the 9/11 attacks.
SOURCE: The New York Times Subscription at 10:18PMThursday, March 9, 2017
The director Sam Gold and his cast, led by an intrepid Sally Field, have deconstructed the Tennessee Williams classic. But don’t expect the pieces to be reassembled.
SOURCE: The New York Times Subscription at 10:36PMThursday, March 2, 2017
Joshua Harmon’s comedy, at the Booth Theater, tells of a gay man’s turmoil as he watches wedding bells break up his gang of gal pals.
SOURCE: The New York Times Subscription at 10:24PMWednesday, March 1, 2017
This musical about a demonic barber could be more penetrating, but still respects the original story’s depiction of madness.
SOURCE: The New York Times Subscription at 11:03PMMarch brings a set of rivalrous blue-collar workers, a resentful stoker on an ocean liner and, oh yes, one very angry barber.
SOURCE: The New York Times Subscription at 08:18AMTuesday, February 28, 2017
Contemporary womanhood has its challenges, and this play explores many of them, like sexual harassment, eating disorders, Ophelia complexes and more.
SOURCE: The New York Times Subscription at 10:18PMThe Theater for a New Audience’s revival of Thornton Wilder’s apocalyptic comedy feels surprisingly appropriate for a world threatened by climate issues and packed with refugees.
SOURCE: The New York Times Subscription at 10:18PMMonday, February 27, 2017
There are echoes of Samuel Beckett in this short, resonant tragicomedy, written by Will Eno and featuring Michael Emerson.
SOURCE: The New York Times Subscription at 10:42PMThursday, February 23, 2017
Jake Gyllenhaal and Annaleigh Ashford star in the marvelous revival of Stephen Sondheim and James Lapine’s musical, at the newly restored Hudson Theater.
SOURCE: The New York Times Subscription at 10:18PMWednesday, February 22, 2017
This dark musical by Greg Pierce and John Kander examines the ordeals of a teenager trying to recover from a drugged captivity.
SOURCE: The New York Times Subscription at 10:48PM 
