Wednesday, January 26, 2011
Friday, January 21, 2011
More than perhaps any other Broadway costume designer of the past half century, she understood that for a certain kind of show, nothing less than all-out dazzle would do.
SOURCE: The New York Times Subscription at 01:58PMMore than perhaps any other Broadway costume designer of the past half century, she understood that for a certain kind of show, nothing less than all-out dazzle would do.
SOURCE: The New York Times Subscription at 01:58PMMonday, January 17, 2011
Thursday, January 13, 2011
Ibsen’s “John Gabriel Borkman,” from the Abbey Theater of Ireland, is in production at the Harvey Theater in Brooklyn.
SOURCE: The New York Times Subscription at 10:01PMAudiences will surely find something wonderful in each of the five performances at the center of Jon Robin Baitz’s new play, “Other Desert Cities,” at Lincoln Center.
SOURCE: The New York Times Subscription at 10:00PMLa Mama, the East Village theater Ellen Stewart created and led, is not a 1960s relic; it continues to produce unexpected and even prophetic art.
SOURCE: The New York Times Subscription at 06:30PMWednesday, January 12, 2011
The idea of theater as an act (and an instrument) of political defiance is a strange one these days to most Americans.
SOURCE: The New York Times Subscription at 06:37PMThe idea of theater as an act (and an instrument) of political defiance is a strange one these days to most Americans.
SOURCE: The New York Times Subscription at 06:37PM"Diciembre," at Under the Radar Festival, is a witty, sharply focused vision of a time well past celebration.
SOURCE: The New York Times Subscription at 01:24PM"Diciembre," at Under the Radar Festival, is a witty, sharply focused vision of a time well past celebration.
SOURCE: The New York Times Subscription at 01:24PMSunday, January 9, 2011
Brian Bedford, who seems to pick up a Tony nomination whenever he steps foot on a Broadway stage, has returned to portray Lady Bracknell in “The Importance of Being Earnest.”
SOURCE: The New York Times Subscription at 04:30AMThursday, January 6, 2011
In its performance of “Being Harold Pinter,” the Belarus Free Theater confirms the power of a single playwright to inspire those who are addressing abuses of power.
SOURCE: The New York Times Subscription at 06:29PMThursday, December 30, 2010
Critics and writers for The New York Times write about shows and performances they are looking forward to seeing on New York stages in 2011.
SOURCE: The New York Times Subscription at 05:31PMThursday, December 16, 2010
In a year that recapped some of New York theater’s least appealing aspects, a few productions made us remember the singular power of theater to astonish.
SOURCE: The New York Times Subscription at 12:19PMWednesday, December 15, 2010
Sometimes a familiar line or phrase can be heard in new ways thanks to an actor’s unexpected interpretation.
SOURCE: The New York Times Subscription at 05:35PMSometimes a familiar word or phrase can be heard in new ways thanks to an actor's unexpected interpretation.
SOURCE: The New York Times Subscription at 05:34PMSunday, December 12, 2010
The performance artist John Kelly channels Egon Schiele in his reprise of “Pass the Blutwurst, Bitte,” at La MaMa.
SOURCE: The New York Times Subscription at 06:05PMTuesday, December 7, 2010
Wednesday, December 1, 2010
Thursday, November 25, 2010
Tuesday, November 23, 2010
The Kneehigh Theater’s adaptation of “The Red Shoes” presents a raw view of Hans Christian Andersen’s tale.
SOURCE: The New York Times Subscription at 06:16PMMonday, November 22, 2010
In first-rate productions of two Harold Pinter plays, five performers quietly send off distress signals with a fluency that leaves you grinning at such stylishly realized discomfort.
SOURCE: The New York Times Subscription at 10:01PMThe road to salvation is flat and narrow in “The Break of Noon,” Neil LaBute’s single-tone study starring David Duchovny.
SOURCE: The New York Times Subscription at 10:01PMFriday, November 19, 2010
Thursday, November 18, 2010
John Guare’s historical comedy “Free Man of Color,” at the Vivian Beaumont Theater, tosses up bright balls of allusion and prays they’ll land in a coherent pattern.
SOURCE: The New York Times Subscription at 10:01PMIn scenic design these days, the biggest thing in the theater is film - or to be precise, digital projections.
SOURCE: The New York Times Subscription at 12:58PM 
