Thursday, December 1, 2011
Frank Wildohorn’s “Bonnie & Clyde” is a modest, mildly tuneful musical biography of Clyde Barrow and Bonnie Parker.
SOURCE: The New York Times Subscription at 11:30PMFriday, November 25, 2011
Sunday, November 20, 2011
“Wild Animals You Should Know,” by Thomas Higgins, centers on an erotically charged relationship among Boy Scouts at a wilderness camp.
SOURCE: The New York Times Subscription at 10:01PM“Seminar,” a new comedy by Theresa Rebeck, concerns aspiring novelists who sign up for classes with a celebrated fiction guru, played by the droll Alan Rickman.
SOURCE: The New York Times Subscription at 10:01PMThursday, November 17, 2011
Richard Eyre’s revival of Noël Coward’s “Private Lives,” which stars Kim Cattrall and Paul Gross, is frothier, broader and sillier than its immediate Broadway predecessor.
SOURCE: The New York Times Subscription at 10:02PMMonday, November 14, 2011
“Burning,” Thomas Bradshaw’s Off Broadway debut, is a tale of rampaging erotic impulses and misplaced artistic ambitions, set in the 1980s and the present.
SOURCE: The New York Times Subscription at 10:18PMThursday, November 10, 2011
In “Hugh Jackman: Back on Broadway” the impossibly talented, impossibly energetic Mr. Jackman is a glorious dinosaur among live entertainers of the 21st century: an old-fashioned matinee…
SOURCE: The New York Times Subscription at 11:57PMHave you ever been tempted at the theater to lean toward the stage and yell at the performers, "What did you say?"
SOURCE: The New York Times Subscription at 12:00PMTuesday, November 8, 2011
Bill Irwin pops up like a daffodil in February amid the gray slush of the Public Theater’s “King Lear,” starring Sam Waterston and directed by James Macdonald.
SOURCE: The New York Times Subscription at 10:01PMSunday, November 6, 2011
Michael John LaChiusa’s “Queen of the Mist” is a musical portrait of the obsessive Anna Edson Taylor, who made her name in 1901 by going over Niagara Falls in a barrel.
SOURCE: The New York Times Subscription at 10:01PMThursday, November 3, 2011
Jon Robin Baitz’s “Other Desert Cities” has moved to Broadway, where it has emerged as stronger, more sincere and more credible than in its previous incarnation.
SOURCE: The New York Times Subscription at 10:01PMWorks of social conscience have been largely absent from the stage for, well decades. A recent batch of works marks a welcome change.
SOURCE: The New York Times Subscription at 11:00AMMonday, October 31, 2011
Karin Coonrod’s rowdy production of “Love’s Labor’s Lost,” is a streamlined interpretation of Shakespeare’s early comedy about men trying to do without women — and failing.
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In David Henry Hwang’s “Chinglish,” now on Broadway, an American businessman hoping to make his fortune in China goes through a maze of cultural confusion and linguistic blunders.
SOURCE: The New York Times Subscription at 10:00PMI've never really paid the sort of attention I suppose I should have to arguments about Shakespeare's identity.
SOURCE: The New York Times Subscription at 11:42AMThursday, October 13, 2011
“The Mountaintop,” with Samuel L. Jackson as the Rev. Dr. Martin Luther King Jr., takes place the day before Dr. King was assassinated in the motel where he spent his last night.
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The suffocating, esteem-shrinking Jewish mother, typically blamed as the root of all her children’s unhappiness, is the center of “The Lyons,” Nicky Silver’s portrait of familial lon…
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The main raison d’être of the Broadway revival of Terence Rattigan’s “Man and Boy” is the occasion it gives Frank Langella to explore the pathology of power.
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It’s your ears that keep you awake in Robert Wilson’s interpretation of Bertolt Brecht and Kurt Weill’s “Threepenny Opera” at the Brooklyn Academy of Music.
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Tuesday, September 27, 2011
Wednesday, September 21, 2011
Sunday, September 18, 2011
“Arias With a Twist” isn’t just a pocket-size, gender-inverting version of the grandeur that was Ziegfeld; it summons a century’s worth of ghosts of hedonism.
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This season is bounteous with familiar characters from other chapters of dramatic literature, who were last seen in the vicinity only a decade or so ago and are being given fresh life by new…
SOURCE: The New York Times Subscription at 12:18PMMonday, September 12, 2011
Somewhere along the road from Washington to Broadway, the Kennedy Center production of “Follies” picked up a pulse.
SOURCE: The New York Times Subscription at 10:01PMIn Richard Nelson’s “Sweet and Sad,” the day is Sept. 11, 2011, and the Apple family finds that the events of 10 years earlier cast a long shadow.
SOURCE: The New York Times Subscription at 05:50PMSunday, September 11, 2011
“The Select (The Sun Also Rises)” is a lively riff on Ernest Hemingway’s first and greatest novel, but it never entirely wraps its mind around the style and essence of the book that in…
SOURCE: The New York Times Subscription at 10:01PMFriday, September 9, 2011
A six-person production of “Cymbeline,” one of Shakespeare’s less beloved plays, opened at the Barrow Street Theater on Thursday after a run at the New Victory.
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Thursday, September 1, 2011
Audra McDonald plays Bess with confidence and conviction in a production that is otherwise lacking, anxious and confused.
SOURCE: The New York Times Subscription at 09:17AM 
