Wednesday, March 13, 2019
In a small shack in Port Elizabeth, deep in the grip of Apartheid, two brothers – one white-passing, one darker skinned –
SOURCE: The Stage Registration at 11:54AMWednesday, March 6, 2019
Under Ellen McDougall’s leadership, the Gate has solidified itself as an invaluable space that continually programmes daring and ambitious work. Anthony Simpson-Pike’s
SOURCE: The Stage Registration at 09:17AMFriday, February 15, 2019
Em is having a terrible night. Rachel Harper’s new monologue, which she also performs in, is a meaty, impressively unsentimental deep dive
SOURCE: The Stage Registration at 09:22AMThursday, February 14, 2019
Babylon Beyond Borders is a momentous technical feat. At the end of the performance, a spotlight illuminates Heather Pasfield, the live stream
SOURCE: The Stage Registration at 09:29AMTuesday, January 15, 2019
Who can you trust? Particularly if you’re a young black person in this day and age? That’s the question posed by poet
SOURCE: The Stage Registration at 05:05AMThursday, December 13, 2018
There’s a touch of old-fashioned charm to the Watford Palace Theatre’s panto this year – not that there’s anything wrong with that.
SOURCE: The Stage Registration at 10:18AMFriday, November 23, 2018
“This is a show about value”, Haley McGee declares halfway through her one-woman show. Inspired by a conversation with Visa about her
SOURCE: The Stage Registration at 08:53AMFriday, November 9, 2018
Sue MacLaine’s latest piece is a wide-reaching gaze over the abundance of inequalities directed towards women. Narrated stoically by Tess Agus, Angela
SOURCE: The Stage Registration at 11:11AMThursday, November 8, 2018
Written in collaboration by Sun-Duck Ko and Evan Placey, Orange Polar Bear is a piece of theatre which throbs with righteous anxiety.
SOURCE: The Stage Registration at 09:33AMSunday, November 4, 2018
'Simultaneously radical and commonplace': Ifeyinwa Frederick's debut play captures the joyous thorniness of female friendship, writes Ava Wong Davies
The post Review: The Hoes at Hampstead T…
SOURCE: exeuntmagazine.com at 05:08AMMonday, October 29, 2018
Daniel York Loh’s study of the 140,000 Chinese Labour Corps who worked tirelessly for Britain during the First World War is a
SOURCE: The Stage Registration at 06:46AMFriday, October 19, 2018
Stories of cultural displacement feel worryingly relevant nowadays, and Lilac Yosiphon’s continent-spanning epic of identity is no different. The story of Jasmine,
SOURCE: The Stage Registration at 10:27AMMonday, October 15, 2018
Paper Cinema has condensed Shakespeare’s most accessible (and sensational) tragedy to a 75-minute run, using their signature multimedia style. Entirely wordless but
SOURCE: The Stage Registration at 09:05AMTuesday, October 9, 2018
Dipika Guha’s sweeping exploration of cultural displacement certainly has ambition. Tracking the life of the tenacious Tomomi (played by Tomoko Komura and
SOURCE: The Stage Registration at 10:21AMSaturday, September 29, 2018
The common soldiers, the everyday heroes: Ava Davies reviews Alice Oswald's elegy to the dead of the Iliad.
The post Review: Memorial at the Barbican appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 09:13AMFriday, September 21, 2018
There’s a bittersweet irony to seeing Hear Me Howl the day Ireland’s Eighth Amendment is officially repealed. Perhaps it’s a stretch, but
SOURCE: The Stage Registration at 05:40AMTuesday, September 11, 2018
Brendan Cowell and Lally Katz’s romcom double-bill sold out its Australian run twice over in 2015. Despite the best efforts of the
SOURCE: The Stage Registration at 07:42AMSunday, September 9, 2018
The awkwardness of family dinners: Ava Davies reviews Stephen Karam's Thanksgiving play.
The post Review: The Humans at Hampstead Theatre appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 06:40AMTuesday, August 14, 2018
Alissa Anne Jeun Yi’s one-woman show is, in many ways, a classic coming-of-age story – a young woman grows up, has awkward
SOURCE: The Stage Registration at 01:11PMMonday, August 13, 2018
Warmly chaotic: Ava Davies reviews Ell Potter and Mary Higgins' show about bodies.
The post Edinburgh Review: (even) Hotter at Bedlam appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 03:14PMSunday, August 12, 2018
Intensely emotional: Charley Miles’ debut play is a love story set in a Yorkshire village.
The post Edinburgh review: Blackthorn at Paines Plough Roundabout appeared first on Exeunt Magazi…
SOURCE: exeuntmagazine.com at 10:54AMSaturday, August 11, 2018
'A rush of catastrophic thinking moving in slow motion': Ava Davies on a reality-distorting two-hander.
The post Edinburgh Review: No One is Coming to Save You at Pleasance Courtyard appeare…
SOURCE: exeuntmagazine.com at 10:32AMMillennial despair: Anorak's debut show is soaked in anxiety.
The post Edinburgh fringe review: It’s Alright, Everything’s Okay at ZOO appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 06:06AMThursday, August 9, 2018
'Like Beckett, if Beckett didn’t piss me off': Ava Davies on Footprint Theatre's gently radical two-hander about loneliness and the cosmos.
The post Edinburgh Review: Signals at Pleasance …
SOURCE: exeuntmagazine.com at 06:01AMWednesday, August 8, 2018
A very specific idea of Britishness: Ava Davies writes on a show that meets injustice with sugar-coated tweeness.
The post Edinburgh review: The Welcome Revolution at Zoo Southside appeared …
SOURCE: exeuntmagazine.com at 05:04AMTuesday, August 7, 2018
Inheritance, rejection, stasis: Ava Davies reviews Living House Theatre's playful take on art and history.
The post Edinburgh Review: Come to Daddy at Summerhall appeared first on Exeunt Mag…
SOURCE: exeuntmagazine.com at 04:10AMSunday, August 5, 2018
Deep and rich and jagged: Ava Davies on ThisEgg's fluid exploration of bodies and trauma.
The post Edinburgh review: dressed. at Underbelly appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 12:18PMSaturday, August 4, 2018
'Glitters with warmth': Ava Davies reviews Le Gateau Chocolat's cabaret version of The Ugly Duckling.
The post Edinburgh Review: Duckie at Summerhall appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 06:13PMWednesday, August 1, 2018
'The silliness, the fumbling, the mistakes': Ava Davies reviews Company Three's show about teenage love.
The post Review: The Act at The Yard appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 08:12AMSunday, July 15, 2018
"Amazing what can happen when you don't just programme white people" - Ava Davies on the humming energy of a show made by femmes of colour.
The post Review: Hive City Legacy at Roundhouse ap…
SOURCE: exeuntmagazine.com at 07:03PMMonday, July 9, 2018
Futility and horror: Ava Davies on a revived WWI drama, and the strange way the war sits in our national consciousness.
The post Review: For King and Country at Southwark Playhouse appeared …
SOURCE: exeuntmagazine.com at 04:45AM 
