All stories by Anne-Marie Peard on BroadwayStars

Monday, September 29, 2014

Ghost Light: Carrie, The Musical by Anne-Marie Peard

New Melbourne company Ghost Light have made a loud and proud declaration by debuting with the infamous flop Carrie: The Musical. And given that we haven’t seen a production of it in …

SOURCE: AussieTheatre at 07:03PM
Saturday, September 27, 2014

Best of the Melbourne Fringe best of, part 2 by Anne-Marie Peard

The Melbourne Fringe is over the halfway mark and only has a week to go. So many shows have already come and gone, while others open this weekend and still don’t know what’s in …

SOURCE: AussieTheatre at 08:13PM

Victorian Opera & Malthouse: The Riders by Anne-Marie Peard

Victorian Opera and Malthouse Theatre have created a new mainstage Australian opera. How exciting! And it’s an adaption of Tim Winton’s The Riders, a dream-fit for opera. This i…

SOURCE: AussieTheatre at 12:34AM
Monday, September 22, 2014

Best of the Melbourne Fringe, part 1 by Anne-Marie Peard

There are only 400-odd shows to choose from at the Melbourne Fringe. I’ve only seen 12 so far and these were some of my favourites that are still running this week. The YouTube Comment Orc…

SOURCE: AussieTheatre at 06:28PM
Friday, September 12, 2014

Melbourne Fringe opens next week by Anne-Marie Peard

This time next week, the 32nd Melbourne Fringe 2014 will be off and running with over 400 shows by over 5000 performers in over 150 venues. Running from 17 September to 5 October, it’s a s…

SOURCE: AussieTheatre at 07:00PM
Tuesday, September 9, 2014

Attic Erratic: The City They Burned by Anne-Marie Peard

Attic Erratic’s The City They Burned is a re-telling of the Genesis story of Lot and his family. I remember learning about godly Lot at my Anglican school: Lot is told by God and hi…

SOURCE: AussieTheatre at 04:33AM
Saturday, September 6, 2014

A lie of the mind by Anne-Marie Peard

With an ambitious and successful Pozible fundraising campaign, an empty amazing space in the CBD and the determination to move a class exercise to a professional production, A lie of the mi…

SOURCE: AussieTheatre at 07:02PM
Friday, September 5, 2014

Q44: Spike Heels by Anne-Marie Peard

Q44 launched as a company earlier in the year and Theresa Rebeck’s 1992 play Spike Heels is their third production, this time in conjunction with Crazy Chair Productions and at Chape…

SOURCE: AussieTheatre at 03:14AM
Wednesday, September 3, 2014

MTC: The Sublime by Anne-Marie Peard

The MTC’s production of Brendan Cowell’s The Sublime left me angry. So, I took some time to think, read and discuss. I’m still angry, and horrified at the arguments being…

SOURCE: AussieTheatre at 05:35AM
Sunday, August 24, 2014

Master class is a master class by Anne-Marie Peard

Today’s performance of Master Class at fortyfive downstairs has sold out but if you book now, you might be able to get in before it finishes on Thursday. Terrance McNally’s pla…

SOURCE: AussieTheatre at 02:35AM
Thursday, August 21, 2014

Helium: Intimacy by Anne-Marie Peard

Michelle Ryan danced professionally in Australia and overseas. Ten years ago, she was at the peak of her career and was diagnosed with Multiple Sclerosis. She used to dance and had issues w…

SOURCE: AussieTheatre at 02:14AM
Monday, August 18, 2014

Glory Box, ten year anniversary by Anne-Marie Peard

Ten years ago I saw The Burlesque Hour in the Famous Spiegeltent on St Kilda Road. Moira Finucane, Azaria Universe and Umi Umiumare (and the Town Bikes); I was blown away and I still ha…

SOURCE: AussieTheatre at 05:37AM
Thursday, August 14, 2014

State Opera of SA: Satyagraha by Anne-Marie Peard

Satyagraha appropriately and magnificently concludes the first cycle of State Opera of South Australia’s Portrait Trilogy of operas by Philip Glass, soaking the soul and leaving you bl…

SOURCE: AussieTheatre at 06:00PM

State Opera of SA: Einstein on the beach by Anne-Marie Peard

I didn’t know if it were possible to see State Opera of South Australia’s Einstein on the beach without comparing it to the original Wilson-Glass-Childs production (which toure…

SOURCE: AussieTheatre at 03:24AM
Tuesday, August 5, 2014

Phillip Glass Trilogy opens tonight by Anne-Marie Peard

The first cycle of Sate Opera of South Australia’s Philip Glass Trilogy opens tonight with Akhnaten at Her Majesty’s Theatre in Adelaide. Exclusive to Adelaide, it’s the first time the…

SOURCE: AussieTheatre at 01:38AM
Thursday, July 31, 2014

The Container Festival opens on Friday by Anne-Marie Peard

The MUST (Monash Uni Student Theatre) Container Festival runs from 1 to 16 August night at Monash University in Clayton. Following the success of the inaugural 2013 festival, the a multi-ven…

SOURCE: AussieTheatre at 03:50AM
Thursday, July 24, 2014

Malthouse: The Book of Loco by Anne-Marie Peard

Among walls of tape-sealed cardboard boxes stands a middle-aged man in a suit. He has a beard, an accent and looks like he’s going to sweat a lot. And he might be mad and/or mad as he&…

SOURCE: AussieTheatre at 01:26AM
Wednesday, July 23, 2014

MTC: Glengarry Glen Ross by Anne-Marie Peard

David Mamet’s Glengarry Glen Ross is many things. It won Mamet the 1984 Pulitzer Prize for Drama because it captured a time, place and attitude so remarkably. He re-wrote it as an ac…

SOURCE: AussieTheatre at 03:51AM
Monday, July 21, 2014

Victorian Opera: Into the Woods by Anne-Marie Peard

After the success of their Sunday in the Park with George (1984), Stephen Sondheim and James Lapine created Into the Woods (1986), which beat Phantom of the Opera at the Tonys and firm…

SOURCE: AussieTheatre at 04:51AM
Wednesday, July 16, 2014

The Death of Kings by Anne-Marie Peard

Melbourne is hosting the 20th International AIDS Conference on 20–25 July. Alongside the conference is a cultural program, including The Death of Kings with has a short run until 19 J…

SOURCE: AussieTheatre at 04:40AM
Saturday, July 12, 2014

NEON: The Myth Project, Twin by Anne-Marie Peard

NEON’s Twin is the first of Arthur’s The Myth Project series that’s about exploring the Australian psyche and the myths it creates. Exploding in a shiny-streamer world …

SOURCE: AussieTheatre at 11:56PM
Friday, July 11, 2014

The Flock and the Nest by Anne-Marie Peard

St Michael’s Grammar School is next door to the Red Stitch theatre and when the school approached the theatre company to collaborate on a production, it was impossible to say no. Worki…

SOURCE: AussieTheatre at 06:00AM
Friday, July 4, 2014

Les Misérables by Anne-Marie Peard

In 1985 the first English production of Boublil and Schonberg’s musical  Les Misérables opened in London. That original production has moved theatres a couple of times, but it’…

SOURCE: AussieTheatre at 09:00AM
Friday, June 27, 2014

Melbourne Cabaret Festival: Sunglasses at night by Anne-Marie Peard

“We are young Heartache to heartache we stand” If you’re now singing and frightened that you remember those dance moves but can’t remember how to unlock your phone,…

SOURCE: AussieTheatre at 11:45PM
Friday, June 20, 2014

Circus Oz: But wait … there’s more by Anne-Marie Peard

It’s impossible not to love a night in the heated Circus Oz tent, and if seeing them in winter in Melbourne with a bag of hot doughnuts isn’t a tradition for your family and frie…

SOURCE: AussieTheatre at 10:10PM
Wednesday, June 18, 2014

Red Stitch: Grounded by Anne-Marie Peard

See Grounded for Kate Cole’s performance or for the writing or to be reminded how theatre can creep into your heart with a mixture of hurt and happiness that makes you feel a little …

SOURCE: AussieTheatre at 12:58AM
Monday, June 16, 2014

NEON: Resplendence by Anne-Marie Peard

Angus Cerini scares me. In a good way. In a way that I know his work is likely to disturb and confront me and make me want a glass of wine and some alone time after a show. His company, Doub…

SOURCE: AussieTheatre at 01:46AM

The King and I, Melbourne by Anne-Marie Peard

This production of The King and I was first seen in 1991 in Adelaide. It toured Australia and found its way to New York in 1996, where it won some Tonys, and to London in 2000. It was a lavi…

SOURCE: AussieTheatre at 12:08AM
Sunday, June 1, 2014

NEON: Dangerous Liaisons by Anne-Marie Peard

The second NEON Festival of Independent Theatre opens with the dazzling high-camp, glitter-bright, subversion of Stephen Nicolazzo’s Little Ones Theatre. Dangerous Liaisons is a 198…

SOURCE: AussieTheatre at 09:29AM
Thursday, May 29, 2014

Last chance to see S in Melbourne by Anne-Marie Peard

I’ve seen a lot of circus and a lot of contemporary dance, but I’ve never seen anything like Circa’s S. Premiered at the Brisbane Festival in 2012, S has toured Australi…

SOURCE: AussieTheatre at 01:03AM
Friday, May 23, 2014

MTC: Ghosts by Anne-Marie Peard

Overwrought and underwhelming, the MTC’s Ghosts is as haunting as the Luna Park ghost train, but not as fun. The 1880s critics generally despised Henrik Ibsen’s play for being …

SOURCE: AussieTheatre at 07:37PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre