All stories by Anne-Marie Peard on BroadwayStars

Thursday, February 5, 2015

Citizen Theatre: The Importance of Being Earnest by Anne-Marie Peard

Oscar Wilde’s farcical tale of societal pomp, mistaken identity and greedy muffin consumption is played out with particular aplomb as Citizen Theatre faithfully brings The Importance of B…

SOURCE: AussieTheatre at 06:00PM
Wednesday, February 4, 2015

Midsumma: Affluenza by Anne-Marie Peard

Will Hannagan, the Prince of Pop Song Pastiche, returns to The Butterfly Club with Affluenza with a brand new offering for Midsumma Festival 2015. With a pantomimic “Swoosh!” we are tran…

SOURCE: AussieTheatre at 09:45PM

Totem, Melbourne Season by Anne-Marie Peard

Cirque Du Soleil’s latest spectacular, TOTEM, traces the story of human life from its primordial roots through to our never-ending quest to reach new heights. It’s written and directed b…

SOURCE: AussieTheatre at 08:44PM
Monday, January 26, 2015

Midsumma: Show Stopper, Reloaded 2015 by Anne-Marie Peard

Agent Cleave is a very sexy glam-punk-pirate/bondage-slave/film-noir-private-dick/femme-fatale/mermaid/Spanish-Jesus in Show Stopper, returned to Melbourne for a limited run at Howler, as pa…

SOURCE: AussieTheatre at 04:23AM
Saturday, January 24, 2015

Midsumma: The Jacobeans by Anne-Marie Peard

Bagabus Inc are Hannah Malarski and Jack Richardson. They brought the delightfully dark Bushpig to the Melbourne Fringe in 2013 and are back for Midsumma with The Jacobeans, an equally da…

SOURCE: AussieTheatre at 06:59AM
Thursday, January 22, 2015

Camille O’Sullivan: Changeling by Anne-Marie Peard

Camille O’Sullivan knows that if she wants to move to Melbourne, she’ll have adoring fans and endless friends eager to see her do anything, meow on the streets with her and invit…

SOURCE: AussieTheatre at 10:18PM
Tuesday, January 20, 2015

Strictly Ballroom: Melbourne by Anne-Marie Peard

Strictly Ballroom began when NIDA student Baz Luhrmann led a student-devised piece in 1984. This production went on to play at the Czechoslovakian World Youth Drama Festival in 1986 and, wi…

SOURCE: AussieTheatre at 04:06PM
Saturday, January 17, 2015

Midsumma: Softly pouting while walking into breezes by Anne-Marie Peard

Softly pouting while walking into breezes started as a MUST (Monash Uni Student Theatre) show that was so popular that it needed to be seen by more people and found its way to La Mama for M…

SOURCE: AussieTheatre at 01:11AM
Friday, January 9, 2015

I, Malvolio by Anne-Marie Peard

I saw Tim Crouch’s An Oak Tree at the 2008 Melbourne Festival. It assured me that I’d see anything he created and I Malvolio has confirmed my commitment. Crouch is from Brig…

SOURCE: AussieTheatre at 03:16AM
Tuesday, December 16, 2014

Into the Woods film: Nice is different than good by Anne-Marie Peard

I wish that I could tell you that I loved Rob Marshall’s big screen adaptation of my favourite Stephen Sondheim show. I wish I could tell you that Marshall found a way to adapt this large …

SOURCE: AussieTheatre at 10:09PM
Monday, November 24, 2014

Opera Australia: Don Pasquale by Anne-Marie Peard

Opera Australia’s Don Pasquale is alive and joyous. Without dismissing a note of Gaetamo Donizetti’s opera, everyone on the stage and in the pit finds that little bit of extr…

SOURCE: AussieTheatre at 09:19PM
Thursday, November 20, 2014

MTC: Pennsylvania Avenue by Anne-Marie Peard

Last week, Melbourne’s two mainstage companies opened shows by Melbourne writers. Both directed by Melbourne directors and featured Melbourne performers and creators. Both were also se…

SOURCE: AussieTheatre at 08:48PM

Malthouse: Calpurnia Descending by Anne-Marie Peard

As Pennsylvania Avenue opened at the MTC, I know I wasn’t alone as I wondered why. But they’ve just announced extra performances, so I think we know the answer. Meanwhile, a c…

SOURCE: AussieTheatre at 08:45PM
Wednesday, November 12, 2014

45Downstairs: Dreamers by Anne-Marie Peard

I wasn’t in Melbourne when the Keene/Taylor project was the darling of this city’s independent theatre scene (1997–2002), so it’s a joy to see Mary Lou Jelbart’s f…

SOURCE: AussieTheatre at 12:02AM
Sunday, November 9, 2014

Life Like: Passion by Anne-Marie Peard

I’m still having trouble believing that 1994’s Passion is a Sondheim–Lapine creation, let alone that it won a small pile of Tony Awards. As it’s so rarely performed, I…

SOURCE: AussieTheatre at 09:22PM
Friday, October 24, 2014

Melbourne Festival: When the mountain changed its clothing by Anne-Marie Peard

“If you liked that show, I’m going to push you under a tram.” It could only be said in Melbourne, at an arts festival. It was said to me at the end of When the mountain ch…

SOURCE: AussieTheatre at 01:09AM
Monday, October 20, 2014

Happy People in concert by Anne-Marie Peard

Melbourne had the first look at Matthew Lee Robinson’s musical Happy People on the weekend. Its first workshop performance was in Melbourne in 2010 and since then Robinson, a WAPPA g…

SOURCE: AussieTheatre at 07:32AM
Sunday, October 19, 2014

Melbourne Festival Chat: Kate Fryer by Anne-Marie Peard

Kate Fryer is a co-founder of independent acrobatic aerial theatre company Dislocate. Their Melbourne Festival show, If These Walls Could Talk, is another world premiere for the festival…

SOURCE: AussieTheatre at 06:00PM
Saturday, October 18, 2014

Melbourne Festival: Opus by Anne-Marie Peard

The experience of watching Circa continues to leave me a babbling mess of words that don’t come near to describing how they make me feel. Opus, which was co-comissioned by the Melbourn…

SOURCE: AussieTheatre at 02:30AM
Thursday, October 16, 2014

Melbourne Festival Chat: Roslyn Oades by Anne-Marie Peard

Roslyn Oades new work, Hello, Goodbye & Happy Birthday is already a must-see see of this festival. Developed by Malthouse and the Melbourne Festival, it’s based on interviews w…

SOURCE: AussieTheatre at 06:02PM
Wednesday, October 15, 2014

Melbourne Festival: My Lovers’ Bones by Anne-Marie Peard

My Lovers’ Bones is another premiere Australian work developed for and supported by the Melbourne Festival. Created by independent company Brown Cab Productions, it’s a fascinat…

SOURCE: AussieTheatre at 11:40PM

Melbourne Festival Chat: Sheridan Harbridge by Anne-Marie Peard

Sheridan Harbridge is performing in Big hART’s Hipbone Sticking Out. The work’s a culmination of three years of collaboration with between the company and the community of Roeb…

SOURCE: AussieTheatre at 07:53PM

Melbourne Festival: Mikelangelo’s City of Dreams by Anne-Marie Peard

Mikelangelo isn’t from Melbourne and spends a lot of time travelling the world, but – like many of us – he fell in hopeless love with this city and made it his home. Last night, su…

SOURCE: AussieTheatre at 01:56AM
Tuesday, October 14, 2014

Melbourne Festival: Complexity of Belonging by Anne-Marie Peard

Melbourne Festival, the Brisbane Festival and Melbourne Theatre Company have coordinated to support the creation of Complexity of Belonging. It’s the type of work that international …

SOURCE: AussieTheatre at 07:03AM
Sunday, October 12, 2014

Melbourne Festival: Marzo by Anne-Marie Peard

So, there’s a Japanese samurai going all Noh, a Pink Power Ranger, the offspring triplets of a Telly Tubby and the Michelin Man, a bird (that I called Dick Face), and an inflatable st…

SOURCE: AussieTheatre at 11:54PM
Saturday, October 11, 2014

MELBOURNE FESTIVAL: Have I No Mouth by Anne-Marie Peard

Have I No Mouth is extraordinary theatre. I was on the verge of tears for most of it, but it took me somewhere beautiful. Co-writers and directors Feidlim Cannon and Gary Keenan are and co-…

SOURCE: AussieTheatre at 11:45PM

Melbourne Festival: A night of circus by Anne-Marie Peard

Within this year’s Melbourne Festival is a program of circus curated by Andrew Bleby from Melbourne’s NICA (National Institute of Circus Arts). Festival audiences can enjoy wor…

SOURCE: AussieTheatre at 01:38AM
Tuesday, October 7, 2014

Once by Anne-Marie Peard

In 2006, Once was a tiny indie movie that went on to win an Oscar for best song and became a Broadway musical that won a pile of Tonys, including Best Musical, a Grammy for Best Musical Th…

SOURCE: AussieTheatre at 07:06AM
Monday, October 6, 2014

Rodelinda by Anne-Marie Peard

It’s highly unlikely I’ll ever hear all George Frideric Handel’s extraordinary output of more than 40 operas in performance, especially given that it’s taken Rodelinda almost…

SOURCE: AussieTheatre at 05:48PM
Friday, October 3, 2014

Best of the Melbourne Fringe, part 3 by Anne-Marie Peard

It’s the last weekend of the Melbourne Fringe; it’s time to go hard and see as much as you can because when you wake up on Monday, it’ll all be over. And it’ll be tim…

SOURCE: AussieTheatre at 12:55AM
Monday, September 29, 2014

Ghost Light: Carrie, The Musical by Anne-Marie Peard

New Melbourne company Ghost Light have made a loud and proud declaration by debuting with the infamous flop Carrie: The Musical. And given that we haven’t seen a production of it in …

SOURCE: AussieTheatre at 07:03PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre