All stories by Andrew Haydon on BroadwayStars

Monday, May 25, 2015

Subversion on stage: can theatre change the world? by Andrew Haydon

Recent events in Hungary, Belarus and Iraq show that governments find theatre dangerous enough to think it's worth banning. So what should we be doing in response?In the past month, three ra…

SOURCE: The Guardian at 05:58PM

Why does size matter to theatres? | Andrew Haydon by Andrew Haydon

Some say that theatre is all about liveness and intimacy, others that it needs to be epic in scope. Both can't be right, surely?Does size matter? It strikes me that the biggest single issue …

SOURCE: The Guardian at 05:58PM

There's nothing funny about putting racism on stage by Andrew Haydon

In Germany, I saw a white woman dress as a gorilla to play Othello. Yet the best that Britain seems to do is Clybourne Park - a play which aims for laughs rather than a serious examination o…

SOURCE: The Guardian at 05:58PM

Subversion on stage: can theatre change the world? by Andrew Haydon

Recent events in Hungary, Belarus and Iraq show that governments find theatre dangerous enough to think it's worth banning. So what should we be doing in response?

SOURCE: The Guardian at 05:58PM
Thursday, May 21, 2015

Going Deutsch: Britain and Germany's theatre exchange by Andrew Haydon

One is supposedly writer-led, the other director-led; one genuinely made classics speak to the present day while the other boomed with new writing. But these two countries’ productions are…

SOURCE: The Guardian at 01:14PM

International: Gorki Theater by Andrew Haydon

Set back from Unter der Linden, Berlin’s wide tree-lined avenue sweeping east to west from Alexanderplatz to the Brandenburg Gate, the Maxim

SOURCE: The Stage Registration at 09:00AM
Thursday, May 14, 2015

Iphigenia in Splott five-star review – a whirlwind of aggression and seduction by Andrew Haydon

Sherman Cymru, CardiffSophie Melville is superb in this reworked version of the myth that follows a disaffected young woman kicking hard against a bleak worldIf you take a slight detour on t…

SOURCE: The Guardian at 06:48AM
Tuesday, May 12, 2015

Mother Courage and Her Children review – Brecht as epitaph for British socialism by Andrew Haydon

Merthyr Tydfil Labour ClubNational Theatre Wales attempts to rehabilitate Bertolt Brecht’s cold pragmatist as a sentimental, Shameless-style rogue Continue reading...

SOURCE: The Guardian at 08:55AM
Thursday, July 24, 2014

Almada theatre festival report: thriving in the face of adversity by Andrew Haydon

The underfunded Portuguese festival presented a wealth of intriguing dramas from directors including Ivica Buljan and Romina Paula Continue reading...

SOURCE: The Guardian at 08:19AM
Tuesday, July 1, 2014

Coney's no island: could streamed theatre let audiences call the shots? by Andrew Haydon

Live streaming and online interactivity mean it may be time to reconsider what we mean by live performance, and it's companies such as Coney who are at the vanguardA strange thing happened l…

SOURCE: The Guardian at 03:00AM
Monday, June 30, 2014

Meine Faire Dame: musicals we love by Andrew Haydon

Forget what you think you know about My Fair Lady this German version features everything from Mozart to Wham!The Swiss director Christoph Marthaler's Meine Faire Dame isn't just a German-l…

SOURCE: The Guardian at 02:59AM
Friday, June 27, 2014

Sibiu theatre festival: Romania takes to the world stage by Andrew Haydon

Romanian playwrights are taking an unflinchingly look at their country with targets matching those of their British counterpartsThe work staged this month at an international theatre festiva…

SOURCE: The Guardian at 08:47AM
Wednesday, May 14, 2014

European theatre is still foreign to us by Andrew Haydon

Several current stage hits suggest British theatre is looking outwards. Andrew Haydon is delighted, but thinks there is a way to go when translating and staging texts from abroadBack in 2008…

SOURCE: The Guardian at 09:38AM
Tuesday, May 6, 2014

Nothing of Me review watching Sofia Helin is like staring at the sun by Andrew Haydon

Stadsteatern, StockholmThe Bridge star delivers a compelling central performance in the world premiere of Arne Lygre's stark playThe wide black floor stretches back from the audience. It is …

SOURCE: The Guardian at 12:41PM
Tuesday, March 18, 2014

Carmen Disruption review – 'delights in being counterintuitive' by Andrew Haydon

Deutsches Schauspielhaus, HamburgForget Bizet and his familiar take on Prosper Mérimée's novel – Simon Stephens' bleak adaptation owes more to Virginia WoolfWith Three Kingdoms, Sebastia…

SOURCE: The Guardian at 12:27PM
Sunday, March 16, 2014

Review: So Lonely, Deutsches Schauspielhaus Junges Theater by Andrew Haydon

Back to Gaußstraße, and to the same odd little arts-industrial estate as Thalia Gaußstraße, for a performance by the young people’s theatre of Deutsches Schauspielhaus, which is curren…

SOURCE: A Younger Theatre at 06:51AM
Monday, November 5, 2012

Analysis & Opinion: Let’s not knee-jerk our way through the ‘blacking up’ debate by Andrew Haydon

Misunderstandings are complicating the debate over ethnically authentic casting, as the Clybourne Park case shows, writes critic Andrew Haydon

SOURCE: The Stage Registration at 07:17AM
Thursday, October 6, 2011

Noises off: Can you have too much reality on stage? by Andrew Haydon

How should theatre tackle real-life horror? And how much do Doctor Who and Shakespeare really have in common? Find out the issues captivating the blogosphere this weekWhat to do about "reali…

SOURCE: The Guardian at 12:51PM
Wednesday, September 28, 2011

Noises off: Should theatres pay critics to come and review? by Andrew Haydon

What price a bit of honest publicity? The rapidly changing face of theatre reviewing is grist to the bloggers' mill this weekWhat happens if you can't get a critic to see your show? Most the…

SOURCE: The Guardian at 11:27AM
Thursday, September 22, 2011

Noises off: No more, the text is foolish by Andrew Haydon

Theatre bloggers are in uproar about suggested plotlines for Neil LaBute and Theresa Rebeck's live playwriting promotion – and they're none too happy about West End ticket prices, eitherWh…

SOURCE: The Guardian at 12:04PM
Wednesday, September 14, 2011

Noises off: Should theatre act its age? by Andrew Haydon

This week theatre bloggers wage battle over ageism on stage and call for greater clarity on the term 'interactive theatre'This week the blogs are ablaze with disagreements. First up, Jo Cair…

SOURCE: The Guardian at 11:08AM
Friday, September 9, 2011

Noises off: Revelations biblical and Menckenian by Andrew Haydon

Kate Mosse discusses the 66 Books project, George Hunka showcases the insults aimed to bruise his ego and theatre bloggers get down to the nitty gritty this weekThis week's Noises Off finds …

SOURCE: The Guardian at 12:02PM
Tuesday, August 30, 2011

Noises off: Theatre bloggers – could do better? by Andrew Haydon

The back-to-school vibe has bloggers reassessing their trade this week, and mainstream arts journalism gets a detentionMaybe it's the influence of the new school year, but if there is a unif…

SOURCE: The Guardian at 07:40AM
Thursday, August 25, 2011

Noises off: The best of the Edinburgh festival blogs by Andrew Haydon

As critics and performers debate everything from favourite eateries to the point of festivals, blogging is transforming the Edinburgh experienceIf there's a month when the full force of the …

SOURCE: The Guardian at 05:55AM
Wednesday, August 17, 2011

Noises off: How should theatre respond to the UK riots? by Andrew Haydon

As mob rule spread across the country last week, theatre bloggers asked what role – if any – the arts have to playIt feels a little ironic to be taking up the reins of Noises Off after a…

SOURCE: The Guardian at 12:03PM
Wednesday, May 25, 2011

Much ado about 1980s Gibraltar by Andrew Haydon

David Tennant and Catherine Tate are starring in yet another timeshifted Shakespeare. But can contemporary settings ever work?After what feels like an aeon of comparing and contrasting Hamle…

SOURCE: The Guardian at 12:34PM
Thursday, May 12, 2011

Does Britain have a problem with European theatre? by Andrew Haydon

I Am the Wind – written by Europe's most performed playwright, staged by France's leading director – got a critical beating. Is it a case of Little Englandism?"As reviewers see more show…

SOURCE: The Guardian at 07:41AM
Friday, April 1, 2011

New writing triumphs at the National Student Drama festival | Andrew Haydon by Andrew Haydon

The last decade has seen a remarkable wealth of new plays, if the selections for this year's National Student Drama festival are anything to go byLike Matt Trueman, I've also just finished r…

SOURCE: The Guardian at 11:53AM
Tuesday, March 15, 2011

Germany's fringe theatre is confusing, unpredictable – and thrilling | Andrew Haydon by Andrew Haydon

Whether it's high-concept experimental theatre or stripped-down touring work, Germany's fringe surprises at every turn – what would you recommend?The thing I find most difficult when writi…

SOURCE: The Guardian at 09:59AM
Wednesday, March 2, 2011

Poetry in Motion: why poetic drama has something new to say by Andrew Haydon

Shakespeare and Beckett pulled it off, but what will former poet laureate Andrew Motion's first play be like?The news that former poet laureate Andrew Motion is writing a play, to be premier…

SOURCE: The Guardian at 08:10AM
Monday, February 21, 2011

There's nothing funny about putting racism on stage | Andrew Haydon by Andrew Haydon

In Germany, I saw a white woman dress as a gorilla to play Othello. Yet the best that Britain seems to do is Clybourne Park – a play which aims for laughs rather than a serious examination…

SOURCE: The Guardian at 12:42PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic