All stories by Andrew Alexander on BroadwayStars

Thursday, May 26, 2016

Review: Ten years past its prime, “Significant Other” comes across like a long pity party by Andrew Alexander and Jim Farmer

With Joshua Harmon’s Bad Jews a commercial success for Actor’s Express recently, the company has now turned to another work from the playwright, Significant Other, running through June 1…

SOURCE: ArtsATL at 01:59PM
Wednesday, May 25, 2016

Review: Synchronicity’s “Diary of a Madman” reveals a descent with sly, dark humor by Andrew Alexander

The most unreliable of unreliable narrators is one who can’t actually distinguish truth from fiction. So it is with Poprishchin, who famously loses his grip on reality in the great Russian…

SOURCE: ArtsATL at 02:01PM
Wednesday, May 18, 2016

Review: Fern Theatre’s all-female “Lear” brings unexpected dimension to classic Bard by Andrew Alexander

Shakespeare may have created some of the most memorable female characters of all time, but acting in Elizabethan England was strictly a male profession. Probably due to the aesthetic limitat…

SOURCE: ArtsATL at 11:01AM
Wednesday, May 11, 2016

Review: “Stones in His Pockets” uses its humor to also uncover a lot of truth by Andrew Alexander

The setting of Marie Jones’ 1996 comedic play Stones in His Pockets (through May 22) may be Ireland, but its subject has never felt closer. Its sense of humor, as well as its touches of s…

SOURCE: ArtsATL at 01:01PM

Review: OnStage’s “The Tribute Artist” is campy and decidedly fun drag queen fluff by Andrew Alexander

A drag queen who can flawlessly mimic almost any woman’s mannerisms and — with a little help from the right wig and a lot of make-up — her looks, as well, is hanging out in the…

SOURCE: ArtsATL at 10:02AM
Wednesday, April 27, 2016

Review: With “Inside I,” 7 Stages poignantly tackles autism and the need for connection by Andrew Alexander

Autism is, almost by definition, not an easy affliction to dramatize. The neurological disorder manifests itself as impaired social functioning and limited verbal communication, and drama is…

SOURCE: ArtsATL at 09:01AM
Wednesday, April 20, 2016

Review: Aurora Theatre’s “Sotto Voce” suffers from incongruity of using a young actress to play an older character by Andrew Alexander

A sense of old-fashioned, if somewhat unusual, romance should beat at the heart of Pulitzer Prize-winning playwright Nilo Cruz’s 2014 play Sotto Voce, currently having its Atlanta premiere…

SOURCE: ArtsATL at 03:00PM
Wednesday, April 6, 2016

Review: “Ethel” deftly captures the brilliance and the pain of legendary singer Ethel Waters by Andrew Alexander

Ethel Waters may have been one of the most popular blues singers and top-selling recording artists of her day, but at the opening of the

SOURCE: ArtsATL at 11:00AM
Tuesday, April 5, 2016

Review: “Serial Black Face” takes a complicated view of African-American mothers, daughters by Andrew Alexander

Problematic mother-daughter relationships may be plentiful in plays, but few are probably as antagonistic as the one in Serial Black Face, a new world premiere

SOURCE: ArtsATL at 06:38PM
Thursday, March 31, 2016

Review: Serenbe puts on a great show, but “Carousel” is a musical past its expiration date by Andrew Alexander and Jim Farmer

Serenbe Playhouse and its artistic director Brian Clowdus have become masters at outdoor “event” theater — and the company is back with their take on

SOURCE: ArtsATL at 02:00PM
Wednesday, March 30, 2016

Review: PushPush’s “Intersection of Dreams” goes down like soft jazz with a smooth whiskey by Andrew Alexander

The characters in PushPush Theater’s new show Intersection of Dreams, running through April 5, are habitués at a cool, jazzy, speakeasy basement nightclub, the kind

SOURCE: ArtsATL at 02:00PM
Friday, March 25, 2016

News: The Alliance debuts big-budget musicals, “The Temple Bombing” for 2016-17 season by Andrew Alexander

The Alliance Theatre announced the line-up for its 2016-17 season this week, a season that will be marked by big-budget musicals, world premiere plays and

SOURCE: ArtsATL at 01:00PM
Friday, March 11, 2016

Review: Pinch ’n’ Ouch’s “Gidion’s Knot” weaves a complicated, self-conscious tale by Andrew Alexander

When things aren’t going well at school, parent/teacher conferences can get pretty tense. But even so, few of them probably compare to the nail-biting, antagonistic,

SOURCE: ArtsATL at 02:00PM
Thursday, March 10, 2016

Review: There’s a new Cirque du Soleil show in town and for our critics, “Kurios” rocks the big top by Andrew Alexander and Jim Farmer

Cirque du Soleil is now the largest theatrical producer in the world; the biggest big top ever. Our theater critics Jim Farmer and Andrew Alexander

SOURCE: ArtsATL at 11:00AM
Wednesday, March 2, 2016

Review: With a self-conscious script, Georgia Ensemble’s “Peter and the Starcatcher” fails to lift by Andrew Alexander

It’s hard to know what a kid might make of it, but I found the new family show Peter and the Starcatcher a noisy, unappealing

SOURCE: ArtsATL at 01:00PM

Review: The Alliance takes C.S. Lewis’ “Lion, Witch and the Wardrobe” on a magical ride by Andrew Alexander

Stagecraft can have a tough time competing with cinematic special effects. A theatrical trick is seldom as convincing, impressive or immersive as the results of

SOURCE: ArtsATL at 11:00AM
Wednesday, February 24, 2016

Review: “Start Down” is a good, but imperfect start up for Kendeda playwright Eleanor Burgess by Andrew Alexander

Could computers ever replace teachers? Those of us who hated high school often wondered.   The possibility becomes the topic of serious and considered speculation

SOURCE: ArtsATL at 01:00PM
Tuesday, February 16, 2016

Review: David Mamet’s classic “American Buffalo” loses some of its sheen in True Colors staging by Andrew Alexander

The value of a nickel is five cents, except for when it isn’t. As every collector knows, a coin can be worth much more than

SOURCE: ArtsATL at 02:14PM
Friday, February 5, 2016

Review: Alliance’s “Disgraced” tells a provocative tale of race and religion, and tells it really well by Andrew Alexander and Jim Farmer

Both a Pulitzer Prize winner and a 2015 Tony Award nominee for Best Play, Disgraced is one of the most talked about, provocative plays around,

SOURCE: ArtsATL at 11:00AM
Wednesday, February 3, 2016

Preview: René Marie evokes the powerful, uncompromising spirit of Eartha Kitt by Andrew Alexander

Most people are familiar with Eartha Kitt through her role as Catwoman on the campy Batman television series of the 1960s, one of the most well-known

SOURCE: ArtsATL at 07:51PM

Review: Lauren Gunderson’s “I and You” reminds how its the “biggest little” that often matters by Andrew Alexander

In Decatur-native Lauren Gunderson’s new two-character play I and You, running at Aurora Theatre through February 21, the character Anthony (J.L. Reed) enters speaking the

SOURCE: ArtsATL at 02:00PM
Tuesday, February 2, 2016

Review: “Sweeney Todd” has its basic flaws, but also plenty of Sondheim moments to enjoy by Andrew Alexander

“He seldom laughed, but he often smiled,” is just one of the ways that the chorus describes the murderously obsessive lead character in Stephen Sondheim’s

SOURCE: ArtsATL at 03:58PM
Monday, February 1, 2016

Preview: Sean Dorsey looks at the wreckage of the AIDS epidemic through the prism of dance by Andrew Alexander

In his latest work, transgender artist Sean Dorsey gives voice to longtime survivors of the earliest part of the AIDS epidemic, the gay, lesbian, bisexual, trans

SOURCE: ArtsATL at 09:33AM
Wednesday, January 13, 2016

Review: The classic “Charley’s Aunt” is dated but retains its cross-dressing comic chops by Andrew Alexander

Charley’s Aunt is more than 120 years old, and it’s fair to say that the old girl is starting to show her age. The farce,

SOURCE: ArtsATL at 09:00AM
Friday, December 11, 2015

Review: Christmas and family gets the Topher Payne treatment in “Let Nothing You Dismay” by Andrew Alexander

Kevin (Ben Silver) and Allie (Emily Sams) are in a hospital waiting room on Christmas Day quietly awaiting the birth of their soon-to-be-adopted son. They

SOURCE: ArtsATL at 02:25PM
Tuesday, December 8, 2015

Review: Worlds of Puppetry Museum a dynamic delight, at Puppetry Arts Center by Andrew Alexander

The Center for Puppetry Arts recently opened its colorful new Worlds of Puppetry Museum. A much-expanded and rethought iteration of its original museum, the $14-million,

SOURCE: ArtsATL at 11:18AM
Wednesday, November 18, 2015

Review: Playwright Paris Crayton scores again with insightful, often moving “Brothers of Affliction” by Andrew Alexander

In the opening scene of Brothers of Affliction, the two eldest Owens brothers enter supporting the third, badly beaten and semiconscious, in their arms.  Shane

SOURCE: ArtsATL at 12:21PM
Wednesday, November 11, 2015

Review: Carolyn Cook brilliantly brings to life Steve Yockey’s new play “Blackberry Winter” by Andrew Alexander

Steve Yockey’s Blackberry Winter is a fine play, and the Atlanta production is knocked out of the park by the extraordinary, brilliant performance of Carolyn

SOURCE: ArtsATL at 03:15PM

Review: Georgia Ensemble puts an inventive new twist on “Romeo and Juliet” that mostly works well by Andrew Alexander

Georgia Ensemble Theatre has created a solid and likeable production of Shakespeare’s Romeo and Juliet running at the Roswell Cultural Arts Center through November 22.

SOURCE: ArtsATL at 10:17AM
Wednesday, November 4, 2015

Review: Playwright Steve Yockey’s “The Thrush and the Woodpecker” is a fan pleaser by Andrew Alexander

You might describe the typical Steve Yockey play, including The Thrush and the Woodpecker currently in production at Actor’s Express through November 15, as follows: 

SOURCE: ArtsATL at 01:02PM

Review: “Cinderella” is not prime-time Rodgers and Hammerstein, but rewarding show for kids by Andrew Alexander

Cinderella is far from the best thing that Rodgers and Hammerstein wrote, but a new touring production of the Broadway duo’s 1957 musical stopping at

SOURCE: ArtsATL at 12:20PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic