All stories by Alan Katz on BroadwayStars

Friday, April 6, 2018

Before they reach The Wall. Experience the desert crossing in convincing virtual reality. Carne y Arena (review) by Alan Katz

If you’re looking for the cutting edge of DC theater, look for the groups who are interrogating the boundaries of what it means to even be a theater. From Forum’s actor-less The State to…

Linked From DC Theatre Scene at 08:38AM
Thursday, March 29, 2018

Review: 410[GONE] from Rorschach Theatre by Alan Katz

Being stuck in the world of 410[GONE] might seem like Hell for most people. After all, it is a trippy video game afterlife full of maddening puzzles based on Dance Dance Revolution and manic…

Linked From DC Theatre Scene at 11:51AM
Tuesday, November 21, 2017

The Ugly One from Nu Sass (review) by Alan Katz

You would have to be quite the hermit to be missing the current cultural moment of the horrifying and sometimes violent interactions between bodies, sex, and power. With news full of the emp…

Linked From DC Theatre Scene at 02:42PM
Tuesday, November 14, 2017

The Real Americans at Mosaic Theater Company (review) by Alan Katz

In today’s information age, where significant cultural moments flutter in and out weekly, topical theater may not age well. But sometimes, art speaks to fundamental fault lines in a cultur…

Linked From DC Theatre Scene at 03:06PM
Wednesday, October 25, 2017

Deb Sivigny’s Hello, My Name Is … (review) by Alan Katz

Memory is a home we can’t help but live in. Wandering from room to partitioned room, we reflexively replay the moments that define us in our search of what they mean for who we are. Deb Si…

Linked From DC Theatre Scene at 11:48AM

An Interview With a Revolutionary: Natalia Kaliada of Belarus Free Theatre by Alan Katz

There is still dictatorship in Europe. Protestors are beaten in the streets. Artists and activists are tortured in prison. An iron-fisted strong man rigs elections and crushes all opposition…

Linked From DC Theatre Scene at 06:33AM
Wednesday, October 11, 2017

Assassins from Pallas Theatre Collective (review) by Alan Katz

In the wake of an historically deadly mass shooting and a historically unpopular president comes a musical comedy of sorts about guns, presidents, and their tragic interplay from Lincoln to …

Linked From DC Theatre Scene at 09:24AM
Tuesday, September 12, 2017

Ayad Akhtar’s Disgraced at NextStop Theatre (review) by Alan Katz

Imagine the worst dinner party you could attend. Not the worst for company (everyone here is erudite and cosmopolitan), nor the worst for purpose (a celebration of achievement), nor the wors…

Linked From DC Theatre Scene at 12:54PM
Thursday, September 7, 2017

Spectacle key to Rorschach’s repeat Neverwhere (review) by Alan Katz

This DC theater season, several mid-sized theaters are delving into a trend recently popular among the bigger houses: remounting popular productions of previous years. Usually these shows sp…

Linked From DC Theatre Scene at 11:42AM
Tuesday, August 22, 2017

Deep Cuts: a Lesson from Whipping’s Beer Man by Alan Katz

In the past few days, as I’ve let Kathleen Akerley’s play Whipping, or The Football Hamlet (and this review) settle in my mind, I realize that my review perhaps comes off more harshl…

Linked From DC Theatre Scene at 12:18PM
Tuesday, August 15, 2017

Whipping, or The Football Hamlet (review) by Alan Katz

Whipping, or the Football Hamlet has rushed into CUA’s Callan Theater with Kathleen Akerley calling this play as writer and director as she does most every humid DC August. As a theatergoe…

Linked From DC Theatre Scene at 12:36PM
Friday, July 21, 2017

Review: As You Like It plays pastoral Prince George’s parks by Alan Katz

Everyone has an idea of how Shakespeare “should” be performed: from the gorgeous flashiness of Shakespeare Theatre Company to the original practice imitations of American Shakespeare Cen…

Linked From DC Theatre Scene at 01:09PM
Monday, July 17, 2017

Trey Parker’s Cannibal! The Musical (Capital Fringe review) by Alan Katz

A man wanders onstage, a mad look above his riotous beard.  Another man comes on, petrified with fear, not seeing the disturbing maniac. With lightning speed, the bearded man pounces and te…

Linked From DC Theatre Scene at 08:06AM
Wednesday, July 12, 2017

One in Four (Capital Fringe review) by Alan Katz

If you’ve ever picked up a roommate from an online ad, you know that living with strangers can be, well, strange. In a world premiere from outer space-oriented Nu Puppis collective, th…

Linked From DC Theatre Scene at 07:32AM
Sunday, July 9, 2017

MacBheatha (Capital Fringe review) by Alan Katz

Alana Wiljanen made a good choice in calling her group’s co-created Shakespeare adaptation MacBheatha, instead of the more famous Macbeth, Shakespeare’s sordid tale of a Scotsman murderi…

Linked From DC Theatre Scene at 07:32AM
Friday, July 7, 2017

Mixed Blessings (Capital Fringe review) by Alan Katz

There are certain topics that one avoids on first dates. Like race, politics, religion, Moby Dick, your ex. Mixed Blessings is the story of how these topics can make a first date go spectacu…

Linked From DC Theatre Scene at 10:36AM
Wednesday, May 24, 2017

Ulysses on Bottles from Mosaic Theater Company (review) by Alan Katz

You might be tempted to dismiss Ulysses on Bottles as a niche-appeal “issue play,” but this first opening for Mosaic Theater since receiving the Outstanding Emerging Theater Company Aw…

Linked From DC Theatre Scene at 11:12AM
Tuesday, May 9, 2017

Liesl Tommy’s brilliant take on Macbeth (review) by Alan Katz

It’s rare for traditional, big budget Shakespeare productions to find new angles on the major works of America’s most-produced playwright, and even more rare for those angles to work wel…

Linked From DC Theatre Scene at 12:06PM
Monday, April 3, 2017

A fresh and creepy Midwestern Gothic at Signature Theatre (review) by Alan Katz

If you get too weirded out by the second song in Signature’s newest world premiere musical, Midwestern Gothic, where out-of-work mechanic Red takes Polaroids of his stepdaughter Stina in …

Linked From DC Theatre Scene at 12:24PM
Wednesday, March 1, 2017

Why Intelligence playwright, Jacqueline E. Lawton, was uniquely qualified to write a Valerie Plame-inspired play by Alan Katz

The hottest theater ticket in DC right now isn’t to a blockbuster musical, a star-studded Shakespearean play, or a big-time production already contracted to hit Broadway. The ticket everyo…

Linked From DC Theatre Scene at 10:36AM
Thursday, November 10, 2016

Six Degrees of Separation at Keegan Theatre (review) by Alan Katz

Six Degrees of Separation shares much in common with Catcher in the Rye, the novel at the play’s moral center. Both are full of terribly unlikable characters who can turn our loathing into…

Linked From DC Theatre Scene at 12:06PM
Tuesday, October 18, 2016

A Kiss you’ll not forget at Woolly Mammoth (review) by Alan Katz

American theater has been mucking about in the sandbox and, meanwhile, the playground, the school, and the entire world have been burning down around us. Those were my first thoughts afte…

Linked From DC Theatre Scene at 11:24AM
Sunday, October 9, 2016

FringePOP: Public (review) by Alan Katz

“Will film kill off the the theater?” This question, often asked in existential anxiety by theatermakers at an undersold performance, may be the wrong one. That seems to be the message f…

Linked From DC Theatre Scene at 03:34PM
Thursday, September 15, 2016

Rorschach’s Bid to Save the World (review) by Alan Katz

Everyone remembers their first contact with death. I don’t mean Death, though I assume that first face to “face” meeting in the no-longer flesh is quite memorable. I mean the f…

Linked From DC Theatre Scene at 06:08AM
Tuesday, September 13, 2016

Come From Away shines light on little-known 9/11 story (review) by Alan Katz

There’s a certain somber and sober tone you expect from shows about disasters. Representations of recent genocides or terrorist attacks especially take on an almost religious nature, a hus…

Linked From DC Theatre Scene at 11:56AM
Tuesday, July 19, 2016

Seven Windows, Capital Fringe (review) by Alan Katz

In the storytelling cacophony that is the Capital Fringe Festival, it is easy to forget the pure beauty of bodies in space moving with discipline and grace. Seven Windows provides that eye-i…

Linked From DC Theatre Scene at 02:41PM
Monday, July 18, 2016


“We all live in stories,” says David J. Goldberg, actor, YouTube enthusiast, and, quite possibly, victim of a vast collusion of intelligence operatives who are conspiring to drive humani…

Linked From DC Theatre Scene at 04:52PM

We Know How You Die, UCB at Woolly (review) by Alan Katz

I can tell you almost nothing about the content you would see if you went to We Know How You Die at Woolly Mammoth, anymore than I could tell you how you’re going to die. I could say that …

Linked From DC Theatre Scene at 12:36PM
Tuesday, July 12, 2016

Song Reader: The Musical (review) by Alan Katz

Where can you experience the world premiere of a musical with songs by a 4-time platinum artist for only $17 a pop? At Capital Fringe, of course, with Song Reader: the Musical, an earnest an…

Linked From DC Theatre Scene at 03:37PM
Monday, July 11, 2016

POE, TIMES TWO by Alan Katz

Fear is one of the hardest feelings to convey in the emotional panoply of the theater, but POE, TIMES TWO, a solo retelling of two Edgar Allan Poe short stories, grabs the audience by the g…

Linked From DC Theatre Scene at 07:11PM
Thursday, June 23, 2016

Is Chicago’s abuse scandal happening here? by Alan Katz

Allegations of physical and abuse of physical abuse and sexual harassment raised by the Chicago Reader against Darrell Cox, Artistic Director of Profiles Theatre, and accusations of bizarre…

Linked From DC Theatre Scene at 02:38PM

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