All stories by ALEXIS SOLOSKI on BroadwayStars

Wednesday, March 29, 2023

In This ‘Peter Pan,’ Something Always Goes Awry. That’s the Plan. by Alexis Soloski

Broadway’s slapstick comedy “Peter Pan Goes Wrong” is full of daring sequences. What does it take? Countless rehearsals (and bruises).

SOURCE: The New York Times Subscription at 05:06AM
Monday, March 27, 2023

Sweeney Todd: The Demon Barber of Fleet Street review – dazzling Broadway revival by Alexis Soloski

Lunt-Fontanne Theatre, New York Josh Groban and Annaleigh Ashford play Stephen Sondheim’s murderous Victorian couple in a bold and barnstorming take Despite having worn a beard for much of…

SOURCE: The Guardian at 10:48AM
Friday, March 24, 2023

Review: In ‘Sancocho,’ a Family Crisis Is Cooking by Alexis Soloski

Attention to culinary detail is the best part of this heavily seasoned family drama by Christin Eve Cato at the WP Theater.

SOURCE: The New York Times Subscription at 10:32AM
Monday, March 13, 2023

‘The Coast Starlight’ Review: Strangers on a Train by Alexis Soloski

Keith Bunin’s gentle, rueful play at Lincoln Center’s Mitzi E. Newhouse Theater settles down among six passengers traveling from Los Angeles to Seattle.

SOURCE: The New York Times Subscription at 08:00PM
Monday, March 6, 2023

‘The Outsiders’ Review: Growing Pains Both Brutal and Poetic by Alexis Soloski

At La Jolla Playhouse, the musical adaptation of the novel and film has considerable appeal, but is weighed down by too many characters and themes.

SOURCE: The New York Times Subscription at 02:15PM
Tuesday, February 14, 2023

‘Cornelia Street’ Review: A Musical With Local Ambitions by Alexis Soloski

An affectionate elegy to a Greenwich Village restaurant, Neil Pepe’s production at Atlantic Theater orders everything on the menu.

SOURCE: The New York Times Subscription at 09:00PM
Friday, February 10, 2023

Billy Crudup Makes the Sale in ‘Hello Tomorrow!’ by Alexis Soloski

The actor stars in this new series as a slickster hawking time-shares on the moon. Now in his 50s, Crudup is getting some of the best roles of his career.

SOURCE: The New York Times Subscription at 05:00AM
Wednesday, February 1, 2023

Oscar Isaac, Rachel Brosnahan and the Draw of a Neglected Hansberry Play by Alexis Soloski

The first major New York revival of “The Sign in Sidney Brustein’s Window,” Lorraine Hansberry’s 1964 Broadway play, comes to BAM this month. What took so long?

SOURCE: The New York Times Subscription at 05:00AM
Monday, January 30, 2023

‘Asi Wind’s Inner Circle’ Review: Pick a Card, Not Just Any Card by Alexis Soloski

A master at the top of his game, the magician Asi Wind performs fluidly and with obvious pleasure.

SOURCE: The New York Times Subscription at 02:01PM
Friday, January 13, 2023

At Under the Radar, Stories Unfold via Sexts, Tweets and Puppeteers by Jesse Green, Laura Collins-Hughes and Alexis Soloski

The Public Theater’s experimental theater festival is back in person for the first time since 2020. Here, our critics review a handful of the works on display.

SOURCE: The New York Times Subscription at 03:02PM
Friday, January 6, 2023

Review: ‘Are We Not Drawn Onward to New Era’ Stages a Disaster in Reverse by Alexis Soloski

The Under the Radar festival kicks off with an allegory about climate destruction by the Belgian provocateurs Ontroerend Goed.

SOURCE: The New York Times Subscription at 12:05PM
Thursday, January 5, 2023

At Under the Radar, Theater That Jumps Right Off the Page by Alexis Soloski

Literary influences suffuse this year’s festival of avant-garde performance. Artists from six shows share the stories that inspired them.

SOURCE: The New York Times Subscription at 02:47PM
Wednesday, December 14, 2022

Review: In ‘Ye Bear & Ye Cubb,’ Colonial America Takes the Stage by Alexis Soloski

A play first performed in a tavern in 1665 survives with its title, and the court case it precipitated, intact — but nothing else.

SOURCE: The New York Times Subscription at 03:06PM
Tuesday, December 13, 2022

‘There’s No Way to Do a Good Job if You’re Judging the Character’ by Alexis Soloski

“Downstate” asks its performers to portray men who have done the unimaginable. Three of the play’s actors discuss what it takes to meet that challenge.

SOURCE: The New York Times Subscription at 05:12PM
Monday, December 12, 2022

Merrily We Roll Along review – Sondheim flop finds new lease of life by Alexis Soloski

New York Theatre Workshop, New York The infamous 1981 disaster has returned off-Broadway with help from Jonathan Groff and Daniel Radcliffe It is a paradox of human existence that while we e…

SOURCE: The Guardian at 10:30PM

Some Like It Hot review – Broadway adaptation is lukewarm by Alexis Soloski

Sam S Shubert Theatre, New York Attempts to modernise the gender politics of the classic comedy struggle but there are some moments that deliver enough razzle-dazzle There are several chase …

SOURCE: The Guardian at 03:42AM
Monday, December 5, 2022

Review: ‘The Far Country’ Brings a Neglected History Closer by Alexis Soloski

Early 20th-century San Francisco and Guangdong, China, overlap in Lloyd Suh’s artful examination of the emotional price of immigration.

SOURCE: The New York Times Subscription at 09:32PM
Friday, November 25, 2022

Review: At the Big Apple Circus, It’s a Family Affair by Alexis Soloski and Seth Caplan

Though smaller and less glitzy than extravaganzas of years past, “Dream Big” is a brisk, welcoming, back-to-basics experience brimming with pizazz.

SOURCE: The New York Times Subscription at 05:32AM
Monday, November 21, 2022

Review: In This Solo ‘Christmas Carol,’ the Night Is Never Silent by Alexis Soloski

Jefferson Mays stars in a Broadway adaptation of the Dickens classic, a one-man production that was originally live-captured for streaming.

SOURCE: The New York Times Subscription at 09:06PM
Wednesday, November 16, 2022

Review: In ‘Evanston Salt Costs Climbing,’ Co-Workers Weather the Storm by Alexis Soloski

Will Arbery’s play explores the existential dread filling the minds of an Illinois city’s public employees with the subtlety of a polar vortex.

SOURCE: The New York Times Subscription at 08:24PM
Wednesday, November 9, 2022

Sarah Ruhl and Rebecca Taichman on Conjuring ‘Becky Nurse of Salem’ by Alexis Soloski

Their new Off Broadway play, a dark comedy about power, inheritance and, of course, witchcraft, is now in previews at Lincoln Center Theater.

SOURCE: The New York Times Subscription at 10:24AM
Monday, November 7, 2022

‘My Broken Language’ Review: Piecing Together a Life of Many Dialects by Alexis Soloski

In Quiara Alegría Hudes’s new play at the Signature Theater, five performers try to summon generations of willful women.

SOURCE: The New York Times Subscription at 03:36PM
Thursday, October 27, 2022

‘Walking With Ghosts’ Review: Gabriel Byrne Roams His Past by Alexis Soloski

The Irish actor’s one-man show on Broadway delves into painful and playful memories alike. He even imitates the oddballs of his Dublin boyhood.

SOURCE: The New York Times Subscription at 08:55PM
Tuesday, October 25, 2022

‘Montag’ Review: A Dark Hymn to Female Friendship by Alexis Soloski

Not quite a comedy and not quite a thriller, Kate Tarker’s play is an antic study of two women preparing for a game (or possibly an attack).

SOURCE: The New York Times Subscription at 09:19PM

‘Tell the Story Every Way You Can’: Bess Wohl on ‘Camp Siegfried’ by Alexis Soloski

How a real-life pro-Nazi summer camp on Long Island inspired a “deeply American play” about seduction.

SOURCE: The New York Times Subscription at 10:33AM
Tuesday, October 11, 2022

Review: In ‘Peerless,’ Elite College Admissions Are Something Wicked by Alexis Soloski

The playwright Jiehae Park’s sly and polished adaptation of “Macbeth” transports the characters from the Scottish heath to the halls of a Midwestern high school.

SOURCE: The New York Times Subscription at 08:19PM
Thursday, October 6, 2022

1776 review – musical revival needs more independence from the original by Alexis Soloski

American Airlines Theatre, New York A diverse re-envisioning of the 1969 historical musical offers up some great opportunities for a game cast but struggles to justify its existence The firs…

SOURCE: The Guardian at 10:00PM

‘Complicity’ Review: A Muddled #MeToo Drama by Alexis Soloski

A new play by Diane Davis at the New Ohio Theater addresses the topic head-on, but clumsily, our critic writes.

SOURCE: The New York Times Subscription at 12:55PM
Monday, October 3, 2022

Cost of Living review – Pulitzer prize winner lands on Broadway with a splash by Alexis Soloski

Manhattan Theater Club at the Samuel J Friedman Theater, New York Martyna Majok’s sensitive drama about four characters on the margins is empathetically acted and unusually compassionate T…

SOURCE: The Guardian at 08:30PM
Sunday, October 2, 2022

Review: Revisiting ‘Baldwin and Buckley at Cambridge’ by Alexis Soloski

Elevator Repair Service, the experimental theater company, brings to life the 1965 debate between James Baldwin and William F. Buckley Jr.

SOURCE: The New York Times Subscription at 09:19PM
Wednesday, September 28, 2022

Wendell Pierce Steps Into ‘Death of a Salesman’ by Alexis Soloski

A Broadway revival of “Death of a Salesman” has a Black lead for the first time, giving Pierce a chance to step into a role he was “born to play.”

SOURCE: The New York Times Subscription at 10:37AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic