All stories by Victor Gluck, Editor-In-Chief on BroadwayStars

Monday, July 9, 2018

On A Clear Day You Can See Forever by Victor Gluck, Editor-In-Chief

Charlotte Moore’s version streamlines the plot somewhat from Lerner’s original by eliminating Daisy’s fiancé for whom she wants to quit smoking as well as a subplot with Greek shippin…

SOURCE: www.theaterscene.net at 12:47AM
Sunday, July 8, 2018

Teenage Dick by Victor Gluck, Editor-In-Chief

Add to this list Mike Lew’s new witty and clever "Teenage Dick" (being given its world premiere by Ma-Yi Theater Company in association with the Public Theater), both an update and a parod…

SOURCE: www.theaterscene.net at 10:46PM
Friday, July 6, 2018

Cyprus Avenue by Victor Gluck, Editor-In-Chief

Sixtyish Eric Miller is an angry white man, hating Catholics, Blacks, homosexuals, women, and other groups. He has also become very nationalistic. He not only wants to tell the world, he thi…

SOURCE: www.theaterscene.net at 11:29PM
Tuesday, July 3, 2018

Little Rock by Victor Gluck, Editor-In-Chief

Using a tremendously talented and versatile cast of nine actors (three black male actors, three black female actors, as well as three white performers) playing from three roles to 12, the st…

SOURCE: www.theaterscene.net at 11:57PM
Sunday, July 1, 2018

Carmen Jones by Victor Gluck, Editor-In-Chief

Unlike the musicals "Rent" (an update on Puccini’s "La Boheme"), and "Miss Saigon' (inspired by Puccini’s "Madame Butterfly") both of which had all new music by other composers for their…

SOURCE: www.theaterscene.net at 10:22PM
Saturday, June 30, 2018

Conflict by Victor Gluck, Editor-In-Chief

With Miles Malleson’s 1925 "Conflict," being given its New York premiere, the Mint has uncovered a brilliant political and social drama which has tremendous relevance for today with its di…

SOURCE: www.theaterscene.net at 03:18PM
Friday, June 29, 2018

Skintight by Victor Gluck, Editor-In-Chief

Harmon’s new play resembles "Admissions," his last New York offering seen at Lincoln Center this March, in that it debates a topic from many sides but then fails to give us the author’s …

SOURCE: www.theaterscene.net at 08:08PM
Wednesday, June 27, 2018

Fairview by Victor Gluck, Editor-In-Chief

Jackie Sibblies Drury is a unique new voice in the American theater. Her use of metatheater is all her own. "Fairview" has a great deal to say about race in America and the angle you see thi…

SOURCE: www.theaterscene.net at 09:31PM
Monday, June 25, 2018

The Property by Victor Gluck, Editor-In-Chief

Although the advance publicity for Ben Josephson’s "The Property" refers to it as a comedy, there is nothing funny about it, neither jokes nor comic situations. In fact, the heroine’s de…

SOURCE: www.theaterscene.net at 02:12PM
Wednesday, June 20, 2018

Othello (Shakespeare in the Park) by Victor Gluck, Editor-In-Chief

In the recent Metropolitan Opera production of Verdi’s "Otello," Otello was white which left no reason for his jealousy if he was identical to all the Venetians around him. In the current …

SOURCE: www.theaterscene.net at 10:53PM

The Maid’s Tragedy by Victor Gluck, Editor-In-Chief

Director Lucy Gram uses six actors to play 11 roles which has worked for such companies as Bedlam and Fiasco. However, here the four actresses play both men and women, three of them never ch…

SOURCE: www.theaterscene.net at 02:49PM
Sunday, June 17, 2018

Ivanov (State Theatre of Nations) by Victor Gluck, Editor-In-Chief

The chance to see Anton Chekhov’s first produced play, "Ivanov," not only in the original Russian (with English surtitles) but in modern dress proves to be a revelation. Staged by Russia�…

SOURCE: www.theaterscene.net at 12:00AM
Thursday, June 14, 2018

Fruit Trilogy by Victor Gluck, Editor-In-Chief

Her newest work, "Fruit Trilogy," an evening of three one acts, “Pomegranate,” “Avocado” and “Coconut,” has all of the strengths and weaknesses of her previous stage plays which …

SOURCE: www.theaterscene.net at 03:05PM
Tuesday, June 12, 2018

Secret Life of Humans by Victor Gluck, Editor-In-Chief

Though it wouldn’t be fair to reveal it here for audiences about to see the play, the “secret” actually turns out to be one that has been widely known for some time as it is all over t…

SOURCE: www.theaterscene.net at 01:36PM
Monday, June 4, 2018

Tchaikovsky: None but the Lonely Heart by Victor Gluck, Editor-In-Chief

The letters alternate with the musical portions played by Ji on piano, Ari Evan on cello and Stephanie Zyzak on violin in various combinations which are beautiful but it is never clear in wh…

SOURCE: www.theaterscene.net at 03:59PM
Sunday, June 3, 2018

Brokeback Mountain by Victor Gluck, Editor-In-Chief

While "Brokeback Mountain" impresses in its sincerity, it does not move which is a serious problem considering the romantic and tragic plot. Director Jacopo Spirei’s cast is in fine form a…

SOURCE: www.theaterscene.net at 11:38AM
Monday, May 28, 2018

The Beast in the Jungle by Victor Gluck, Editor-In-Chief

While "The Beast in the Jungle" is a musical for our time it contains a message that was dear to the heart of writer Henry James, that of the unlived life. Ultimately very moving when the st…

SOURCE: www.theaterscene.net at 11:48PM

Molasses in January by Victor Gluck, Editor-In-Chief

Standing in the way of the show’s success is the workshop-like production. Some of Pellegrino’s melodies are pleasant but musical director Michael Wittenberg’s piano playing drowns out…

SOURCE: www.theaterscene.net at 12:30AM
Sunday, May 27, 2018

Peace for Mary Frances by Victor Gluck, Editor-In-Chief

We learn a great deal about hospice, possibly more than one might want to know in a play. While most death watch plays like Edward Albee’s "All Over" and Scott McPherson's "Marvin’s Room…

SOURCE: www.theaterscene.net at 09:39PM
Wednesday, May 23, 2018

Twelfth Night by Victor Gluck, Editor-In-Chief

Played as older than either Viola or Sebastian, Elizabeth Heflin is charmingly eccentric as the strong cougar who becomes lovesick and yielding at the sight of Cesario and then Sebastian. In…

SOURCE: www.theaterscene.net at 02:49PM
Tuesday, May 22, 2018

Long Day’s Journey into Night (Bristol Old Vic) by Victor Gluck, Editor-In-Chief

Unlike many of the recent New York stagings, Eyre’s production makes it clear that the thrust of this four act play is an attempt for the Tyrones to exorcise their demons in one alcoholic …

SOURCE: www.theaterscene.net at 11:44PM
Monday, May 21, 2018

Marlowe’s Fate by Victor Gluck, Editor-In-Chief

Hodges’ play is quite lively with each scene dramatizing one point and the cast of characters made up entirely of real people, not all of them still famous. The real problem is with the un…

SOURCE: www.theaterscene.net at 05:59PM
Sunday, May 20, 2018

The Gentleman Caller by Victor Gluck, Editor-In-Chief

Every once in a while the exactly right actor is matched with the right role and magic occurs. Such is the case with Juan Francisco Villa as the 34-year-old Tennessee Williams (before he bec…

SOURCE: www.theaterscene.net at 11:20PM
Thursday, May 17, 2018

A Brief History of Women by Victor Gluck, Editor-In-Chief

Although the title covers part of the plot, the play is really a trenchant social history of Britain from 1925 – 1985 in four short sequences, showing the changes that take place in one ho…

SOURCE: www.theaterscene.net at 05:08PM
Monday, May 14, 2018

The Jewish King Lear by Victor Gluck, Editor-In-Chief

Aside from being a tight domestic drama, The Jewish King Lear has several other differences from Shakespeare’s tragedy. Gordin’s Lear has a wife who is sorely put upon and under her husb…

SOURCE: www.theaterscene.net at 11:35PM
Tuesday, May 8, 2018

Travesties by Victor Gluck, Editor-In-Chief

The play is narrated by Carr through his memories as an doddering 80-year-old man, returning him (and us) to his days as a 30-year-old resident of Zurich. As such he both unreliable, alterin…

SOURCE: www.theaterscene.net at 11:32PM
Tuesday, May 1, 2018

Transfers by Victor Gluck, Editor-In-Chief

As Cristofer, Juan Castano is riveting in his honesty and his assurance. You could hear a pin drop during several of his monologue confessions as to why he didn’t do as well as he might ha…

SOURCE: www.theaterscene.net at 01:33PM
Friday, April 27, 2018

Miss You Like Hell by Victor Gluck, Editor-In-Chief

What makes the storytelling riveting are the performances by the talented cast. As the free-spirited Beatriz fighting for her life, Rubin-Vega is at her fiercest and she is a memorable three…

SOURCE: www.theaterscene.net at 04:51PM
Tuesday, April 24, 2018

Mean Girls by Victor Gluck, Editor-In-Chief

Fey has made two successful changes to theatricalize her original screenplay. The story is now cast as a flashback narrated by best friends Goth Janis (Barrett Wilbert Weed) and Damian (Grey…

SOURCE: www.theaterscene.net at 11:50PM
Monday, April 23, 2018

One Thousand Nights and One Day by Victor Gluck, Editor-In-Chief

In performance, "One Thousand Nights and One Day" is a like a play with songs shoehorned in as none of them forward the story but take the emotional temperature of the characters instead. Wi…

SOURCE: www.theaterscene.net at 05:13PM
Friday, April 20, 2018

King Lear (Royal Shakespeare Company) by Victor Gluck, Editor-In-Chief

The Royal Shakespeare Company’s latest "King Lear," as directed by Gregory Doran, is one that needs no explanation and no program notes. At one and the same time both medieval and contempo…

SOURCE: www.theaterscene.net at 03:19PM

All that Chat