All stories by Victor Gluck, Editor-In-Chief on BroadwayStars

Friday, March 3, 2023

The Seagull/Woodstock, NY by Victor Gluck, Editor-In-Chief

Aside from the problem of which translation from the Russian to use, the  thorny problem with American productions of the plays of playwright Anton Chekhov is how to deal with the fact the …

SOURCE: www.theaterscene.net at 05:46PM
Wednesday, March 1, 2023

Becomes a Woman by Victor Gluck, Editor-In-Chief

Originally entitled "Francie Nolan," the same as the title character of her later "A Tree Grows in Brooklyn," but unrelated to that story except for sharing its Brooklyn setting, the play do…

SOURCE: www.theaterscene.net at 05:03PM
Tuesday, February 28, 2023

A Bright New Boise by Victor Gluck, Editor-In-Chief

The second play of Samuel D. Hunter’s residency at Signature Theatre is the first New York revival of his 2011 Obie Award winning 'A Bright New Boise," not seen by too many people in its s…

SOURCE: www.theaterscene.net at 03:39PM
Friday, February 24, 2023

Cornelia Street by Victor Gluck, Editor-In-Chief

Although British playwright Simon Stephens has written three musicals with composer/lyricist Mark Eitzel, formerly of the indie rock band American Music Club, Cornelia Street, set on a quiet…

SOURCE: www.theaterscene.net at 12:46AM
Tuesday, February 21, 2023

The Wanderers by Victor Gluck, Editor-In-Chief

The latest play to reach New York by Anna Ziegler, author of 'Photography 51," "Boy," "The Last Match" and "Actually," has a complicated structure she appears to have invented. "The Wanderer…

SOURCE: www.theaterscene.net at 10:45PM
Sunday, February 19, 2023

She’s Got Harlem on Her Mind: 3 Plays by Eulalie Spence by Victor Gluck, Editor-In-Chief

The problem with rediscovering lost plays from the past is that works that are 100 years old may have gotten dated or express views no longer held. Back in the 1920’s, Harlem Renaissance a…

SOURCE: www.theaterscene.net at 10:51PM
Tuesday, February 14, 2023

Twelfth Night (The Classical Theatre of Harlem) by Victor Gluck, Editor-In-Chief

When the Countess Olivia played by glamorous Christina Sajous declares “How wonderful!” in the final scene of The Classical Theatre of Harlem’s return engagement of its production of W…

SOURCE: www.theaterscene.net at 10:20PM
Tuesday, January 31, 2023

Lady in the Dark by Victor Gluck, Editor-In-Chief

Unfortunately, this is musical comedy and does not need operatic voices, Lawrence being famously a singer with a very small range, while Kaye came from cabaret and night club. With all of th…

SOURCE: www.theaterscene.net at 06:40PM
Monday, January 30, 2023

Asi Wind’s Inner Circle by Victor Gluck, Editor-In-Chief

"Ari Wind’s Inner Circle" is so incredible that it defies the imagination. Can these be called sleights of hand when we see everything that happens at all times? It is the sort of show tha…

SOURCE: www.theaterscene.net at 06:44PM
Saturday, January 28, 2023

F*ck7thGrade by Victor Gluck, Editor-In-Chief

Singer/songwriter Jill Sobule’s life story is on display in the charming cabaret musical "F*ck7thGrade" – with a difference. Sobule, the original “I Kissed a Girl” composer/lyricist,…

SOURCE: www.theaterscene.net at 11:29PM
Tuesday, January 24, 2023

Colin Quinn: Small Talk by Victor Gluck, Editor-In-Chief

"Small Talk," like its title suggests, is less unified than Quinn’s earlier shows. He also uses its format to wander from topic to topic, seemingly randomly without much structure. It allo…

SOURCE: www.theaterscene.net at 10:39PM

Memorial by Victor Gluck, Editor-In-Chief

Not only is Livian Yeh’s "Memorial" revealing in its historic depiction of a recent piece of American history, it is additionally a very satisfying dramatic work. It is also very pertinent…

SOURCE: www.theaterscene.net at 10:46AM
Thursday, January 19, 2023

Not About Me by Victor Gluck, Editor-In-Chief

Eduardo Machado’s 11th play to premiere at Theater for the New City is called "Not About Me" which is a complete misnomer as it is about his life for the last 40 years with his alter ego a…

SOURCE: www.theaterscene.net at 09:04PM
Monday, January 16, 2023

The Dog Show by Victor Gluck, Editor-In-Chief

Ivan Faute’s "The Dog Show" is ambitious in trying to tell a story by holding back on the details. Unfortunately, the method has grave, unresolved problems. For most of the first act we ha…

SOURCE: www.theaterscene.net at 11:57PM
Monday, January 9, 2023

The Collaboration by Victor Gluck, Editor-In-Chief

While Bettany and Pope are each very convincing as Warhol and Basquiat since they are made up to look exactly like they did in life, they seem to be in two different plays, using different a…

SOURCE: www.theaterscene.net at 11:30PM
Thursday, January 5, 2023

H.M.S. Pinafore (NYGASP) by Victor Gluck, Editor-In-Chief

While Albert Bergeret’s old-fashioned production does not sparkle, it is a solid, steady ship that satisfies with all its jokes intact plus a few new ones like the hilarious drunken scene …

SOURCE: www.theaterscene.net at 10:58PM
Tuesday, January 3, 2023

Truth’s a Dog Must to Kennel by Victor Gluck, Editor-In-Chief

Under the direction of Karl Janes and Andy Smith, Tim Crouch is a very commanding performer, using his resonant baritone to paint pictures with words, holding our attention at all times. Nar…

SOURCE: www.theaterscene.net at 12:58PM
Wednesday, December 21, 2022

Ohio State Murders by Victor Gluck, Editor-In-Chief

McDonald is mesmerizing as she speaks Kennedy’s strong, clear, poetic and evocative prose. We never forget that McDonald’s Suzanne Alexander is giving a lecture but she changes ages in a…

SOURCE: www.theaterscene.net at 11:57PM
Tuesday, December 20, 2022

Des Moines by Victor Gluck, Editor-In-Chief

Michael Shannon, Hari Nef, Heather Alicia Simms, Arliss Howard and Johanna Day in a scene from Denis Johnson’s “Des Moines” at Theatre for a New Audience (Photo credit: Gerry Goldstein…

SOURCE: www.theaterscene.net at 10:44PM
Sunday, December 18, 2022

Becky Nurse of Salem by Victor Gluck, Editor-In-Chief

In any event, Ruhl has not written a play set in 1692 or a sequel to "The Crucible" but a comedy about free-spirited Becky Nurse, a descendant of the accused witch Rebecca Nurse, a pious 71-…

SOURCE: www.theaterscene.net at 10:55PM
Monday, December 12, 2022

The Weak and the Strong by Victor Gluck, Editor-In-Chief

Erik Ehn’s title "The Weak and the Strong" taken from St. Paul may refer to the bad choices that some people make that others avoid, but it seems to only reinforce the clichés of most wes…

SOURCE: www.theaterscene.net at 12:15PM
Saturday, December 10, 2022

Ain’t No Mo’ by Victor Gluck, Editor-In-Chief

Jordan E. Cooper’s scathing new racial comedy, "Ain’t No Mo’" has made the successful transition to Broadway with five of the six original actors from the previous Public Theater stagi…

SOURCE: www.theaterscene.net at 02:22PM
Tuesday, December 6, 2022

Underneath the Skin by Victor Gluck, Editor-In-Chief

Famed performance artist John Kelly has brought his latest show, "Underneath the Skin" to La MaMa, subtitled “A Penetrative Portrayal of a Queer Giant Based on the life and work of Samuel …

SOURCE: www.theaterscene.net at 10:25PM
Wednesday, November 30, 2022

& Juliet by Victor Gluck, Editor-In-Chief

The cast is a combination of New York stage favorites (Stark Sands, "Kinky Boots," and Betsy Wolfe, "Waitress," "Falsettos" and "The Mystery of Edwin Drood"), new faces (Lorna Courtney, Ben …

SOURCE: www.theaterscene.net at 11:19PM
Sunday, November 27, 2022

A Christmas Carol (Jefferson Mays) by Victor Gluck, Editor-In-Chief

Visually the show pulls out all of the stops continually making stage magic. Every scene offers new scenic effects and things that appear impossible but are right there on stage before you, …

SOURCE: www.theaterscene.net at 10:55PM
Saturday, November 26, 2022

Sandra by Victor Gluck, Editor-In-Chief

Cale’s story uses many film noir devices from the 1940’s: exotic locale, strange encounters, searching down unknown streets, disappearing characters, a sexy stranger, danger signals avoi…

SOURCE: www.theaterscene.net at 10:44PM
Friday, November 25, 2022

Evanston Salt Costs Climbing by Victor Gluck, Editor-In-Chief

Will Arbery’s Evanston "Salt Costs Climbing" (set in the city in which the author received his Master of Fine Arts Degree in 2015) is a perplexing experience as it shifts from realism to a…

SOURCE: www.theaterscene.net at 11:47PM
Thursday, November 24, 2022

Camp Siegfried by Victor Gluck, Editor-In-Chief

"Camp Siegfried" is a new departure for the author of "Small Mouth Sounds," "Continuity," "Make Believe" and "Grand Horizons." Depicting an important piece of history in an age when hate spe…

SOURCE: www.theaterscene.net at 03:04PM
Wednesday, November 23, 2022

The Rat Trap by Victor Gluck, Editor-In-Chief

Noel Coward’s "The Rat Trap" is not only entertaining but seems to have been ahead of its time. Discounted by critics and the author alike when it had its only production until now in 1926…

SOURCE: www.theaterscene.net at 11:28PM
Thursday, November 17, 2022

Where We Belong by Victor Gluck, Editor-In-Chief

Writer/ director/actress Madeline Sayet is an engaging performer. Directed by Mei Ann Teo, her one-woman show “Where We Belong” is an autobiographical tale of her Mohegan roots and her s…

SOURCE: www.theaterscene.net at 04:00PM
Tuesday, November 15, 2022

Almost Famous by Victor Gluck, Editor-In-Chief

What Crowe has done in writing his own book for the new show is recreate almost exactly every scene in the movie starting from the time when 15-year-old hero William Miller meets rock critic…

SOURCE: www.theaterscene.net at 04:17PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards