'Angels in America' at the Neil Simon Theatre: A play for the ages, as good as theater gets by Toby Zinman

'Good for Otto': Stellar cast, profound themes, too much going on by Toby Zinman

'Mankind' at Playwrights Horizons: Tedious, offensive satire set in an all-dude future by Toby Zinman

'Farinelli and the King' at the Belasco: A triumph for Mark Rylance, a major event by Toby Zinman

'The Children' at Manhattan Theatre Company: Taut, dark, emotional drama of a generation trying to fix its mistakes by Toby Zinman

'The Children' at Manhattan Theatre Company: Taut, dark, emotional drama of a generation trying to fix its mistakes by Toby Zinman

'Parisian Woman' with Uma Thurman: Lifeless, trashy look at power brokers in the age of Trump by Toby Zinman

Cashing in on anti-Trump sentiment with cheap jokes, The Parisian Woman, by Beau Willimon, is toothless as political satire. As a drama about behind-the-scenes shenanigans in Washington, it …

'Describe the Night' at Atlantic Theater: Provocative, profound, engrossing by Toby Zinman

"The Band's Visit" at the Barrymore: A joyful reinvention of the musical by Toby Zinman

Bedlam's 'Peter Pan' at the Duke: A feminist fairy tale takes flight by Toby Zinman

"The Band's Visit" at the Barrymore: A joyful reinvention of the musical by Toby Zinman

'Junk' at Lincoln Center: Greed and its unlikable fans by Toby Zinman

Dated, dull, 'M. Butterfly' never gets aloft by Toby Zinman

'Clockwork Orange' in New York: A brutal, exciting ballet of mayhem by Toby Zinman

The legacy of "Clockwork Orange" continues, with an exciting stage version from London now at New World Stages in New York.

Philly Fringe 2016: Pig Iron Theatre Company’s ‘A Period of Animate Existence’ by Toby Zinman

Pig Iron Theatre Company's epic Philly Fringe world premiere brings the spectacle of life on Earth to the stage. Toby Zinman reviews.

Philly Fringe 2017: Thaddeus Phillips and Steven Dufala’s ‘A Billion Nights on Earth’ by Toby Zinman

Thaddeus Phillips returns to the Philly Fringe with another standout production, this time about the thrill of being a father. Toby Zinman reviews.

Philly Fringe 2017: Philadelphia Artists’ Collective’s ‘Iphigenia at Aulis’ by Toby Zinman

Philadelphia Artists Collective's adaptation of Euripides's 'Iphigenia at Aulis' finds itself adrift. Toby Zinman reviews.

Philly Fringe 2017: New Paradise Laboratories’ ‘Hello Blackout!’ by Toby Zinman

In New Paradise Laboratories' Philly Fringe 2017 entry, the Kissimmee family goes into the void and comes out a little lost. Toby Zinman reviews.

'Come From Away': A joyous reminder that all need not be grim by Toby Zinman

'Suitcase Under the Bed': Four pitch-perfect plays, full of humanity by Toby Zinman

'Groundhog Day': Frisky, fresh, frisky, fresh, frisky, fresh ... by Toby Zinman

There’s something funny — maybe even profound — about a musical comedy based on a movie based on repeat performances. Such is the case with "Groundhog Day," now at the August Wilson Th…

'Indecent': Inventive, courageous love letter to the art of theater by Toby Zinman

Walnut Street Theatre presents ‘Saturday Night Fever’ by Toby Zinman

Does the Walnut Street Theatre's 'Saturday Night Fever' have all the right moves, or is it dancing with two left feet? Toby Zinman reviews.

'Doll's House Part 2': Entertaining but unsurprising by Toby Zinman

END OF DAYS by Toby Zinman

A fine cast is given too little to do in Annie Baker s slow-moving play.

'Vanity Fair' at the Pearl: Imaginative, smart, with feminist edge by Toby Zinman

DEXTEROUS DISASTER by Toby Zinman

If you re up for a night of pratfalls and calamities, this play is a riot.

'The Price' at Roundabout Theatre: Fierce Arthur Miller, turned to prose by a disappointing production by Toby Zinman

Fascinating, moving 'Hamlet' at LOndon's Almeida Theatre by Toby Zinman

Superb remaking of 'Hedda Gabler' at National Theatre by Toby Zinman

Superb remaking of 'Hedda Gabler' at National Theatre by Toby Zinman