Today is Sunday, December 22, 2024 Broadway Baby Birthdays: Ralph Fiennes Andrew Lippa
The starry program “Twyla Now,” at New York City Center, ends with a dazzling premiere featuring dancers who could be the stars of tomorrow.
SOURCE: The New York Times Subscription at 03:48PMIn “I Am Also – Monte,” Molly Poerstel and Monte Jones consider how, in dance, the past seeps into the present and into collaborations.
SOURCE: The New York Times Subscription at 02:00PMThe artist’s “A Line,” her first New York solo show, sets the tone for the ambitious new 52 Walker, run by the gallerist Ebony L. Haynes.
SOURCE: The New York Times Subscription at 11:54AMA program of works by the former Alvin Ailey member Hope Boykin is about stepping into a surer sense of herself.
SOURCE: The New York Times Subscription at 02:46PMThe choreographer Richard Move’s new work, partly inspired by Japanese, Indian and Greek mythology, wends its way across Governors Island.
SOURCE: The New York Times Subscription at 04:20PMThese artists doubted Virgin Voyages would want what they had to offer. But their show, part revue, part night out at a club, is about to set sail.
SOURCE: The New York Times Subscription at 10:00AM“Deep Blue Sea” at the Armory is a colossal undertaking both in subject matter, inspired by “Moby-Dick” and “I Have a Dream,” and theatrical scope.
SOURCE: The New York Times Subscription at 03:18PMIn Julie Mayo’s “Nerve Show” at Target Margin Theater, thwarted impulses express themselves both through movement and attempts at speech.
SOURCE: The New York Times Subscription at 02:21PMProfessionals and amateurs can leave their living rooms behind as dance studios make a cautious comeback.
SOURCE: The New York Times Subscription at 05:00AMThe choreographer Miguel Gutierrez’s podcast “Are You for Sale?” looks at what he calls “the ethical entanglements between art and money.”
SOURCE: The New York Times Subscription at 04:16PMChoy Ka Fai’s interest in shamanic dance practices fuels his immersive exhibition at Tanz im August in Berlin.
SOURCE: The New York Times Subscription at 12:13PMA premier teacher of Merce Cunningham’s technique, she gave equal attention to everyone in her class, not just those destined for stardom with his company.
SOURCE: The New York Times Subscription at 01:23PMStreet performances celebrated the Chocolate Factory Theater, a space that has often seemed inseparable from the work that happens there, as it moved to a new building.
SOURCE: The New York Times Subscription at 01:46PMThis online show, which wraps up its present incarnation on Thursday, became a serendipitous gathering place and a Thursday-night ritual.
SOURCE: The New York Times Subscription at 10:00AMThe “In Plain Site” program, delayed two days by stormy weather, was worth the wait.
SOURCE: The New York Times Subscription at 04:01PMBallet’s strict gender norms put pressure on women to conform. But dancers who don’t are finding they’re not alone.
SOURCE: The New York Times Subscription at 12:00PMAt times, the experience of “SOCIAL! the social distant dance club” felt no more freeing than dancing by myself in my cramped living room, our critic says.
SOURCE: The New York Times Subscription at 03:05PMDevynn Emory’s “deadbird” — a duet for Emory and a mannequin — deals with grief, envisioning “an ideal care team for a body who’s passing.”
SOURCE: The New York Times Subscription at 09:00AMOnline tutorials for TikTok and music-video routines can help prove you wrong. The “WAP” dance is within your reach.
SOURCE: The New York Times Subscription at 11:41PMSome performance spaces in New York are reminding viewers that the work they see is being performed on Indigenous land.
SOURCE: The New York Times Subscription at 10:18AMThe author of “Dance Nation” talks about her play and female adolescence, as it plays out in dressing rooms and daydreams.
SOURCE: The New York Times Subscription at 04:12PMThis company will perform choreography by Jerome Robbins, Agnes de Mille and others in a program at the Joyce Theater.
SOURCE: The New York Times Subscription at 11:19AM“The House Is Open,” at the Bard College performing arts center, blurred the boundaries between dance and the visual arts.
SOURCE: The New York Times Subscription at 06:08PM“Then She Fell” derives its fractured narratives, its doppelgängers and mirror images, from “Alice’s Adventures in Wonderland” and “Through the Looking Glass.” &nbs…
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