All stories by Scotty Zacher on BroadwayStars

Thursday, February 27, 2014

Review: A New Brain (Brown Paper Box Company) by Scotty Zacher

Director M. William Panek and choreographer Danny Spagnuolo keep the cast moving as quickly and precisely as this rich and raucous score demands. A New Brain is always all about the music, …

SOURCE: Chicago Theater Beat at 08:09PM
Wednesday, February 26, 2014

Review: Ain’t Misbehavin’ (Porchlight Music Theatre) by Scotty Zacher

The joint is indeed jumping at Stage 773 with the raucous and infectiously joyful Ain't Misbehavin'. Directed and choreographed by Brenda Didier, the ebullient five-person cast truly underst…

SOURCE: Chicago Theater Beat at 09:31PM
Tuesday, February 25, 2014

Review: Gypsy (Chicago Shakespeare) by Scotty Zacher

It’s often said that Gypsy is the greatest American musical, and one that could stand on its own even without its songs. This production, directed by Gary Griffin, makes a strong case for …

SOURCE: Chicago Theater Beat at 08:00AM
Monday, February 24, 2014

Review: Rites and Sacrifices (Idle Muse Theatre) by Scotty Zacher

Rites and Sacrifices may not be 100% perfect, but it’s still a powerful insight into the aftermath of war. Despite the occasional bump in the road and the short running time, this is stil…

SOURCE: Chicago Theater Beat at 07:55PM

Read: Sweet Phoebe (Runcible Theatre) by Scotty Zacher

Sweet Phoebe is a challenging if flawed piece with relevance to big city folks like us and Runcible Theatre gives us an intriguingly performed and good looking production. (read more...)

SOURCE: Chicago Theater Beat at 12:05AM
Saturday, February 22, 2014

Review: Buzzer (Goodman Theatre) by Scotty Zacher

Frustratingly formulaic as an arc with individual scenes that clearly demonstrate that Playwright Tracey Scott Wilson has very interesting things to say, Buzzer—like the broken one at Jack…

SOURCE: Chicago Theater Beat at 09:00PM

Review: Queenie Pie (Chicago Opera Theater) by Scotty Zacher

Despite hiccups, Queenie Pie is worth seeing if just to hear Duke Ellington’s music in such a robust and lively manner. Chicago is fortunate to have companies such as Chicago Opera Theater…

SOURCE: Chicago Theater Beat at 06:51PM
Thursday, February 20, 2014

Review: The Bear (Adapt Theatre Productions) by Scotty Zacher

There are some surprises and fun departures from the Chekov farce that are purely American by way of modern entertainment. The cast is cohesive and has an expert touch at making fools of the…

SOURCE: Chicago Theater Beat at 09:55PM

Review: 4PLAY sex in a series (trip.) by Scotty Zacher

While sitcoms aren’t really known for their incredibly high emotional stakes, this show feels trapped between the two worlds of theater and television without really merging together. The …

SOURCE: Chicago Theater Beat at 06:22PM

Review: Happy (Redtwist Theatre) by Scotty Zacher

There are wonderful, memorable plays, and there are plays that leave me scratching my head. Sadly, Robert Caisley’s Happy falls into the latter category with a resounding thud. It’s a sh…

SOURCE: Chicago Theater Beat at 04:53PM
Wednesday, February 19, 2014

Review: Contemporary Choreographers (Joffrey Ballet) by Scotty Zacher

Showcasing the dazzling, creative works of some of today’s leading choreographers, including Brock Clawson, Christopher Wheeldon and Alexander Ekman, Joffrey Ballet's "Contemporary Choreog…

SOURCE: Chicago Theater Beat at 10:28PM
Monday, February 17, 2014

Review: Assistance (LiveWire Chicago) by Scotty Zacher

LiveWire Chicago Theatre knows how to bring workplace tedium to a slow boil. Grueling to watch and torturous to perform, Leslye Headland’s 105-minute urban nightmare depicts slackers trapp…

SOURCE: Chicago Theater Beat at 08:29PM

Review: That’s Weird, Grandma – Winter Matinees (Barrel of Monkeys) by Scotty Zacher

That’s Weird, Grandma is not only a fun show for the family, but it gives children a great opportunity to have their work performed by a professional theater company in one of the country�…

SOURCE: Chicago Theater Beat at 06:22PM

Review: The Three Little Pigs (Emerald City Theatre) by Scotty Zacher

This is quite enjoyable children’s theater, and the adults can enjoy it as well. Director Ernie Nolan does a great job with pacing, and the cast is very adept at not being distracted by ch…

SOURCE: Chicago Theater Beat at 04:19PM
Sunday, February 16, 2014

Review: Cabaret (Marriott Theatre) by Scotty Zacher

With Director David H. Bell sassy staging, Nancy Missimi’s bawdy 1920's costumes, Matt Raftery’s high-energy, sexy choreography and Kander and Ebb’s soaring music, how can this not be …

SOURCE: Chicago Theater Beat at 09:54PM

Review: Chicago’s Golden Soul (Black Ensemble Theater) by Scotty Zacher

I recommend this show - the dance routines are a blast. The diction is impeccable. The costumes are spectacular and sharp. And, just so you know, clapping, singing along, and having a great …

SOURCE: Chicago Theater Beat at 12:14AM
Saturday, February 15, 2014

Review: The How and the Why (TimeLine Theatre) by Scotty Zacher

According to the well-worn maxim, biology is destiny. In The How and the Why, it's also a provocative puzzle where the missing pieces provide a source for a fantastic drama. (read more...)

SOURCE: Chicago Theater Beat at 09:37PM

Review: The Pitchfork Disney (Interrobang Theatre Project) by Scotty Zacher

Jeffry Stanton is an exceptional monologue director, which becomes an invaluable skill to have when bringing Philip Ridley’s monologue-heavy script to the stage, and the cast does remarkab…

SOURCE: Chicago Theater Beat at 11:46AM
Friday, February 14, 2014

Review: Unshelved (Eclectic Full Contact Theatre) by Scotty Zacher

For Eclectic Theatre’s sophomore season, their world premiere of Unshelved by Beth Kander feels like a freshman effort, its problems inherent from the very first exchange. Dealing with th…

SOURCE: Chicago Theater Beat at 10:11PM

Review: Sons of the Prophet (American Theater Company) by Scotty Zacher

Though often gripping and fervent, Sons of the Prophet attempts to tackle too much too quickly, Nonetheless, PJ Paparelli’s pacing, William Boles’ ingenious set design, and a comedically…

SOURCE: Chicago Theater Beat at 08:55AM

Review: Into the Woods (The Hypocrites at Mercury Theater) by Scotty Zacher

Don't be fooled by the chalk and Crayola appearance of this revival - the rich performances create a complex emotional foundation that works with the concept to offer a refreshing take on th…

SOURCE: Chicago Theater Beat at 12:23AM
Thursday, February 13, 2014

Review: The Reckoning of Kit and Little Boots (First Floor Theater) by Scotty Zacher

The Reckoning is a highly theatrical and (I think) absurdist play, that suffers from a lack of focus- Playwright Nat Cassidy’s script switches from an intimate character study of Christoph…

SOURCE: Chicago Theater Beat at 08:43PM

Review: The Barber of Seville (Lyric Opera of Chicago) by Scotty Zacher

With a dazzling cast, inspired design and Gioachino Rossini’s enduring score (that has made this work a shorthand for opera itself), The Barber of Seville will win new hearts and reinvigor…

SOURCE: Chicago Theater Beat at 06:37PM

Review: The Playboy of the Western World (Raven Theatre) by Scotty Zacher

107 years young, this dynamic dark comedy is brought to life through Michael Menendian’s sterling staging, lifting this Raven Theatre revival to the same stars that are so often invoked in…

SOURCE: Chicago Theater Beat at 04:37PM
Tuesday, February 11, 2014

Review: Crime and Punishment (Mary-Arrchie Theatre) by Scotty Zacher

Hopefully Mary-Arrchie will be back on track with its next production. They usually create wonderful productions, however, Crime and Punishment is thoroughly unsatisfying. Maybe it’s the s…

SOURCE: Chicago Theater Beat at 04:54PM
Sunday, February 9, 2014

Review: Plainsong (Signal Ensemble Theatre) by Scotty Zacher

With Playwright Eric Schmiedl’s adaptation, Signal Ensemble does a valiant job of bringing the characters to life in a meditative style, punctuated by bursts of naturalism and violence. Bu…

SOURCE: Chicago Theater Beat at 05:11PM

Review: Tom Jones (Northlight Theatre) by Scotty Zacher

Tom Jones is a fun night at the theater and worth the trek to the north hinterland of Skokie. I enjoyed the bawdy tale done with hearty, if uneven, aplomb. (read more...)

SOURCE: Chicago Theater Beat at 11:18AM
Saturday, February 8, 2014

Review: Edges the Musical (Circle Theatre) by Scotty Zacher

For a show about the ups and downs of life in your 20s, Edges has its moments - both enjoyable and eye-rolling. But the real star of Edges? That would be the marvelously expressive pianist …

SOURCE: Chicago Theater Beat at 08:41PM
Friday, February 7, 2014

Review: From White Plains (Broken Nose Theatre) by Scotty Zacher

Besides confonting the long-term effects of anti-gay bullying, From White Plains is also concerned with the power of healing and forgiveness, values that will be essential to keep as society…

SOURCE: Chicago Theater Beat at 11:31PM

Review: Macbeth (Polarity Ensemble Theatre) by Scotty Zacher

There’s a lot to like about Macbeth: the wonderful design and performances make for an entertaining evening. If only the whole priestess/scapegoat aspect had been discarded, it would be ev…

SOURCE: Chicago Theater Beat at 09:20PM

Review: Luna Gale (Goodman Theatre) by Scotty Zacher

Rebecca Gilman's engaging world premiere play is the kind of production that Goodman loves to produce, addressing a major social problem, pitting conservative and liberal ideals against each…

SOURCE: Chicago Theater Beat at 05:39PM