All stories by Scotty Zacher on BroadwayStars

Saturday, July 12, 2014

Review: The Late Henry Moss (The Artistic Home) by Scotty Zacher

The exceptional performances in this Artistic Home production alone make the show wholly worthwhile, but the material itself has a lot going for it as well. Absurdist humor, vibrant characte…

SOURCE: Chicago Theater Beat at 07:31PM
Friday, July 11, 2014

Review: The 25th Annual Putnam County Spelling Bee (Drury Lane Theatre) by Scotty Zacher

William Finn and Rachel Sheinkin’s hilarious musical ode to the endearing magic of words is a Chicago favorite, and Scott Calcagno’s latest big budget/big scale production at Drury Lane …

SOURCE: Chicago Theater Beat at 09:56PM
Thursday, July 10, 2014

Review: Brigadoon (Goodman Theatre) by Scotty Zacher

Goodman’s Brigadoon marks the first major revival of the classic musical in more than three decades. Lush production values, beautiful orchestrations and a surprising amount of gravity ele…

SOURCE: Chicago Theater Beat at 06:29PM
Tuesday, July 8, 2014

Review: Orville and Wilbur Did It! (The New Colony) by Scotty Zacher

David Zellnik’s new production scores a lot of laughs through parodying a children's theater troupe, but then it falls apart in the second half. The actors play a big part in the developm…

SOURCE: Chicago Theater Beat at 01:05PM
Sunday, July 6, 2014

Review: Partners (LiveWire Chicago) by Scotty Zacher

Playwright Dorothy Fortenberry, whose work has been seen in some prestigious regional theaters, has overreached in this play, cramming in too many ideas and failing to fully develop the intr…

SOURCE: Chicago Theater Beat at 06:51PM
Saturday, July 5, 2014

Review: Death and the Maiden (Victory Gardens Theater) by Scotty Zacher

What Death of the Maiden lacks in dramatic electricity or specificity, it makes up for in the depth of its pensive profundity. Maiden, especially with Sandra Oh's haunting performance, goes …

SOURCE: Chicago Theater Beat at 05:20PM
Friday, July 4, 2014

Review: Days Like Today (Writers Theatre) by Scotty Zacher

Writers Theatre's world premiere musical is all very neat and clean, with precise direction from Michael Halberstam and Doug Peck, but the production doesn’t have much impact. Theater patr…

SOURCE: Chicago Theater Beat at 03:45PM
Thursday, July 3, 2014

Review: Annapurna (Profiles Theatre) by Scotty Zacher

Directed by Eric Burgher, Profiles Theatre’s production hits all the right hilarious and heartbreaking notes, thanks in large part to the tiny but dynamic cast. The result is a 90-minute p…

SOURCE: Chicago Theater Beat at 04:38PM

Review: Myths and Hymns (BoHo Theatre) by Scotty Zacher

Composer Adam Guettel works in a variety of genres from gospel and hymns through folk-styled melodies and traditional musical theater. The cast are all stunningly good dramatic singers. The …

SOURCE: Chicago Theater Beat at 01:41PM
Wednesday, July 2, 2014

Sanity Break: Awkward Family Photos from 4th of July by Scotty Zacher

4th of July can be a fun time for the entire family, but that doesn’t mean that everything will go smoothly, especially when taking family photos.  Here’s some examples: Ignore the …

SOURCE: Chicago Theater Beat at 01:30PM

Review: Hello Failure (The Side Project) by Scotty Zacher

The slice-of-life story structure is entertaining, and sometimes so outrageous that it can only be true. Director Adam Webster keeps the pace quick so the lines don’t feel set up, allowing…

SOURCE: Chicago Theater Beat at 01:15AM
Tuesday, July 1, 2014

Cirque du Soleil presents “Michael Jackson: The Immortal Tour” by Scotty Zacher

Cirque du Soleil has created a megawatt concert reenactment of Michael Jackson that is packed with dance, acrobatics, heart-stopping aerial choreography and live music. This is a jamming con…

SOURCE: Chicago Theater Beat at 07:14PM
Sunday, June 29, 2014

Review: Unleash the Beats (Chicago Tap Theatre) by Scotty Zacher

Chicago Tap Theatre crowns their three-show season with this grand blowout at the Athenaeum Theatre’s vast mainstage. Unleashing smiles and applause, this show definitely makes one look fo…

SOURCE: Chicago Theater Beat at 07:55PM
Saturday, June 28, 2014

Review: The Last Ship (Broadway in Chicago) by Scotty Zacher

There's no denying the soaring magnificence of the score Sting has penned for The Last Ship, his Broadway-bound, operatic tale of a prodigal shipbuilder's son and a dying shipyard. There's a…

SOURCE: Chicago Theater Beat at 09:04PM
Friday, June 27, 2014

Review: Red Bull Flying Bach (Flying Steps at Civic Opera House) by Scotty Zacher

Red Bull Flying Bach is a nonstop 70-minute thrill ride of physicality, a tangibly electric ball of energy, a seamless blend of pure classic and edgy modern. (read more...)

SOURCE: Chicago Theater Beat at 04:00PM
Wednesday, June 25, 2014

Review: The Road Less Traveled (Theatre Momentum) by Scotty Zacher

Theatre Momentum’s production springs from a compelling inspiration in theory, and there's good chemistry among the troupe as they riff off each other with a well-honed naturalism. However…

SOURCE: Chicago Theater Beat at 04:03PM
Tuesday, June 24, 2014

Review: Assassins (Kokandy Productions) by Scotty Zacher

With a fearless cast, sharp staging by Rachel Edwards Harvith, and meticulous musical direction by Kory Danielson, Kokandy delivers a chilling production that lingers in the memory long afte…

SOURCE: Chicago Theater Beat at 08:48PM
Monday, June 23, 2014

Review: Laughter on the 23rd Floor (Eclectic Full Contact Theatre) by Scotty Zacher

Director David Belew keeps the pace frantic and gets his actors to commit to the roles fully, but Simon’s script fails to fully bring us into these characters. Still, Eclectic Theatre shou…

SOURCE: Chicago Theater Beat at 10:02AM
Sunday, June 22, 2014

Review: What to Listen For (Side Project Theatre) by Scotty Zacher

If you are a fan of Freud or Mahler, or want to see some cool staging, you might derive some pleasure from What to Listen For. Also, the relationship between Margaret and the librarian is s…

SOURCE: Chicago Theater Beat at 08:11PM
Saturday, June 21, 2014

Review: This Is Our Youth (Steppenwolf Theatre) by Scotty Zacher

This Is Our Youth is often used to test the stage skill of screen actors (including Matt Damon, Colin Hanks, Jake Gyllenhaal, Anna Paquin), but the performers of Steppenwolf’s revival (Mic…

SOURCE: Chicago Theater Beat at 06:13PM
Friday, June 20, 2014

Review: Trafford Tanzi (Prologue Theatre) by Scotty Zacher

Trafford Tanzi is a mixed bag – the acting and music are fun and engaging, but the plot, premise, and recreation of the 70’s are a total miss. All that is UK about this show is the accen…

SOURCE: Chicago Theater Beat at 09:48PM

Review: Regarding the Just (Trap Door Theatre) by Scotty Zacher

Regarding the Just, in its concise, muscular way, is an engaging morality play. An historical story about Tsarist Russia, it’s an intensely relevant play for these times in which an escala…

SOURCE: Chicago Theater Beat at 05:56PM

Review: Love Tapes (The Inconvenience) by Scotty Zacher

At its core, Love Tapes is a tale of star crossed lovers reaching for each other through the walls of pretense and protection that we all don to varying degrees before heading out the door e…

SOURCE: Chicago Theater Beat at 02:55PM
Wednesday, June 18, 2014

Review: A Musical Tribute to the Andrews Sisters (Theo Ubique Cabaret Theatre) by Scotty Zacher

Directed and choreographed by David Heimann, A Musical Tribute to the Andrews Sisters is fun, upbeat and defined by the impossibly tight, bright vocal blend that Patty, Maxene and LaVerne An…

SOURCE: Chicago Theater Beat at 06:16PM

Review: Piano Diaries (Salt Muse Inc. at Athenaeum Theatre) by Scotty Zacher

With Piano Diaries, self-described "musical philosopher" Peter Saltzman presumes a level of audience interest that is never earned. By constantly interrupting his playing with stories from h…

SOURCE: Chicago Theater Beat at 04:06PM
Tuesday, June 17, 2014

Review: Monstrous Regiment (Lifeline Theatre) by Scotty Zacher

Replete with running gags and blink-and-you’ll-miss them jokes, Monstrous Regiment even manages a few surprises and largely transcends its fantasy roots. Whimsical summer fun rarely come a…

SOURCE: Chicago Theater Beat at 04:46PM
Monday, June 16, 2014

Review: Macbeth (Organic Theater) by Scotty Zacher

Far beyond the simple, tired trick of placing a Shakespearean play into a more modern setting, Organic Theater has used clever innovation to change the way we look at the tragedy of Macbeth.…

SOURCE: Chicago Theater Beat at 07:31PM

Review: Ask Aunt Susan (Goodman Theatre) by Scotty Zacher

Ask Aunt Susan attempts to satirize the effects of the internet on interpersonal relationships. Unfortunately, most of the satire falls flat due to uninspiring characters and an overly-compl…

SOURCE: Chicago Theater Beat at 04:01PM
Sunday, June 15, 2014

Review: Eat Your Heart Out (Rivendell Theatre) by Scotty Zacher

Delving into the dark world of image - body image, images of gentility, and the illusion that love is dependent upon image, Rivendell's masterful production is a vivid look at the struggle f…

SOURCE: Chicago Theater Beat at 05:45PM
Saturday, June 14, 2014

Review: Dark of the Moon (New American Folk Theatre) by Scotty Zacher

Though the talented cast makes a valiant effort, not everything improves with time, and this 75-year old play did not age well. Perhaps the play was extremely effective in 1939, but in 2014…

SOURCE: Chicago Theater Beat at 11:41PM
Friday, June 13, 2014

Review: One Hit Wonders (Black Ensemble Theater) by Scotty Zacher

When people are singing, One Hit Wonders is great fun, and sung well enough to be recommended for a visit by anyone who loves these songs. It would have been a better show with about 30 more…

SOURCE: Chicago Theater Beat at 09:11PM