All stories by Scotty Zacher on BroadwayStars

Wednesday, November 18, 2015

Review: Wozzeck (Lyric Opera of Chicago) by Scotty Zacher

Alban Berg’s opera Wozzeck seems to suggest that cruelty is a slope humanity is inclined to slide down even as our better natures try to prevail. It’s an uncompromising and important art…

SOURCE: Chicago Theater Beat at 10:20PM
Tuesday, November 17, 2015

Review: Fulfillment (American Theater Company) by Scotty Zacher

With Thomas Bradshaw as the prolific playwright provocateur of the last ten years, Fulfillment runs the gamut from the blatantly absurd to the mildly shocking. That it’s frequently a littl…

SOURCE: Chicago Theater Beat at 08:16PM
Monday, November 16, 2015

Review: Ibsen’s Ghosts (Mary-Arrchie Theatre) by Scotty Zacher

Do not hesitate to see Ibsen's Ghosts; with this being Marry-Archie Theatre's final season, memories of their trademark high-risk, high-reward storytelling will soon become ghosts themselves…

SOURCE: Chicago Theater Beat at 05:08PM
Sunday, November 15, 2015

Review: Never the Sinner (Victory Gardens Theater) by Scotty Zacher

John Logan’s gripping stage journalism concentrates on the sheer neediness that shackled the adoring and geeky Leopold to his smooth and sexually manipulative psychopath-lover Loeb. It’s…

SOURCE: Chicago Theater Beat at 05:45PM
Saturday, November 14, 2015

Review: The Long Christmas Ride Home (Strawdog Theatre) by Scotty Zacher

Strawdog Theatre's The Long Christmas Ride Home similarly makes us aware of the multiple journeys with one destination, the importance of the landmarks, of moving on, of pulling back from th…

SOURCE: Chicago Theater Beat at 05:55PM
Tuesday, November 10, 2015

Review: The Lisbon Traviata (Eclipse Theatre) by Scotty Zacher

Eclipse Theatre's production is beautifully done; as attuned to detail and performance as the finest big-budget shows. The talented cast and production team almost compensate for Terrence Mc…

SOURCE: Chicago Theater Beat at 09:19PM
Sunday, November 8, 2015

Review: Treasure Island (Lookingglass Theatre) by Scotty Zacher

For all its shortcomings, Treasure Island does succeed in spectacle. This is a grand staging of a classic tale that countless contemporary stories have borrowed from. But ultimately, this c…

SOURCE: Chicago Theater Beat at 07:20PM
Friday, November 6, 2015

Review: Chapter Two (Windy City Playhouse) by Scotty Zacher

Though some moments verge on sitcom-broad, Chapter Two is a lovely, poignant exploration of love and second chances, and the Windy City Playhouse’s production deeply understands and apprec…

SOURCE: Chicago Theater Beat at 08:34PM
Thursday, November 5, 2015

Review: Design for Living (Pride Films and Plays) by Scotty Zacher

Ultimately Design for Living still lands with force as a defiant flag planted on the mountain of personal freedom is a testimony to Noel Coward's uncanny knack for finding the universal in t…

SOURCE: Chicago Theater Beat at 06:13PM

Review: The Miraculous Journey of Edward Tulane (Chicago Children’s Theatre) by Scotty Zacher

This is a sophisticated and inventive production that will charm children and adults in equal measure. Much of the innovation comes from the trunk show and musical sensibilities at the core.…

SOURCE: Chicago Theater Beat at 02:01PM
Wednesday, November 4, 2015

Review: Hershey Felder as Irving Berlin (Royal George Theatre) by Scotty Zacher

A consummate music maker, Hershey Felder has regaled audiences with inside-out portrayals of such composers as George Gershwin, Stephen Foster and Frederic Chopin. This seventh simulation h…

SOURCE: Chicago Theater Beat at 05:19PM
Sunday, November 1, 2015

Review – R + J: The Vineyard (Red Theater Chicago and Oracle Productions) by Scotty Zacher

Oracle’s mission of “public access theater” means that tickets to R+J: The Vineyard are free. All the more reason to step into the company’s small Lakeview venue and enter a whole ne…

SOURCE: Chicago Theater Beat at 03:49PM
Saturday, October 31, 2015

Review: Charm (Northlight Theatre) by Scotty Zacher

Charm is one of those rare shows that defies superlatives. You can load up a summation of the show with them, but they won’t capture the production’s power - we can only urge that you se…

SOURCE: Chicago Theater Beat at 06:28PM
Friday, October 30, 2015

Review: Spill (TimeLine Theatre) by Scotty Zacher

Chicago’s TimeLine Theatre Company has stepped up to deliver 150 thrilling minutes of action, analysis and accusation regarding BP's Deepwater oil spill. TimeLine brings history to art an…

SOURCE: Chicago Theater Beat at 05:46PM
Thursday, October 29, 2015

Review: The Play About My Dad (Raven Theatre) by Scotty Zacher

On the 10-year anniversary of Hurricane Katrinea, Raven Theatre gives playwright Boo Killebrew's meta-theatrical play its Midwest premiere. The piece is a good, complex production that dire…

SOURCE: Chicago Theater Beat at 05:20PM
Wednesday, October 28, 2015

Review: Lawd the CVS Is Burning! A Gospel Music Stageplay (MPAACT) by Scotty Zacher

Even with a talented cast, Lawd the CVS is Burning! suffers from source material that has potential but needs more revision. Writer and director Stillwell is tackling a tough topic with humo…

SOURCE: Chicago Theater Beat at 10:01PM
Tuesday, October 27, 2015

Review: The Black White Love Play (Black Ensemble Theater) by Scotty Zacher

If The Black White Love Play is not an especially detailed biography, it’s an effective musical tribute to the love this couple certainly must have shared. Thumbs up! (read John Olson's e…

SOURCE: Chicago Theater Beat at 10:07PM
Monday, October 26, 2015

Review: All Girl Dracula (The Chicago Mammals) by Scotty Zacher

All Girl Dracula isn’t perfect, but I’m intrigued by the Chicago Mammals' unique mission statement. An old story with a new twist, All Girl Dracula is thoughtful, intelligent, and genui…

SOURCE: Chicago Theater Beat at 07:56PM

Review: 1984 (Steppenwolf for Young Adults) by Scotty Zacher

I’ve thoroughly enjoyed many Steppenwolf for Young Adults productions in the past, but sadly *1984* falls far short - the script is problematic, the direction lacking and the production va…

SOURCE: Chicago Theater Beat at 05:46PM
Saturday, October 24, 2015

Review: Unspeakable (Broadway in Chicago) by Scotty Zacher

In the central role of Richard, Jackson gives an intense performance of nonstop manic energy, as the character demands. He approximates the look and sound of the real Pryor and communicates …

SOURCE: Chicago Theater Beat at 11:00PM
Friday, October 23, 2015

Review: The Terrible (The New Colony) by Scotty Zacher

With underdeveloped characters, unmemorable performances, and practically no humor to speak of, The Terrible fails to convey any great message regarding human psychology or behavior. While t…

SOURCE: Chicago Theater Beat at 10:13PM

Review: Sylvia (Joffrey Ballet Chicago) by Scotty Zacher

With its heavy symbolism, Sylvia is a departure from the usual Joffrey fare. Technically a full-length ballet, it can also be viewed as three separate but interlocked stories. Even so, Sylvi…

SOURCE: Chicago Theater Beat at 09:10PM
Tuesday, October 20, 2015

Review: The Fairytale Lives of Russian Girls (Trap Door Theatre) by Scotty Zacher

Though Fairytale Lives is too abstract to touch the heart, it does wonderfully illustrate our sense of communal connectivity and the importance of mythological literacy. Recommended. (read …

SOURCE: Chicago Theater Beat at 10:03PM
Monday, October 19, 2015

After 8 record-breaking years, Million Dollar Quartet to bid farewell to Chicago by Scotty Zacher

With almost 3,000 performances and now in its eighth year in Chicago, Million Dollar Quartet, Chicago’s longest-running Broadway musical, is set to close this coming January.

SOURCE: Chicago Theater Beat at 06:49PM
Saturday, October 17, 2015

Review: Direct from Death Row – The Scottsboro Boys (Raven Theatre) by Scotty Zacher

Raven co-founder and director Michael Menendian adds a feather to his impressive career with this timely work, keeping this very talented young cast expertly balanced. This heartbreaking hi…

SOURCE: Chicago Theater Beat at 05:01PM

Review: Fall Series featuring William Forsythe (Hubbard Street Dance Chicago) by Scotty Zacher

For the first time, Hubbard Street is staging an all-Forsythe program, including a company premiere and a piece that has never been performed in the United States before this weekend. Hubbar…

SOURCE: Chicago Theater Beat at 02:46PM
Wednesday, October 14, 2015

Review: Ride the Cyclone (Chicago Shakespeare Theater) by Scotty Zacher

There’s much talent involved with this production, and Lord knows, they haven’t been afraid to take risks. But in a week where we saw one more instance of young people being killed befor…

SOURCE: Chicago Theater Beat at 10:23PM

Review: No Beast So Fierce (Oracle Theatre) by Scotty Zacher

There’s much to unpack in Max Truax’s choice of gender swapping Shakespeare’s most Machiavellian character. Truax’s mash up feels ultimately like a great concept in search of a solid…

SOURCE: Chicago Theater Beat at 08:12PM
Tuesday, October 13, 2015

Review: The Seven-Per-Cent Solution (City Lit Theater) by Scotty Zacher

It’s delightful to watch James Sparling, as Sherlock Holmes, in action. And everything clicks here—from Ray Toler’s period set to LaVisa Angela Williams’ historical costumes to Laur…

SOURCE: Chicago Theater Beat at 11:27PM
Sunday, October 11, 2015

Review: Good for Otto (The Gift Theatre) by Scotty Zacher

Good for Otto contains plenty of interesting moments and boasts much psychological cleverness. The weak narrative arc makes it less dramatically interesting than is should be, however. (read…

SOURCE: Chicago Theater Beat at 09:54PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre