All stories by Scotty Zacher on BroadwayStars

Thursday, January 28, 2016

Review: Nabucco (Lyric Opera of Chicago) by Scotty Zacher

Given that Verdi's Nabucco has only come to Lyric three times now, this show is worth recommending for the cast alone, which is all encapsulated beautifully in Carlo Rizzi’s perfectly ener…

SOURCE: Chicago Theater Beat at 10:21PM
Wednesday, January 27, 2016

Review: Le Switch (About Face Theatre) by Scotty Zacher

In Philip Dawkins' new romantic comedy, the familiar gay tropes must react to the switch in their own unique way. Though it treads on familiar ground and some on-the-nose metaphors, About Fa…

SOURCE: Chicago Theater Beat at 09:42PM

Review: The Consultant (Signal Ensemble Theatre) by Scotty Zacher

After 13 years of innovative theater, Signal Ensemble Theatre will close for good in February, The Consultant being their final production. Heidi Schreck’s play doesn’t seem to have much…

SOURCE: Chicago Theater Beat at 05:04PM
Tuesday, January 26, 2016

Review: Vices and Virtues (Profiles Theatre) by Scotty Zacher

For Vices & Virtues, Profiles Theatre performs 11 short plays from resident playwright Neil LaBute in repertory, and each work's degree of success is heavily influenced by how well it o…

SOURCE: Chicago Theater Beat at 11:25PM

Review: Another Word for Beauty (Goodman Theatre) by Scotty Zacher

In this New York-based world premiere from director Steve Cosson and his troupe, The Civilians, Goodman Theatre creates a sympathetic showcase for José Rivera’s depiction of a Colombian w…

SOURCE: Chicago Theater Beat at 09:21PM
Sunday, January 24, 2016

Review: Bye Bye Birdie (Drury Lane Theatre) by Scotty Zacher

Drury Lane Theatre's Bye Bye Birdie is executed impeccably and, through projections designed by Christopher Ash, recreates the period nicely. Director-Choreographer Tammy Mader’s take is f…

SOURCE: Chicago Theater Beat at 12:09PM
Saturday, January 23, 2016

Review: Posh (Steep Theatre) by Scotty Zacher

With Posh, acclaimed Chicago director Jonathan Berry brings Playwright Laura Ward's words to roaring, disturbing life. Ward’s writing is both beautiful and brutal, always showing and never…

SOURCE: Chicago Theater Beat at 03:53PM
Friday, January 22, 2016

Review: Sunset Baby (TimeLine Theatre) by Scotty Zacher

TimeLine Theatre's Sunset Baby, directed by Ron OJ Parsons, provides insight into how a life of hustling can be difficult to escape, how familial strife can be difficult to reconcile, and ho…

SOURCE: Chicago Theater Beat at 03:04PM
Wednesday, January 20, 2016

Review: No Wake (Route 66 Theatre) by Scotty Zacher

Although Route 66 Theatre's No Wake is a mere 80 minutes long, Playwright William Donnelly reveals the themes and crises of the play in such a excruciatingly slow, meticulous manner that the…

SOURCE: Chicago Theater Beat at 11:59PM

Review: A Widow of No Importance (Rasaka Theatre) by Scotty Zacher

Rasaka Theatre Company's Midwest premiere of Shane Sakhrani's romance, A Widow of No Importance, is a baffling mash up of Oedipal tension with a comedic style reminiscent of an average Big B…

SOURCE: Chicago Theater Beat at 02:28PM
Tuesday, January 19, 2016

Review: Animals Out of Paper (Shattered Globe Theatre) by Scotty Zacher

Shattered Globe's Animals Out of Paper is an unconventional story of romance, friendship and loss centered on an art that’s unfamiliar to many - origami. Pulitzer Prize nominee Rajiv Josep…

SOURCE: Chicago Theater Beat at 08:57PM

Review: Spring Awakening (Marriott Theatre) by Scotty Zacher

As directed by Marriott Theatre Artistic Director Aaron Thielen, Spring Awakening is an explosion of youthful passion that should provide a rush for all demographics, reveling in the furious…

SOURCE: Chicago Theater Beat at 04:43PM
Monday, January 18, 2016

Review: London Wall (Griffin Theatre) by Scotty Zacher

Aside from minimal quibbles, I recommend attending London Wall. The story and characters may not come off as truly unique, but they manage to grip the audience with relatability. Recommended…

SOURCE: Chicago Theater Beat at 11:03PM

Review: Satchmo at the Waldorf (Court Theatre) by Scotty Zacher

Dynamically distilled by Louis Armstrong biographer Terry Teachout, "Satchmo at the Waldorf" is a one-man, 90-minute portrait of the artist as a performer playing with pain. Masterfully helm…

SOURCE: Chicago Theater Beat at 07:08PM
Friday, January 15, 2016

Review: Mutt (Stage Left Theatre and Red Tape Theatre) by Scotty Zacher

Being election season, Mutt is especially timely. And the Midwest premiere by Red Tape Theatre and Stage Left Theatre is a winner, thanks to smart direction, phenomenal production values and…

SOURCE: Chicago Theater Beat at 07:32PM

Review: Bruise Easy (American Theater Company) by Scotty Zacher

Joanie Schultz and her young acting duo do more than could ever be needed to bring Dan LeFranc’s still life to stage life. But the resentments never resonate, and the character conflict is…

SOURCE: Chicago Theater Beat at 03:31PM
Thursday, January 14, 2016

Review: Brontë (Promethean Theatre Ensemble) by Scotty Zacher

Brontë is a fitting tribute to Charlotte, Emily and Anne in their brilliant, complex glory, and Promethean’s production is nothing short of excellent and memorable. The sisters would be p…

SOURCE: Chicago Theater Beat at 09:14PM

Review: Ten Dollar House (Pride Films and Plays) by Scotty Zacher

                     Ten Dollar House Written by Rick Kinnebrew and Martha Meyer  at Piccolo Th…

SOURCE: Chicago Theater Beat at 06:51PM
Wednesday, January 13, 2016

Review: Byhalia, Mississippi (The New Colony & Definition Theatre) by Scotty Zacher

This world premiere collaboration is a beautifully acted and brutally realistic exploration of betrayal and the price of truth. Byhalia, Mississippi is a must see. Highly Recommended! (read…

SOURCE: Chicago Theater Beat at 04:20PM
Tuesday, January 12, 2016

Review: Year of the Rooster (Red Theater Chicago) by Scotty Zacher

A bad script can overwhelm even the best of productions, which is the case for Year of the Rooster. It’s lazy and completely unnecessary: a far departure from the overwhelming brilliance o…

SOURCE: Chicago Theater Beat at 12:24PM
Saturday, January 9, 2016

Review: Play (Glass Apple Theatre) by Scotty Zacher

The idea of a play within a play has obviously been around for hundreds of years, and Playwright Brian McKnight's spin on it isn't unique enough to warrant rushing out to see it. We've seen …

SOURCE: Chicago Theater Beat at 06:06PM
Friday, January 8, 2016

Top 10 Chicago Plays of 2015 by Scotty Zacher

Another year, another 12 months of great Chicago theater! Taking into account the 700+ productions that were produced in the Windy City over the last year, here are our reviewer’s picks fo…

SOURCE: Chicago Theater Beat at 03:56PM

Chicago’s Best Theater of 2015 by Scotty Zacher

2015 was a great year for theater in Chicago, making it a difficult task to whittle down all 500+ productions to our best and most memorable productions. That being said, here's a list (in …

SOURCE: Chicago Theater Beat at 01:40PM
Wednesday, December 30, 2015

Review: Gotta Dance (Broadway in Chicago) by Scotty Zacher

Director Jerry Mitchell and company’s energy is infectious - Gotta Dance radiates positivity and sweetness from beginning to end. The inspiring story of a group of determined seniors is pe…

SOURCE: Chicago Theater Beat at 09:01PM
Monday, December 28, 2015

Review: Guys and Dolls (Light Opera Works) by Scotty Zacher

With Light Opera Works' Guys and Dolls, director Rudy Hogenmiller, scenic designer Adam Veness and costume designer Brenda Winstead give us a colorful picture of the 1930s Times Square. Even…

SOURCE: Chicago Theater Beat at 05:38PM
Wednesday, December 23, 2015

Review: My Way – A Musical Tribute to Frank Sinatra (Theo Ubique Cabaret Theatre) by Scotty Zacher

My Way is a delight from beginning to end. Fans of Theo Ubique will adore the show’s classic, intimate style, and newbies will enjoy an introduction to one of Chicago’s best-kept theater…

SOURCE: Chicago Theater Beat at 07:34PM
Tuesday, December 22, 2015

Review: Dynamite Divas-A Tribute to Women of Soul (Black Ensemble Theater) by Scotty Zacher

True to this show’s title, the divas it celebrates were truly dynamite, and so are the singer/actresses playing them. We’re treated to some truly sensational performances of more predict…

SOURCE: Chicago Theater Beat at 08:40PM
Friday, December 18, 2015

Review: The Nutcracker (Joffrey Ballet Chicago, 2015) by Scotty Zacher

The Nutcracker is a Christmas classic for a reason. With a poignant score, magnificent production values and gorgeous dancing, The Nutcracker truly has something for everyone. Highly Recomme…

SOURCE: Chicago Theater Beat at 10:03PM

Review: Baritones Unbound (Royal George Theatre) by Scotty Zacher

At its heart, Baritones Unbound is genuine. As a performance, it’s superb. As a concept and a production, it’s a little thin and a lot indulgent. Recommended. (read Lauren Whalen's entir…

SOURCE: Chicago Theater Beat at 07:45PM
Thursday, December 17, 2015

Review: Domesticated (Steppenwolf Theatre) by Scotty Zacher

When it comes to sharp and biting social commentary, no one gets to the gut like Bruce Norris. Domesticated is a strong, horrifically funny script executed deliberately and beautifully by th…

SOURCE: Chicago Theater Beat at 08:39PM

Review: The Orchestra (Akvavit Theatre) by Scotty Zacher

Despite the faults with this loony Finnish script, director Brad Akin keeps his production interesting throughout. If you like oddball stories, The Orchestra should definitely will play to …

SOURCE: Chicago Theater Beat at 04:52PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre