All stories by Sanjoy Roy on BroadwayStars

Tuesday, November 1, 2016

Step-by-step guide to dance: William Forsythe by Sanjoy Roy

In the fourth instalment of our series introducing major choreographers and companies, Sanjoy Roy explores the work of William ForsytheIn short Continue reading...

SOURCE: The Guardian at 01:12AM
Friday, October 28, 2016

FKA twigs taps perfectly into the spirit of our times with Rooms by Sanjoy Roy

Dancers in this Egyptian Halloween fantasy wrestle with clay and convention at the bequest of the ever-experimental musicianIn the basement of a labyrinthine warehouse, a woman lies on a hos…

SOURCE: The Guardian at 07:54AM
Sunday, October 23, 2016

Aditi Mangaldas Dance Company: Inter_rupted review – ageing, kathak-style by Sanjoy Roy

Barbican, London The striking movements of classical Indian dance produce many arresting images as the choreographer teases out the threads of life’s experienceA man gasps and shakes his h…

SOURCE: The Guardian at 10:19AM
Monday, October 3, 2016

Fagin's Twist review – hip-hop Dickens show is full of artful dodging by Sanjoy Roy

The Place, LondonStreet dance meets Victorian workhouse as choreographer Tony Adigun imagines the childhoods of Oliver Twist’s villainsStreet dance might seem an odd style for a Dickensian…

SOURCE: The Guardian at 06:26AM
Sunday, October 2, 2016

Step-by-step guide to dance: Richard Alston by Sanjoy Roy

British choreographer Richard Alston has leapt from hippy rebel to member of the modern dance establishment with impressive ease, writes Sanjoy Roy Continue reading...

SOURCE: The Guardian at 04:43PM
Thursday, September 8, 2016

Alvin Ailey American Dance Theater review – mambo, tango and bluesy moves by Sanjoy Roy

Sadler’s Wells, LondonIn their second programme of dance, the US company present Ronald K Brown’s Open Door, Paul Taylor’s Piazzolla Caldera and their signature RevelationsWhat a versa…

SOURCE: The Guardian at 11:48AM
Wednesday, July 13, 2016

Paco Peña review – music and dance blend poetically for Lorca by Sanjoy Roy

Sadler’s Wells, London Patrias, the flamenco guitarist’s tribute to the Spanish writer, features superb dance solos but the multimedia projections intrude on the spectacleFederico Garcí…

SOURCE: The Guardian at 08:32AM
Monday, July 11, 2016

Anne Teresa De Keersmaeker review – dancers send Tate Modern into a whirl by Sanjoy Roy

Tate Modern, London Showcased in the gallery’s vast Turbine Hall, the arcs and eddies of the Belgian choreographer’s Work/Travail/Arbeid reveal the harmony of its compositionAnne Teresa …

SOURCE: The Guardian at 06:44AM
Friday, May 27, 2016

Jekyll and Hyde review – potions, motion and screaming guitars in beast of a show by Sanjoy Roy

Old Vic, LondonPart Robert Louis Stevenson, part Little Shop of Horrors, the McOnie Company’s discombobulating dance adaptation is dynamic, clever and a bit retrogradeThe tale of Jekyll an…

SOURCE: The Guardian at 08:37AM
Monday, May 2, 2016

Breakin' Convention review – hip-hop squads invade stage at dance weekender by Sanjoy Roy

Sadler’s Wells, LondonThe annual festival delivers style and substance, from the Ruggeds’ goofy stunts to Ivan Blackstock’s nightmarish new workThere’s always a buzz at Breakin’ Co…

SOURCE: The Guardian at 10:22AM
Wednesday, April 13, 2016

National Dance Company Wales review – primordial scenarios and beatbox rhythms by Sanjoy Roy

The Place, London An intriguing triple bill offers disjointed romance and passionate storybook tales, but it’s Alexander Ekman’s sound-dance mashup that leads the applauseNational Dance …

SOURCE: The Guardian at 06:52AM
Monday, April 4, 2016

The 7 Fingers: Triptyque review – dreamlike dance hybrid falls short by Sanjoy Roy

Sadler’s Wells, LondonIt’s visually arresting, with performers on crutches, bodies with fish heads, a unicyclist and a levitating bed, but the ideas don’t match the material in this th…

SOURCE: The Guardian at 07:52AM
Wednesday, March 30, 2016

Care to dance? Meet the Saturday swingers who want you to join in by Sanjoy Roy

Forget regular clubbing. A hidden social network of nights where anyone can salsa, swing or tango is waiting to welcome you – but who’s on the dancefloor? Who’s out dancing on a weeken…

SOURCE: The Guardian at 03:14AM
Thursday, March 3, 2016

Immortal Tango review – PVC, power ballads and a touch of panto by Sanjoy Roy

Peacock theatre, London Featuring music from Abba, Coolio and the film Titanic, this frenetic shakeup of the traditional tango format has little time for poetry or emotional nuanceDancer and…

SOURCE: The Guardian at 08:10AM
Friday, February 26, 2016

Hubert Essakow: Terra review – new Ben Okri poem accompanies earthy dance by Sanjoy Roy

Print Room at the Coronet, LondonDancers’ limbs twist and thread in this highly atmospheric conclusion to an elemental trilogy that veers between the airy and the groundedThe tiny Print Ro…

SOURCE: The Guardian at 08:52AM
Wednesday, February 24, 2016

Farruquito & Farruco review – cockerel posturing and mesmerising music by Sanjoy Roy

Sadler’s Wells, LondonFlamenco dancer Farruquito is from a formidable bloodline, but the music weaved a greater ancestral spell in the show Buen ArateFarruquito has flamenco in his blood: …

SOURCE: The Guardian at 08:21AM
Monday, February 15, 2016

Step-by-step guide to dance: Yvonne Rainer by Sanjoy Roy

Yvonne Rainer and her works are uncompromising, challenging and highly influential. But she won't be guesting on X FactorAn artist who is anti-art, an activist who is also an aesthete, Yvonn…

SOURCE: The Guardian at 03:42PM
Friday, February 12, 2016

Tanztheater Wuppertal Pina Bausch review – a swansong to make you swoon by Sanjoy Roy

Sadler’s Wells, LondonInstead of raging battles of the sexes, the men are gallant and the women dance for sheer pleasure in the choreographer’s final piece, Como el Musguito … There’…

SOURCE: The Guardian at 09:22AM
Tuesday, January 12, 2016

Resolution review – jazzy jumps and froggy squats in dance showcase by Sanjoy Roy

The Place, LondonCrystal Zillwood saved the uneven opening night of this six-week festival for new dance with an exploration of the overlaps between human and animal lifeEvery January, the R…

SOURCE: The Guardian at 12:35PM
Sunday, January 3, 2016

Is ballroom dancing a sport? by Sanjoy Roy

If you're ever in doubt as to whether dance qualifies as a sport, take a look at the competitors in the Crystal Palace CupBeing judged on everything, down to the smiles on their faces ... Ph…

SOURCE: The Guardian at 08:39PM
Thursday, December 24, 2015

Gill Clarke obituary by Sanjoy Roy and Rosemary Lee

Contemporary dancer, choreographer, teacher and tireless advocate of independent artistsGill Clarke, who has died of cancer aged 56, was one of the foremost contemporary dancers of her gener…

SOURCE: The Guardian at 08:09PM
Monday, November 23, 2015

Aakash Odedra review – reflections on dyslexia in a shimmering mix of dance and digital effects by Sanjoy Roy

The Place, LondonA high-tech exploration of Odedra’s own struggles with learning difficulty creates some hit-and-miss imagesAakash Odedra’s solo is called Murmur 2.0, and those digits in…

SOURCE: The Guardian at 09:41AM
Sunday, November 15, 2015

Sanjoy Roy on how dance companies must embrace the internet by Sanjoy Roy

It's all very well for dance companies to get annoyed about their work being ripped off on YouTube, but it's up to them to open up their archivesThe dance world has recently lost three major…

SOURCE: The Guardian at 11:09PM

Tavaziva review – energetic African Carmen loses power by Sanjoy Roy

The Place, LondonIn this retelling of the classic story, transposed to an oil plant, the dancing is upbeat and impressive – until it wears outZimbabwe-born Bawren Tavaziva has developed a …

SOURCE: The Guardian at 01:30PM
Thursday, November 12, 2015

Sasha Waltz & Guests review – savage rites marshal wild energies by Sanjoy Roy

Sadler’s Wells, London Waltz’s triple bill is over-stylised at times, but her version of The Rite of Spring skewers the stage with the forceful choreography of revoltBerlin-based choreog…

SOURCE: The Guardian at 08:22AM
Thursday, October 22, 2015

Out of India: Modern Moves review – choreographers finding their feet by Sanjoy Roy

Barbican, LondonThree eye-opening dance pieces by emerging Indian talents blend classical and contemporary stylesThree Indian dance works show three different faces of the country. In Deepak…

SOURCE: The Guardian at 08:45AM
Monday, October 19, 2015

Choreographing the fears and frustrations of modern India by Sanjoy Roy

Dance Umbrella’s Out of India programme unites contemporary artists who are crossing borders, breaking boundaries and exploring issues of corruption and urbanisation in their country throu…

SOURCE: The Guardian at 02:59AM
Sunday, October 18, 2015

Sharabi/Cunningham review – shades of Blue and a voice taking flight by Sanjoy Roy

Lilian Baylis theatre, LondonIdan Sharabi is inspired by the music of Joni Mitchell, while Claire Cunningham explores the emotional cost of moving on crutchesIn many ways, the two works on t…

SOURCE: The Guardian at 11:22AM
Monday, October 5, 2015

Lea Anderson: Ladies and Gentlemen review – a surreal music-hall gem by Sanjoy Roy

The Place, LondonAnderson’s topsy-turvy show about vaudeville has-beens sails close to bathos but is beguiling, poignant and funnyLea Anderson disbanded her companies – the all-female Ch…

SOURCE: The Guardian at 08:39AM
Monday, September 21, 2015

Barbarians review – Hofesh Shechter steps into the void by Sanjoy Roy

Sadler’s Wells, LondonAs part of Hofest, the choreographer presents an uneven trilogy featuring sci-fi stylings, dancers in gold and white, and sonic layers of baroque and bass Related: �…

SOURCE: The Guardian at 09:19AM
Friday, September 18, 2015

Shobana Jeyasingh review – classical dance meets street-inflected torsion by Sanjoy Roy

Queen Elizabeth Hall, LondonA vibrant double bill draws on hybridity and migration, as two dancers of Indian origin explode outwards into their own wildly contrasting stylesOnce again, Shoba…

SOURCE: The Guardian at 07:10AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime