All stories by Nick Smurthwaite on BroadwayStars

Thursday, November 26, 2015

Roy Hudd: ‘I decided I should really have a go at a dame before I snuff it’ by Nick Smurthwaite

If you could bottle Roy Hudd’s energy and sell it over the counter, we’d all live to be 120. Interviewing the convivial

SOURCE: The Stage Registration at 09:00AM
Tuesday, November 17, 2015

The Archive: Harley Granville Barker and his scandalous play of the 1900s by Nick Smurthwaite

It wouldn’t have occurred to him at the time, but the title of Harley Granville Barker’s play Waste, which has just opened

SOURCE: The Stage Registration at 01:06PM
Thursday, November 12, 2015

‘If you’re not funded, there’s nothing to lose’ by Nick Smurthwaite

“It’s nice to think people will take a punt on a little studio theatre outside of town,” says Simon Reilly, for the

SOURCE: The Stage Registration at 09:00AM
Sunday, October 25, 2015

David Ian: ‘I had no prospects. I had nothing to lose, so I went for it’ by Nick Smurthwaite

In a sense we have Michael Crawford to thank for David Ian. Had he not been so good in the long-forgotten 1974

SOURCE: The Stage Registration at 06:00AM
Thursday, October 22, 2015

Backstage: Why the relationship between director and designer is crucial by Nick Smurthwaite

Few designer-director relationships are as close or symbiotic as that of Stewart Laing and Richard Jones, who are working together on Eugene

SOURCE: The Stage Registration at 01:01PM

The Archive: Edwardian powerhouse Mrs Patrick Campbell by Nick Smurthwaite

“A deep-voiced prima donna who drove authors and managers to despair,” was how John Gielgud described his friend Mrs Patrick Campbell after

SOURCE: The Stage Registration at 01:01PM
Saturday, October 17, 2015

Jessie Buckley: ‘I’m someone who needs to find ways of being out of my depth’ by Nick Smurthwaite

It doesn’t seem long ago that the 18-year-old Jessie Buckley was confidently strutting her stuff on Saturday night TV in the talent

SOURCE: The Stage Registration at 05:00AM
Monday, October 12, 2015

How long-running shows are kept fresh around the world by Nick Smurthwaite

Even before Les Mis stiffened the global sinews, Cats was purring and prowling its way round the world in the early 1980s,

SOURCE: The Stage Registration at 09:00AM
Friday, October 9, 2015

How recycling costumes is key to keeping the Les Mis look by Nick Smurthwaite

The working conditions are, shall we say, cosy. Four floors up, the cluttered two-room costume department and laundry room at the Queen’s

SOURCE: The Stage Registration at 09:00AM
Thursday, October 8, 2015

Cathy Tyson: ‘Theatre companies should celebrate the ageing process’ by Nick Smurthwaite

At 21, Cathy Tyson had the world at her feet. She’d been plucked from obscurity by director Neil Jordan to star in

SOURCE: The Stage Registration at 07:32AM
Tuesday, October 6, 2015

The Archive: Annie Horniman and the first English repertory theatre by Nick Smurthwaite

It all began with a letter in the Manchester Guardian, as it then was, on July 11 1907, announcing that Miss AEF

SOURCE: The Stage Registration at 12:52PM
Monday, October 5, 2015

Marcia Warren: ‘I was never leading lady material – I’ve got a funny face’ by Nick Smurthwaite

A beaming Marcia Warren greets me effusively as I enter the foyer of the Coronet, Notting Hill, the latest addition to London’s

SOURCE: The Stage Registration at 12:22PM
Friday, September 25, 2015

The Archive: Theatre Royal Nottingham celebrates 150 years of quality entertainment by Nick Smurthwaite

It was the year in which the American Civil War ended and Lewis Carroll published Alice’s Adventures in Wonderland. In Nottingham, 1865

SOURCE: The Stage Registration at 07:34AM
Sunday, September 20, 2015

Will Tuckett: ‘Choreography was always my first love’ by Nick Smurthwaite

If you had to guess what Will Tuckett did for a living, ballet dancer probably wouldn’t be top of your list. He

SOURCE: The Stage Registration at 10:54AM
Monday, September 14, 2015

Frank McGuinness: ‘If you want to make money, don’t become a playwright’ by Nick Smurthwaite

There was no tradition of reading books in the seaside town of Buncrana, Donegal, where he grew up, so the innately bookish

SOURCE: The Stage Registration at 08:45AM
Sunday, September 13, 2015

Jessica Swale: ‘Shakespeare’s Globe is a tricky and magical place’ by Nick Smurthwaite

Jessica Swale can hardly remember a time when she didn’t want to work in the theatre. Growing up in Berkshire with a

SOURCE: The Stage Registration at 08:20AM
Tuesday, September 1, 2015

The Archive: Louise Brooks – something of an enigma by Nick Smurthwaite

One of the most luminous stars of the silent era, Louise Brooks has been all but erased from cinema history. Only a

SOURCE: The Stage Registration at 02:38PM

Backstage: Two shows have given the art of puppetry a new lease of life by Nick Smurthwaite

So gobsmacking is the magic of War Horse and The Lion King that the time, effort and expertise that goes into making

SOURCE: The Stage Registration at 09:00AM
Tuesday, August 25, 2015

Celebrating 50 years of riverside theatre at Guildford’s Yvonne Arnaud by Nick Smurthwaite

No theatre is recession-proof but Guildford’s Yvonne Arnaud, 50 years old this year, does appear to be peculiarly blessed when it comes

SOURCE: The Stage Registration at 11:00AM
Monday, August 3, 2015

Meet the women changing the face of magic by Nick Smurthwaite

For the first time in the competition’s 50-year history, the Young Magician of the Year is a female performer this year. The

SOURCE: The Stage Registration at 09:00AM
Saturday, August 1, 2015

Stuart Piper: ‘Being an agent is like a game of poker’ by Nick Smurthwaite

Few jobs require people skills to the same extent as a theatrical agent. As well as having to reassure anxious clients on

SOURCE: The Stage Registration at 05:00AM
Tuesday, July 28, 2015

Backstage: ATG’s John Young on the future of apprenticeships by Nick Smurthwaite

The primacy of Ambassador Theatre Group brings with it, among other things, a lot of employment. Within the theatre operator’s 38 UK

SOURCE: The Stage Registration at 09:00AM
Monday, July 27, 2015

Visible Theatre: At last, older actors get grown-up roles by Nick Smurthwaite

The paradox of the older jobbing actor is that, while he or she may be happy to carry on working into extreme

SOURCE: The Stage Registration at 07:00AM
Sunday, July 12, 2015

Craig Revel Horwood: ‘It’s more interesting playing villains’ by Nick Smurthwaite

It is tempting to ask Craig Revel Horwood, scourge of the Strictly also-rans, to rate my interview technique from one to 10,

SOURCE: The Stage Registration at 07:00AM
Sunday, July 5, 2015

Cromer: last bastion of seaside variety in UK by Nick Smurthwaite

Think of an end-of-the-pier show and most of us think of something from another age, such as the pierrot-costumed troupe acting out

SOURCE: The Stage Registration at 09:48AM
Tuesday, June 23, 2015

Backstage: Man with a van to 12-man team by Nick Smurthwaite

From TV’s Sunday Night at the London Palladium to the long-running end-of-the-pier show in Cromer, Ian Westbrook’s career as a set designer

SOURCE: The Stage Registration at 09:00AM
Monday, June 22, 2015

Pauline McLynn: ‘They saw everyone in the country for Mrs Doyle before me’ by Nick Smurthwaite

It is 20 years since she left the mad world of Craggy Island behind her, but you feel it wouldn’t take a

SOURCE: The Stage Registration at 09:55AM
Tuesday, June 16, 2015

Obituary: Ron Moody by Nick Smurthwaite

Ironically it was a flop that led to Ron Moody being cast as Fagin in the landmark 1960 production of Lionel Bart’s

SOURCE: The Stage Registration at 02:04PM
Sunday, June 14, 2015

Peter Wright: ‘I wanted to be Ronald Pickup – not Olivier’ by Nick Smurthwaite

The scene is a cramped interview room adjacent to the National Theatre press office. Enter Peter Wight, bearing a plate of fish

SOURCE: The Stage Registration at 07:00AM
Saturday, June 6, 2015

Cinema Live: ‘We’ve only just scratched the surface of live streaming’ by Nick Smurthwaite

The fear, as expressed by former National Theatre director Nicholas Hytner and others, that filmed theatre would look like a lot of

SOURCE: The Stage Registration at 05:00AM
Thursday, May 21, 2015

Eileen Diss: 50 years of set design by Nick Smurthwaite

Talking to six times BAFTA winner Eileen Diss is like trawling through a history of BBC television drama. Now in her 80s,

SOURCE: The Stage Registration at 09:38AM