All stories by Nick Smurthwaite on BroadwayStars

Friday, November 17, 2017

The Archers star Tim Bentinck: ‘I want my memoirs to show my grandchildren I’ve done more than voice-acting a gnome’ by Nick Smurthwaite

Pirate King, Conjoined Gnome Left and, in real life, the Earl of Portland: Tim Bentinck has had many roles, but he’s known

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Wednesday, November 15, 2017

How theatre stalwart Celia Johnson nearly turned down Brief Encounter by Nick Smurthwaite

Wartime love letters reveal the 20-year veteran of the stage had a deep-seated suspicion of cinema and almost did not take the

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Mike Poulton: ‘I don’t work to commission. I only write what I want to write’ by Nick Smurthwaite

Political intrigue from the past is meat and drink to the writer, who has followed up his adaptation of Wolf Hall with

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The Hundred and One Dalmatians: Birmingham Rep’s dazzling feat of canine puppetry by Nick Smurthwaite

Birmingham Rep is adapting Dodie Smith’s much-loved book for its seasonal show. Its director and designers tell Nick Smurthwaite how a cast

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Monday, November 13, 2017

Everybody’s Talking About Jamie inspiration Jamie Campbell: ‘I first knew about it when I heard someone had auditioned to play my mum’ by Nick Smurthwaite

The inspiration for Everybody’s Talking About Jamie, the pop musical that opens in London’s West End next week, is 22-year-old Jamie Campbell,

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Friday, November 3, 2017

Men in Motion: ‘Dance is superior to all other art forms’ by Nick Smurthwaite

As international ballet star Ivan Putrov’s showcase of how the role of the male dancer has changed over the last 100 years

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Wednesday, November 1, 2017

Still sharp, 40 years after its Network premiere by Nick Smurthwaite

As the National Theatre prepares to stage Paddy Chayefsky’s 1976 satire, playwright Lee Hall, who has adapted the original screenplay, tells Nick

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Tuesday, October 31, 2017

How Mesh Theatre Company brought Journey’s End back to Flanders Fields by Nick Smurthwaite

As Mesh Theatre stages a revival of the celebrated, semi-autobiographical play Journey’s End, its director and designer tell Nick Smurthwaite what went

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Wednesday, October 18, 2017

How the real Rock Follies came back from hitting rock bottom by Nick Smurthwaite

Annabel Leventon and two friends formed 1970s girl band Rock Bottom, but had their dreams of stardom crushed when an original idea

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Tuesday, October 10, 2017

What apprenticeships are available in theatre? by Nick Smurthwaite

As the performing arts sector generates more apprenticeships than ever before, Nick Smurthwaite looks at how this is transforming the creative industries Considering

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Wednesday, October 4, 2017

Tracing the National Theatre’s past through 50 years of eye-catching posters by Nick Smurthwaite

The National celebrates half a century of publicity posters in its new exhibition. Nick Smurthwaite explores the changing face of what its

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Hair and now: tribal rock musical that’s still topical 50 years on by Nick Smurthwaite

When the Broadway rock musical first opened in London’s West End in 1968, with scenes of nudity, drug-taking and a strong anti-war

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Wednesday, September 27, 2017

Playwright NC Hunter: Bringing the forgotten man of British theatre in from the cold by Nick Smurthwaite

Once described as ‘the English Chekhov’, the playwright fell out of favour in the 1950s – despite being responsible for two of the

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Cartoonist and designer Gerald Scarfe: ‘My instinct is to go for the jugular, whatever I do’ by Nick Smurthwaite

Political cartoonist Gerald Scarfe has long had a sideline in scenic design for the theatre. As an exhibition of his stage work

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Monday, September 4, 2017

Jermyn Street artistic director Tom Littler: ‘It’s hard to work in small spaces – you can’t cheat’ by Nick Smurthwaite

After a career as a freelance director and producer, Jermyn Street Theatre’s new artistic director tells Nick Smurthwaite why he couldn’t be

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Friday, September 1, 2017

Zigger Zagger! Oi! Oi! Oi! How football’s first musical kicked off by Nick Smurthwaite

The National Youth Theatre’s revival of Peter Terson’s 1960s terraces-set musical marks its 50th anniversary. Nick Smurthwaite looks back at the birth

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Friday, August 25, 2017

Follies: Still living, laughing, loving by Nick Smurthwaite

As the National Theatre prepares to revive Follies for its first full staging in three decades, Nick Smurthwaite looks at the inspiration

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Friday, August 18, 2017

Farce and fatality in Loot – the birth of Joe Orton’s blackest comedy by Nick Smurthwaite

Fifty years after his brutal murder, the playwright’s darkly comic creation is returning to the stage in its original, uncensored form for

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Monday, August 7, 2017

Monica Dolan: ‘I like to challenge myself. I don’t want to keep playing the same part’ by Nick Smurthwaite

With a CV that ranges from Shakespeare and W1A to Rose West, Monica Dolan has never been afraid to take risks. She

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The Ivy: Celebrating 100 years of Theatreland’s star spot by Nick Smurthwaite

Long known as the venue where West End royalty go to see and be seen, the Ivy has reinvented itself for each

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Friday, August 4, 2017

Jon Bausor – the ‘bat’ man raising hell at the London Coliseum by Nick Smurthwaite

Bat Out of Hell turns a venerable London stage into a dystopian nightmare. Its designer tells Nick Smurthwaite how he drew on

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Friday, July 28, 2017

Sweetpea Slight: The low-down on life with a theatre impresario by Nick Smurthwaite

Work experience with theatrical grande dame Thelma Holt changed an impressionable young woman’s life and her name. Following the publication of her

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Noel Coward Archive Trust: Reviving ‘the master’ by Nick Smurthwaite

Noel Coward Estate manager Alan Brodie tells Nick Smurthwaite how its newly released letters, home movies and photographs gives a startling insight

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Monday, July 24, 2017

How Frinton Summer Theatre is bringing a frisson to a sleepy seaside resort by Nick Smurthwaite

England’s oldest rep, Frinton Summer Theatre, has entertained local residents and holidaymakers for 80 years, proving a useful training ground for well-known

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Thursday, July 20, 2017

Marianne Elliott: ‘Insecurity is part of the fabric of what we do. Everyone is insecure’ by Nick Smurthwaite

As the epic Angels in America continues its run at the National, its director – who has helmed some of theatre’s biggest

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Monday, July 17, 2017

Photographer Tristram Kenton: ‘I never take a camera on holiday’ by Nick Smurthwaite

Nearly 30 years ago, The Stage’s former editor took a chance on an inexperienced, 24-year-old photographer. Nick Smurthwaite finds out about his

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Friday, July 14, 2017

Producer Joseph Smith: ‘On Broadway, I found my English accent wasn’t an advantage’ by Nick Smurthwaite

Having started out at the National’s education department, Joseph Smith went on to pursue a career as a producer in New York.

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Thursday, June 29, 2017

Rebecca Kane Burton: ‘We need to make these historic West End theatres more inviting’ by Nick Smurthwaite

After beginning her career at English Heritage, the entertainment executive went on to manage events venues Alexandra Palace and the O2 during

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Monday, June 26, 2017

Designer Peter McKintosh: ‘Cameron Mackintosh gave me £1,000 and changed my life’ by Nick Smurthwaite

The Olivier-winning set and costume designer is no stranger to West End transfers, with recent hits including The 39 Steps and My

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Friday, June 23, 2017

How Theatre Record’s survival is a beacon of hope while arts critics are axed by Nick Smurthwaite

The fortnightly compendium of newspaper theatre reviews was launched in 1981 and has recently joined the digital age. Nick Smurthwaite discovers how

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Monday, June 19, 2017

Designer Grace Smart: ‘I once broke into a theatre at 7am to repaint the stage’ by Nick Smurthwaite

It is only 18 months since she won the prestigious Linbury Prize, but Grace Smart is already showing signs of becoming one

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