Wednesday, December 5, 2018
Touring productions and local standouts that illuminated Washington stages.
SOURCE: Washington Post at 12:06PMThursday, November 29, 2018
The insightful U.K. import at the Kennedy Center cuts across borders — from Britain to Africa.
SOURCE: Washington Post at 02:54PMThursday, November 22, 2018
Energetic and exciting are not the same things.
SOURCE: Washington Post at 10:12AMTuesday, November 20, 2018
Monday, November 19, 2018
The play at Studio Theatre gets serious about the challenges, especially for women.
SOURCE: Washington Post at 04:06PMColin Hovde, who has run the company since 2011, steps away.
SOURCE: Washington Post at 12:48PMSaturday, November 17, 2018
The Olney Theatre Center show lacks originality and spirit.
SOURCE: Washington Post at 09:18AMThursday, November 15, 2018
Arena Stage revives the Cole Porter classic.
SOURCE: Washington Post at 01:18PMMonday, November 12, 2018
Oscar Wilde’s “A Woman of No Importance” benefits from an all-female cast.
SOURCE: Washington Post at 02:06PMFriday, November 2, 2018
Yarn expands from animated film to song and dance.
SOURCE: Washington Post at 12:54PMWednesday, October 31, 2018
The winner, “Sing to Me Now,” features a muse with the blues.
SOURCE: Washington Post at 02:42PMMonday, October 29, 2018
Brave Spirits Theatre takes on “The Duchess of Malfi” and “The Changeling.”
SOURCE: Washington Post at 02:18PMSunday, October 28, 2018
Politics invades a living room in ‘Blight,’ and Dario Fo’s ‘Can’t Pay, Won’t Pay!’ is revived.
SOURCE: Washington Post at 03:12PMFriday, October 26, 2018
Alex Timbers and David Korins offer a sneak peek at the set of their new Broadway-bound show.
SOURCE: Washington Post at 08:54AMTuesday, October 23, 2018
Anna Ziegler’s Title IX drama arrives in Theater J’s show at Arena Stage.
SOURCE: Washington Post at 02:04PMThursday, October 18, 2018
The troupe 600 Highwaymen brings the experimental show about the human bond to Woolly Mammoth.
SOURCE: Washington Post at 09:36AMTuesday, October 16, 2018
The 1997 Pulitzer winner’s depiction of abuse has not dulled.
SOURCE: Washington Post at 06:06PMMonday, October 15, 2018
‘New Guidelines for Peaceful Times’ at Spooky Action freshens an old interrogation model.
SOURCE: Washington Post at 02:42PMFriday, October 5, 2018
The Washington Stage Guild production, in the intimate Undercroft Theatre, jolts your senses.
SOURCE: Washington Post at 11:04PMTuesday, October 2, 2018
‘Camelot’ director Alan Paul tries his hand at Shakespeare’s early farce.
SOURCE: Washington Post at 02:06PMMonday, October 1, 2018
The terrain looks familiar in a rom-com that goes from Blair to Brexit.
SOURCE: Washington Post at 12:54PMFriday, September 28, 2018
Four of 10 works this season are by female playwrights. That’s better than ever, but parity should be the goal.
SOURCE: Washington Post at 10:06AMThursday, September 27, 2018
As the show on democratic principles opens at Ford’s Theatre, good luck leaving politics at the door.
SOURCE: Washington Post at 12:42PMThe London smash by James Graham is making its U.S. debut at Olney Theatre.
SOURCE: Washington Post at 10:36AMWednesday, September 26, 2018
An earlier look at angry speech from the author of “The Originalist.”
SOURCE: Washington Post at 01:48PMWednesday, September 19, 2018
Sadie Hasler’s bruising comedy takes an irreverent point of view.
SOURCE: Washington Post at 03:06PMTuesday, September 18, 2018
The Putin piece is absurd, while a mass violence incident sends a playwright toward ancient Greek models.
SOURCE: Washington Post at 05:18PMMonday, September 17, 2018
Middle East politics and deep secrets strain a D.C. family.
SOURCE: Washington Post at 01:48PMSunday, September 16, 2018
Arena Stage revives the late comic’s style.
SOURCE: Washington Post at 04:04PMThursday, September 13, 2018
Shirlington troupe gets extra points for being user-friendly and producing musicals better than the rest.
SOURCE: Washington Post at 10:32AM 
