All stories by Michael Billington on BroadwayStars

Wednesday, December 1, 2010

Beauty and the Beast - review by Michael Billington

Cottesloe, LondonThe dedicatedly avant-garde Katie Mitchell astonished many last year with her playful production of The Cat in the Hat. Now she has directed and co-devised, with writer Lucy…

SOURCE: The Guardian at 07:20PM
Tuesday, November 30, 2010

My Dad's a Birdman – review by Michael Billington

Young Vic, LondonDavid Almond's Skellig provided the Young Vic with one of its biggest Christmas hits in 2003. Now Almond is back with a charming, gently optimistic fable about human longing…

SOURCE: The Guardian at 04:30PM
Monday, November 29, 2010

Les Parents Terribles - review by Michael Billington

Trafalgar Studios, LondonThe Donmar's West End season is driven by the desire to promote young directors, and it has an excellent one in Chris Rolls. He has grasped the key point that this 1…

SOURCE: The Guardian at 07:10PM
Thursday, November 25, 2010

Kin – theatre review by Michael Billington

Royal Court, LondonThe myth of childhood innocence is under sustained attack at the Royal Court. After Polly Stenham's Tusk Tusk and Anya Reiss's Spur of the Moment, we now have a disturbing…

SOURCE: The Guardian at 05:02PM

The great expressionist experiment: theatre seizes the essence of life by Michael Billington

A number of productions are dragging British theatre away from the grip of realism – with sensational results"Expressionist" is one of those handy terms that we critics use rather promiscu…

SOURCE: The Guardian at 10:34AM
Wednesday, November 24, 2010

The Invisible Man – review by Michael Billington

Menier Chocolate Factory, LondonIllusionist Paul Kieve is the invisible genius of British theatre. You may not know the name, but he has supplied the tricks for scores of plays and musicals …

SOURCE: The Guardian at 04:45PM

The thrust of the problem for the RSC's new stage by Michael Billington

The renovation of the Royal Shakespeare Company's main theatre in Stratford brings the audience closer to the actors. The big question is whether it will help them hearLike Jonathan Glancey,…

SOURCE: The Guardian at 05:28AM
Monday, November 22, 2010

End of the Rainbow - review | Theatre | Michael Billington by Michael Billington

Trafalgar Studios, LondonUnless they have some radical new information to impart, I could happily accept a moratorium on all bio-plays about Judy Garland, Marilyn Monroe and Maria Callas. Th…

SOURCE: The Guardian at 08:04PM
Thursday, November 18, 2010

The Master Builder – review by Michael Billington

Almeida, LondonIbsen's weird, autobiographical 1892 play gets a radical makeover at the Almeida. Out go the oppressive furniture, the frock coats and even the statutory intervals. Instead we…

SOURCE: The Guardian at 08:10PM
Wednesday, November 17, 2010

The Glass Menagerie - review by Michael Billington

Young Vic, LondonWe have not been starved of productions of Tennessee Williams's famous autobiographical play. What makes this version, directed by Joe Hill-Gibbins, unusual is its fidelity …

SOURCE: The Guardian at 07:19PM
Tuesday, November 16, 2010

Fela! - review by Michael Billington

Olivier, London"Who here has ever been to jail?" asks the eponymous hero of this frenetic musical. It is not a question often asked of National Theatre audiences, but it is indicative of a s…

SOURCE: The Guardian at 07:33PM
Monday, November 15, 2010

Hungry Ghosts – review by Michael Billington

Orange Tree, RichmondAs a writer-director, Tim Luscombe doesn't shirk the big subjects. His last play, The Schuman Plan, dealt with the European federal dream. His new one tackles both Formu…

SOURCE: The Guardian at 04:29PM
Thursday, July 29, 2010

Anne Boleyn by Michael Billington

Shakespeare's Globe, London Continue reading...

SOURCE: The Guardian at 04:29PM
Wednesday, July 21, 2010

Light Shining in Buckinghamshire by Michael Billington

Arcola, London Continue reading...

SOURCE: The Guardian at 05:15PM
Thursday, April 15, 2010

Posh by Michael Billington

Royal Court, London Continue reading...

SOURCE: The Guardian at 08:58PM
Wednesday, November 18, 2009

Cock by Michael Billington

Royal Court, London Continue reading...

SOURCE: The Guardian at 06:38PM
Wednesday, September 23, 2009

Theatre review: Our Class, Cottesloe, London by Michael Billington

Cottesloe, London1,600 Jews were massacred in the small Polish town of Jedwabne in the summer of 1941. Such is the starting-point for this play by Tadeusz Slobodzianek which follows recent r…

SOURCE: The Guardian at 08:24PM
Wednesday, April 15, 2009

Calendar Girls by Michael Billington

Noel Coward, London Continue reading...

SOURCE: The Guardian at 07:22PM
Tuesday, August 5, 2008

Hamlet by Michael Billington

Courtyard, Stratford-upon-Avon Continue reading...

SOURCE: The Guardian at 07:01PM
Wednesday, February 13, 2008

Speed-The-Plow by Michael Billington

Old Vic, London· Mamet in pictures· Quiz: do you know your Mamet? Continue reading...

SOURCE: The Guardian at 07:35AM
Wednesday, November 14, 2007

The Brothers Size / Young Vic, London by Michael Billington

Young Vic, LondonPeople leapt to their feet at the end of this show as if we were in America, which is appropriate since Tarell Alvin McCraney's play has been a big hit at New York's Public …

SOURCE: The Guardian at 12:16PM
Thursday, July 12, 2007

Theatre review: Saint Joan / Olivier Theatre, London by Michael Billington

Olivier Theatre, LondonAside from a touring production of Widowers' Houses, this is the first Shaw play the National has presented in 13 years: a symbol of our scandalous neglect of a great …

SOURCE: The Guardian at 04:50AM
Tuesday, February 14, 2006

Blackbird by Michael Billington

Albery, London Continue reading...

SOURCE: The Guardian at 06:20AM
Thursday, September 15, 2005

Ken Dodd on why Shakespeare was a stand-up at heart by Michael Billington

Ken Dodd tells Michael Billington why Shakespeare was a stand-up comic at heartThe names Ken Dodd and Shakespeare may not seem immediately synonymous. But all Doddyphiles will know that the …

SOURCE: The Guardian at 11:01AM
Thursday, April 14, 2005

My Name is Rachel Corrie by Michael Billington

Royal Court, London Continue reading...

SOURCE: The Guardian at 05:39AM
Monday, November 15, 2004
Saturday, September 11, 2004

Stuff Happens by Michael Billington

Olivier Theatre, London Continue reading...

SOURCE: The Guardian at 07:22AM
Wednesday, September 8, 2004

Batboy the Musical by Michael Billington

Shaftesbury Theatre, London Continue reading...

SOURCE: The Guardian at 10:00PM
Friday, May 28, 2004

Top of the class by Michael Billington

Alan Bennett's new play is not just about history - it makes history. Michael Billington hails a masterpiece Continue reading...

SOURCE: The Guardian at 08:54PM
Wednesday, April 28, 2004

Hamlet, Old Vic, London by Michael Billington

Old Vic, LondonTrevor Nunn, having last directed Hamlet 30 years ago, says for him the play has always been unfinished business. I suspect it will remain so even after this youth-orientated,…

SOURCE: The Guardian at 05:54AM
Monday, April 7, 2003

Hitchcock Blonde by Michael Billington

Royal Court, London Continue reading...

SOURCE: The Guardian at 08:18AM