All stories by Michael Billington on BroadwayStars

Wednesday, January 12, 2011

Once Bitten – review by Michael Billington

Orange Tree, RichmondStudents of French farce can have a field day with this one. Written in 1875 by Alfred Hennequin and Alfred Delacour, and here niftily translated by Reggie Oliver, it pr…

SOURCE: The Guardian at 05:46PM
Tuesday, January 11, 2011

Julius Caesar – review by Michael Billington

Roundhouse, LondonI was tickled by the Observer's recent, inadvertent description of a malt whisky as "a genuine classic which never fails to disappoint". I've always felt that Julius Caesar…

SOURCE: The Guardian at 04:30PM
Monday, January 10, 2011

Call Mr Robeson – review by Michael Billington

Theatro Technis, LondonAs a famed singer and actor persecuted for his radical politics and civil-rights campaigning, Paul Robeson has the dimensions of an American tragic hero. And, even if …

SOURCE: The Guardian at 05:00PM
Friday, January 7, 2011

The Potting Shed - review by Michael Billington

Finborough, LondonAs a novelist, Graham Greene was prepared to experiment: as a dramatist, he was trapped in the conventions of the well-made West End play. That, at least, is the conclusion…

SOURCE: The Guardian at 04:30PM
Thursday, January 6, 2011

Cirque du Soleil: Totem – review by Michael Billington

Royal Albert Hall, LondonCirque du Soleil is often accused of a soulless efficiency. So it must have seemed a bright idea to get Robert Lepage (who also hails from Quebec, where the circus s…

SOURCE: The Guardian at 04:31PM
Wednesday, January 5, 2011

Salad Days – review by Michael Billington

Riverside Studios, LondonWho would have thought it? One of the strongest theatrical survivors of the mid-1950s turns out to be this whimsical musical by Julian Slade and Dorothy Reynolds abo…

SOURCE: The Guardian at 04:30PM
Tuesday, January 4, 2011

Alice in Wonderland – review by Michael Billington

Little Angel, LondonYou don't, of course, get the whole of Alice in Tim Kane's 90-minute puppet version: no caucus-race, no croquet-mallet flamingos and – perhaps rightly, as the show is a…

SOURCE: The Guardian at 05:30PM

The Lion King: a feast for the eyes, if little else | Michael Billington by Michael Billington

The plot is thin, the musical numbers bland – but Julie Taymor's production remains kaleidoscopically brilliantI may not be the ideal person to explain the enduring appeal of The Lion King…

SOURCE: The Guardian at 03:32PM

Michael Billington's 2010 theatre quiz by Michael Billington

Which playwright was banned in Dudley for discrimination? Who handbagged the Queen? Put your theatrical knowledge to the testMichael Billington

SOURCE: The Guardian at 06:43AM

Michael Billington's 2010 theatre quiz: were you paying attention? by Michael Billington

Which playwright was banned in Dudley for discrimination? Who handbagged the Queen? Test your theatrical knowledge on the year just gone here Continue reading...

SOURCE: The Guardian at 06:43AM
Monday, January 3, 2011

The best theatre for 2011 by Michael Billington

Michael Billington thinks Terence Rattigan is well worth revisiting in his centenary year, and selects the best of the rest of the year's theatreCentenaries offer a great chance for re-asses…

SOURCE: The Guardian at 03:00AM
Sunday, December 19, 2010

The Winter's Tale – review by Michael Billington

Roundhouse, London"A sad tale's best for winter," says the boy Mamilius; and, possibly because of the season of the year, I became unusually aware of the fairytale elements in Shakespeare's …

SOURCE: The Guardian at 05:15PM
Thursday, December 16, 2010

Is Judi Dench really the greatest actor ever? | Michael Billington by Michael Billington

The absurdity of comparing the living with the dead, plus the changing nature of acting 'greatness', means polls like the one carried out by the Stage are little more than a marketing exerci…

SOURCE: The Guardian at 08:54AM

Beasts and Beauties - review by Michael Billington

Hampstead Theatre, LondonIn an exceptional season for family shows, this one ranks comparison with the best. First seen in Bristol in 2004, it consists of eight European fairy tales dramatis…

SOURCE: The Guardian at 04:37AM
Wednesday, December 15, 2010

Michael Billington on Shakespeare on TV by Michael Billington

'My plan for how the Bard could rule TV'Did you catch Rupert Goold's Macbeth on telly on Sunday night? Probably not. For a start, it was tucked away on BBC4. It was also up against The X Fac…

SOURCE: The Guardian at 04:45PM
Tuesday, December 14, 2010

A Flea in Her Ear - review by Michael Billington

Old Vic, LondonBack in 1966 Feydeau's masterpiece erupted on to this very stage in a production by Jacques Charon that ushered in a major re-evaluation of farce. At a time when the genre is …

SOURCE: The Guardian at 07:26PM
Monday, December 13, 2010

Review | Theatre | Get Santa! | Royal Court | Michael Billington by Michael Billington

Royal Court, LondonWe don't normally associate the Royal Court with seasonal jollity. Anthony Neilson, whose last work at this venue, Relocated, dealt with the abduction and abuse of childre…

SOURCE: The Guardian at 07:57PM
Thursday, December 9, 2010

Matilda – review by Michael Billington

The RSC have produced a dark and delightful adaptation of Roald Dahl's tale of a child genius, and her monstrous headmistressAt a time of year when mush is licensed, it is a bright idea of t…

SOURCE: The Guardian at 07:06PM

Matilda – review by Michael Billington

The RSC have produced a dark and delightful adaptation of Roald Dahl's tale of a child genius, and her monstrous headmistressAt a time of year when mush is licensed, it is a bright idea of t…

SOURCE: The Guardian at 07:06PM
Wednesday, December 8, 2010

Season's Greetings - review by Michael Billington

Lyttelton, LondonIn theory, it seems perfect timing: a revival of Alan Ayckbourn's 30-year-old bilious comedy about the rows, tears, forced merriment and crises of Christmas family reunions.…

SOURCE: The Guardian at 07:54PM

Swallows and Amazons – review by Michael Billington

Bristol Old VicIt is a nice irony that the author of one of the most impeccably middle class of all children's books was a one-time Bolshevik sympathiser as well as the Manchester Guardian's…

SOURCE: The Guardian at 04:30PM
Tuesday, December 7, 2010

King Lear - review by Michael Billington

Donmar Warehouse, London"How can you bear another Lear?" someone asked me over lunch. And, if one's honest, there are times when Mount Lear, as a critic once called it, can seem as daun…

SOURCE: The Guardian at 07:05PM
Monday, December 6, 2010

Quality Street – review by Michael Billington

Finborough, LondonAt this time of year, the name of JM Barrie usually means one thing: Peter Pan. But, with characteristic audacity, the Finborough has chosen to revive this 1902 Regency-set…

SOURCE: The Guardian at 05:15PM
Sunday, December 5, 2010

Dick Whittington and his Cat – review by Michael Billington

Lyric Hammersmith, LondonIt's good that the Lyric is elastic enough to switch from Blasted one month to panto the next. But, while director Steve Marmion and his team have created a raucousl…

SOURCE: The Guardian at 05:15PM
Friday, December 3, 2010

Romeo and Juliet – review by Michael Billington

Roundhouse, LondonRupert Goold's sensational production of this problematic play sails into London from Stratford with all guns blazing. Signalling the start of a five-year partnership …

SOURCE: The Guardian at 04:30PM
Wednesday, December 1, 2010

Beauty and the Beast - review by Michael Billington

Cottesloe, LondonThe dedicatedly avant-garde Katie Mitchell astonished many last year with her playful production of The Cat in the Hat. Now she has directed and co-devised, with writer Lucy…

SOURCE: The Guardian at 07:20PM
Tuesday, November 30, 2010

My Dad's a Birdman – review by Michael Billington

Young Vic, LondonDavid Almond's Skellig provided the Young Vic with one of its biggest Christmas hits in 2003. Now Almond is back with a charming, gently optimistic fable about human longing…

SOURCE: The Guardian at 04:30PM
Monday, November 29, 2010

Les Parents Terribles - review by Michael Billington

Trafalgar Studios, LondonThe Donmar's West End season is driven by the desire to promote young directors, and it has an excellent one in Chris Rolls. He has grasped the key point that this 1…

SOURCE: The Guardian at 07:10PM
Thursday, November 25, 2010

Kin – theatre review by Michael Billington

Royal Court, LondonThe myth of childhood innocence is under sustained attack at the Royal Court. After Polly Stenham's Tusk Tusk and Anya Reiss's Spur of the Moment, we now have a disturbing…

SOURCE: The Guardian at 05:02PM

The great expressionist experiment: theatre seizes the essence of life by Michael Billington

A number of productions are dragging British theatre away from the grip of realism – with sensational results"Expressionist" is one of those handy terms that we critics use rather promiscu…

SOURCE: The Guardian at 10:34AM
Wednesday, November 24, 2010

The Invisible Man – review by Michael Billington

Menier Chocolate Factory, LondonIllusionist Paul Kieve is the invisible genius of British theatre. You may not know the name, but he has supplied the tricks for scores of plays and musicals …

SOURCE: The Guardian at 04:45PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre