All stories by Michael Billington on BroadwayStars

Wednesday, March 30, 2011

Review | Theatre | Rocket to the Moon | Venue | Michael Billington by Michael Billington

Lyttelton, LondonWhat was Clifford Odets up to in this strange 1938 play? Was he, as he once claimed, writing about the near-impossibility of love between man and woman in a deeply competiti…

SOURCE: The Guardian at 08:48PM
Tuesday, March 29, 2011

Review | Old Vic | Cause Célèbre | Michael Billington by Michael Billington

Old Vic, LondonSomewhat coolly received at its premiere in 1977, Terence Rattigan's final play stands the test of time.And, watching Thea Sharrock's fine revival, I was struck by how many cl…

SOURCE: The Guardian at 08:28PM
Monday, March 28, 2011

The Consultant – review by Michael Billington

Theatre 503, LondonBrighton's Hydrocracker company makes its London debut with this lively new play by Neil Fleming about management consultants. It's a rich topic given that government spen…

SOURCE: The Guardian at 05:15PM

Tennessee Williams at 100: funnier than ever by Michael Billington

Rather than simply being tragic poems of frustration and loss, Tennessee Williams's plays provide a rich – and very comic – social record of his timesAnniversaries offer a cue for reasse…

SOURCE: The Guardian at 10:22AM
Wednesday, March 23, 2011

Remembrance Day - review by Michael Billington

Royal Court, LondonHow do we view the past? Do we forgive and forget, or keep alive ancient animosities? The questions may seem academic. But they are a living issue in Latvia where every 16…

SOURCE: The Guardian at 08:40PM
Tuesday, March 22, 2011

The Umbrellas of Cherbourg - review by Michael Billington

Gielgud, London"Charmingly attenuated" was how the New Yorker's Pauline Kael described the original 1964 Jacques Demy movie. Suspiciously thin would be my verdict on this stage version adapt…

SOURCE: The Guardian at 08:24PM
Monday, March 21, 2011

Mary Broome – review by Michael Billington

Orange Tree, RichmondThere is no shilly-shallying in this excellent revival of Allan Monkhouse's 1911 social comedy: within minutes, we learn that the eponymous housemaid has been impregnate…

SOURCE: The Guardian at 02:27PM

Making a scène: the five French dramatists you should meet | Michael Billington by Michael Billington

The British have long been sniffy about French theatre, but classic playwrights from Molière to Marivaux deserve another lookWe seem to have a love-hate relationship with French drama. We o…

SOURCE: The Guardian at 08:49AM
Thursday, March 17, 2011

Review | Theatre | Name of play | Venue | Michael Billington by Michael Billington

Almeida, LondonAddiction is a difficult subject to dramatise: it depends on repetition, isolation, an inability to connect with other people. But, although David Eldridge's moving new play d…

SOURCE: The Guardian at 08:46PM
Wednesday, March 16, 2011

The Holy Rosenbergs - review by Michael Billington

Cottesloe, LondonIf you are going to imitate, always imitate the best; even if Ryan Craig's new play is full of echoes of Arthur Miller's Death of a Salesman and All My Sons, they are good m…

SOURCE: The Guardian at 07:57PM
Tuesday, March 15, 2011

Ecstasy - review by Michael Billington

Hampstead, LondonMae West liked a guy who took his time, and Mike Leigh certainly exercises that privilege in this 2¾-hour play originally seen at Hampstead in 1979. But, although there may…

SOURCE: The Guardian at 08:17PM
Monday, March 14, 2011

In a Forest Dark and Deep - review by Michael Billington

Vaudeville, LondonYou never know quite where you are with Neil LaBute. As he has shown in plays such as The Shape of Things and The Mercy Seat, he's a moralist who seems to delight in depict…

SOURCE: The Guardian at 08:35PM

Olivier awards: Roger Allam reigns, Sheridan Smith shines ... but is it the end of an era? by Michael Billington

Allam stole the best actor crown and Smith was queen of musicals, but new plays were thin on the ground. And funding cuts were the ghost at the feastIn pictures: The Laurence Olivier awardsO…

SOURCE: The Guardian at 09:39AM
Sunday, March 13, 2011

Don't mention the phwoar: the future of German theatre by Michael Billington

How does theatre in Germany compare with here? What are its obsessions? Who are its stars? For the Guardian's New Europe series, Michael Billington hits BerlinI came to Berlin eager to learn…

SOURCE: The Guardian at 05:31PM

Flare Path – review by Michael Billington

Theatre Royal Haymarket, LondonSienna Miller may be the box-office draw, but Trevor Nunn's magnificent revival of Terence Rattigan's 1942 play is an ensemble achievement. And that seems appr…

SOURCE: The Guardian at 10:33AM
Friday, March 11, 2011

Sign of the Times - review by Michael Billington

Duchess, LondonTim Firth is clearly not a man to let a bad idea go to waste. Twenty years ago he wrote a one-act play, Man of Letters, about an encounter between age and youth on a Batley ro…

SOURCE: The Guardian at 06:58PM
Thursday, March 10, 2011

Romeo and Juliet - review by Michael Billington

Royal Shakespeare, Stratford-upon-AvonStratford's new stage already blazes with life. The RSC has coupled King Lear with a revival of Rupert Goold's celebrated production of one of the trick…

SOURCE: The Guardian at 07:25PM

King Lear – review by Michael Billington

Royal Shakespeare TheatreIt works. That's one's instant verdict on the transformed Royal Shakespeare Theatre. And it succeeds precisely because it feels new and strangely familiar. The old a…

SOURCE: The Guardian at 07:02PM
Wednesday, March 9, 2011

Blithe Spirit – review by Michael Billington

Apollo, LondonCoward's comedies are always bankable West End prospects. But Thea Sharrock's revival of this 1941 piece has lost some sheen since it was first seen at the Theatre Royal, Bath …

SOURCE: The Guardian at 07:59PM
Tuesday, March 8, 2011

A Dish of Tea With Dr Johnson – review by Michael Billington

Dr Johnson's House, LondonRarely do a play and its setting match as well as this. Seated in the garret of Dr Johnson's house in Gough Square, off Fleet Street, we meet the great man himself,…

SOURCE: The Guardian at 08:20PM
Tuesday, March 1, 2011

The Wizard of Oz - review by Michael Billington

London PalladiumThe Victorian theatre of spectacle is alive and well, and residing at the London Palladium. But although this adaptation of the Frank Baum book and the 1939 movie, with addit…

SOURCE: The Guardian at 07:53PM

Moment – review by Michael Billington

Bush, LondonWhatever its economic woes, Ireland continues to yield good new dramatists. Deirdre Kinahan, making her UK debut in a production by Tall Tales theatre company, has lit on a …

SOURCE: The Guardian at 01:14PM

Theatre intervals: is it curtains? | Michael Billington by Michael Billington

More shows than ever seem to be abandoning the half-way pause, and running straight through. To pee or not to pee? That is the question"Did you have a good interval?" asks a character in Mic…

SOURCE: The Guardian at 11:45AM
Monday, February 28, 2011

Million Dollar Quartet – review by Michael Billington

Noel Coward, London1956 was a momentous year: the Suez crisis, the Hungarian revolution, Khruschev's denuniciation of Stalin. But it was also a time of cultural upheaval, and this exuberantl…

SOURCE: The Guardian at 05:15PM
Sunday, February 27, 2011

Drowning on Dry Land - review by Michael Billington

Jermyn Street, LondonLong before it became trendy to attack celebrity culture, Alan Ayckbourn satirised it brilliantly in his 1988 Man of the Moment. He returned to the theme in this play, w…

SOURCE: The Guardian at 12:58PM
Friday, February 25, 2011

Ruby Wax: Losing It – review by Michael Billington

Menier Chocolate Factory, LondonTheatre can offer many things: entertainment, enlightenment, ecstasy. But this strange show is something else: theatre as therapy. In the first half Ruby Wax,…

SOURCE: The Guardian at 02:34PM
Wednesday, February 23, 2011

Frankenstein - review by Michael Billington

Olivier Theatre, LondonForget Boris Karloff with a bolt through his neck. Forget even Peter Boyle as the new, improved monster singing Puttin' On The Ritz in the Mel Brooks pastiche. What yo…

SOURCE: The Guardian at 07:46PM

Frankenstein - review by Michael Billington

Olivier Theatre, London Continue reading...

SOURCE: The Guardian at 07:46PM

Michael Billington on reviewers who join in the play by Michael Billington

'Keep off the stage when you're on duty'"Imprisoned in every fat man," Cyril Connolly once wrote, "a thin man is wildly signalling to be let out." And inside every critic, it seems, lurks a …

SOURCE: The Guardian at 05:15PM
Monday, February 21, 2011

The 25th Annual Putnam County Spelling Bee - review by Michael Billington

Donmar, LondonGiven the Donmar's exemplary musical track record, it is a bit of a shock to find them importing this flimsy, vacuous diversion. Like Grease and Legally Blonde, it has a vaguel…

SOURCE: The Guardian at 09:09PM

Our Private Life – review by Michael Billington

Royal Court, LondonOne of the virtues of the Royal Court's International Playwrights Season is that it brings us news from abroad. And this intriguing 90-minute play by Pedro Miguel Rozo, se…

SOURCE: The Guardian at 05:00PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre